Universal

Bravo had an idea. On the surface it was actually a pretty good idea. They realized that of all the well known and critically acclaimed show runners out there with their hugely successful shows, there must have been some flops along the way. After all, no one hits a home run all the time. They also correctly assumed that some of these shows might have been pretty fair efforts that for some reason or another just didn’t last long enough to catch on. Furthermore, it was a rather clever marketing decision that there were folks out there who would like to see some of this stuff again. Even the idea of DVD releases was a smart strategy. The fatal flaw is the way they released this material. The DVD contains but a single episode of four very different programs. For three of the entries, these aren’t even pilots to properly introduce us to the characters and circumstances surrounding each show. Touching Evil is the worst of the lot in this department. From the very beginning, it’s obvious that we’re in the middle of a huge story with rather complicated character interrelationships. We’re left feeling like outsiders. For me that made it almost impossible to fairly evaluate the series. The added “Previously On” was completely inadequate to catch me up. In fact, it actually left me with even more questions.

Johnny Staccato is the shorter of the presentations at about 25 minutes. The series starred the wonderful John Cassavetes as a night club piano player who does a little gumshoe work on the side. The style is very much a 1950’s Sam Spade atmosphere and works quite well. The episode “Tempted” is a pretty nice affair starring Bewitched’s Elizabeth Montgomery as the apparent “damsel in distress”. Many plot twists in a short time move the story along pretty well. This is the only entry in black and white..

The Brilliant But Cancelled DVD series is the brainchild of the web site of the same name, run by the Bravo network. As of now, there are just two titles in the series, a set of four different crime dramas, and this show. EZ Streets was a show from the 1996/1997 television season that was something of a precursor to The Sopranos. Hardly the same quality, but a similar idea. This time, Joe Pantoliano plays the boss of a crime family simply called the EZ. Ken Olin plays an undercover police detect...ve who has infiltrated the organization, and is sometimes torn between his job and his loyalty to his new friends. Meanwhile, Jason Gedrick plays a gangster that is fresh out of prison, struggling between his desires to play it straight and his need to rejoin the high income lifestyle of his friends.

The show may have been Canceled because it was just a bit ahead of its time. It's possible that America wasn't ready for a sympathetic look at the lives of career criminals on network television in 1996. As a result, the show only got an eight episode run on the air, including a two-part pilot. That pilot is included on this disc, as are episodes 6 and 7 from the shows short broadcast run. It seems odd to only present the series' first episode and two mid-season episodes. The episodes don't flow together, so there is no overarching storyline.

Coach is one of those shows that never seemed to make a lot of noise. I can’t remember any year it was on that it burned up the ratings or scored many awards. Still, it was the little show that could. It ran for nine seasons, always holding on to a loyal core audience. I’m sure most of the success belongs to the underrated talents of Craig T. Nelson. I’ll admit that this guy just never showed up on my talent radar until his unexpected turn at drama during The District. It was then I learned to appreciate his self-effacing subtle abilities. Now I watch Coach with a somewhat renewed interest. Dick Van Dyke’s lesser known brother in comedy, Jerry is also a huge reason for the show’s stamina, if not outright success. The bumbling Luther was my favorite part of the show. The first season of Coach is a short one. I also appreciate the way it begins. It assumes you already know these guys and doesn’t feel the need to explain why everyone is here. The Coach is already in his position with his staff that we’ll soon get to know better. It’s a quirky show, and not at all one of my favorites, but certainly worth a second look on DVD.

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For better or worse, Hugh Grant has carved out a niche in Hollywood as the nervous, awkward, charming, British romantic leading man. He's tried doing other things, paired with Gene Hackman as the protagonist in the thriller Extreme Measures. But attempts such as these are few and far between, and haven't seemed to work. For better or worse, he'll always be the stodgy British guy trying to bed an American chick over the objection of her parents, or some other convoluted romantic comedy plot. To his credit, he has been playing against that stereotype lately, to a lesser degree in Bridget Jones's Diary, but to a larger scale in About a Boy, recently nominated for a Golden Globe in Comedy.

