Posted in: Disc Reviews by Gino Sassani on October 5th, 2006
Few names are as recognizable as that of Boris Karloff. The gentle English actor who brought us the sweet Christmas tale “How The Grinch Stole Christmas” also brought us some of the most terrifyingly wonderful performances in the history of the business. Cursed with a harsh enough look, Karloff was denied the mainstream success his ability so obviously warranted. He was one of the founders of the Screen Actor’s Guild and was extremely active in charity work throughout his lengthy career. Still, mainstream Hollywoo...’s loss was horrordom’s gain. From his first guttural grunts and hand gestures that brought alive the mute monster in Frankenstein, Karloff exhibited extraordinary brilliance in each performance. Even when forced to take unflattering parts in B productions, Karloff was the consummate professional. He always brought his A game. That dedication took what were originally throwaway parts and molded them like the craftsman he was into magnificent works of art. Here in the Boris Karloff Collection are five of those lesser known parts. No real monsters to speak of; Karloff shines in each film. Certainly these films can be described as diamonds in the rough, but leave it to Boris to teach us that there are no small films, at least not when the credits began with the name Karloff.
“Night Key” Karloff plays an inventor of a wireless alarm system. As often happens with Karloff’s characters, he’s ripped off by his partner who turns his system into a wealthy business for himself cutting Mallory (Karloff) out. But unlike other Karloff characters in this situation, Mallory