Will (Grant) is the son of a man who recorded a famous, but fictional, Christmas song in the late 1950's, and literally does nothing all day, living off of the royalties of that song. He's a bachelor who likes to avoid any responsibility or relationships, and has an epiphany: relationships with single mothers. He believes that they'll jump on top of you, but they'll always compare you to the guy who gave her the kid/kids that she's trying to raise, and they'll end the relationship first, so Will avoids any unpleasantness in breaking up now. He becomes such a firm believer in this theory, he creates an imaginary son, going as far as buying a childseat to put in his silver Audi sportscar, and uses this to attend support group meetings of other single parents, looking to hook up, and finds success.

Growing up, that twangy Mike Post music provided a part of the soundtrack of my life. I remember walking around school and everywhere you turned you heard kids saying, “That’ll be $200 a day plus expenses.” We all printed up fake business cards. I can tell you firsthand that it takes more than the props. I didn’t have Jim’s natural charm and finesse. Somehow fifth grade’s Sister Margaret wasn’t buying that my NSA credentials meant my homework assignments were classified and above her clearance level. As I sat in detention wondering what could have possibly gone wrong, one theme kept going through my mind. This is gonna cost her. You guessed it. $200 a day plus expenses.

James Rockford lived in a trailer on the beach. His lovable dad was a truck driver who never did understand how his “sonny” could be mixed up in the dirty world of private investigations. While Rockford always projected a tough guy exterior, it was his soft spot for a sad story that often got him deep in trouble. He could understand the world of injustice. He had spent 5 years in prison for a crime he didn’t commit. Even after a full pardon, the cops considered him a lowlife ex-con. His one buddy, Lt. Becker, usually laid low among his fellow officers, often afraid to admit to being Rockford’s friend. Rockford was also king of the con. When normal tactics didn’t work, he could bring together a group of scam artists and con men to handle the largest of productions. He traveled with his own business card printing press. Afraid of guns, Rockford usually kept his in the cookie jar.

For Director Peter Berg, the film The Rundown was an interesting note for him. Before his ultimately better film Friday Night Lights, The Rundown marked the first time Berg directed a film that went on to become a big success. Before The Rundown, Berg had films like Very Bad Things which was just that and The Last Seduction which was excellent. The Rundown also marked the first main feature film (main staring role) for wrestler turned actor Dwayne “The Rock” Johnson. N...w Universal has decided to re-release the film in the new HD-DVD format. What lies ahead? Join me on the journey to find out.

Beck (Dwayne “The Rock” Johnson) is the type of man who one calls on to do something someone else wouldn’t do. Beck is more of a retrieval expert. An early scene, where he retrieves a ring off of an NFL quarterback’s finger, gives us a little bit of insight into the type of man Beck is. His boss, after this successful mission, decides to send Beck off to the Amazon forest to retrieve his son Travis (Seann William Scott). Instead of using the a-typical locales like LA, Maimi, etc, Berg decided to opt for the Amazon jungle which helps make the film into something slightly new. Once in the Amazon forest, Beck is taken to the town of El Dorado, which is run by Hatcher (Christopher Walken). Travis, we learn, is a fearless fortune hunter looking for the ultimate treasure that Hatcher happens to be looking for at the same time.

Utter the words ‘Dave Chappelle’ or ‘The Chappelle Show’ to any person and odds are they will think of the ‘Lil’ Jon’ skit or the ultra famous “I’m Rick James, bitch”. While this one joke doesn’t even come close to the charm and humor that Dave Chappelle had on his once popular ‘Chappelle Show’ on Comedy Central, it still has become the most popular joke. But enough about that and more about the actual film at hand.

Dave Chappelle’s Block Party takes place around September of 2004, which was before ...happelle walked off of the third season of his show, but after the famous $50 Million Dollar deal that Comedy Central offered him. Chappelle has decided to have a block party on the 18th of September. He has invited many big artists to perform at the block party including Kanye West, Mos Def, Common and the Fugees to name a few.

Director Jonathan Mostow is an interesting director to say the least. He directed Kurt Russell is the great Breakdown where a man must fight to save his wife. He director Arnold Schwarzenegger in the third Terminator film where a machine must fight another machine to help save the human race; but before he made Terminator 3, he directed Matthew McConaughey and Bill Paxton in a film where men must fight against their wits to save themselves. Two of the three films are great and are a joy to watch,...while one is enjoyable to watch, but that is about it.

In U-571, Lt. Tyler (Matthew McConaughey) stars as a young man who wants nothing better than to jump into the command line. His commander, Lt. Commander Dahlgren (Bill Paxton) doesn’t see this though. Tyler isn’t experienced enough and isn’t ready to sacrifice the lives of his men for the lives of others or, more importantly, the safety of the mission at hand. This creates some heat between the two, but all that is quickly put aside when they’re called back to the boat. We soon learn that a German U-boat has become disabled in the middle of the Atlantic. On board this U-boat is a secret Enigma machine, which can be used to cipher messages. This exact Enigma machine was used by the Nazi’s to control all of their shipping lanes.

The Chronicles of Riddick takes place about five years after the events of Pitch Black. Richard B. Riddick (Vin Diesel) continues to fight for his life on Crematoria (what a name), a planet whose sun, apparently, is so blazingly hot that every 15 minutes it blankets everything beneath it basically vaporizing it. But that doesn’t really matter all that much now does it. For Riddick, who is one of the few surviving members of the Furions, has been captured by the Necromongers and now must find a way to po...er his way out like only Vin Diesel can. Apparently these Necromongers want every person to become a Necromonger. They line up behind their Lord Marshal who has visited a planet called Underverse and returned half alive and half something else. Then we meet a character named a character named Aereon (Judi Dench) who can materialize out of thin air and then disappear. This is the perfect idea for a majority of characters in this film. They appear, spend a few minutes of the screen, and then disappear for us to never see them again.

That is the first main problem with this film. We meet countless other characters including a little girl named Ziza who wants Riddick to fight these monsters for her. We hope that sometime during the film a big battle will occur where Riddick must defeat these aforementioned monsters and save the little girl, but such a scene never arrives. Why on earth would you hint at the scene then? I suppose this is because, as we can basically figure out from a few key scenes in the film, that a sequel is inevitable (maybe the sequel is the cartoon that recently came out).

In Stephen Sommers’ Van Helsing, we meet Gabriel Van Helsing (Hugh Jackman) who is a professional monster-killer with a sidekick named Carl. Van Helsing must first track down Mr. Hyde who lives in the Notre Dame Cathedral and, sometimes, likes to venture outside for the occasional murder here and there. After completing this basic mission, Van Helsing is sent to the famous Transylvania to deal with Frankenstein’s Monster where he meets Anna Valerious (Kate Beckinsale). Anna and her brother Velkan represent the...last of nine generations of a family whose one goal is to rid the world of Dracula. Naturally, Anna is suspicious of this Van Helsing character but eventually teams up with Helsing to kick some butt.

It amazes me how Sommers convinced Universal to grant him well over $150 million dollars to make this film. I suppose this is because Sommers’ last two adventure based films, both Mummy films, were great summer adventure flicks which both made Universal some nice coin. However, Van Helsing never seemed to click with audiences as it just made over $160 million dollars domestically. Certainly not the huge success Universal or Sommers were hoping for. Some feel the reasoning was the lack of star power, but was Brendan Fraser really that much of a bankable star? Some feel that Van Helsing focused too much on CGI with all the various amounts of monsters that prowled the screen. I tend to lean toward the latter as Van Helsing seemed like 132 minutes of CGI effect after CGI effect.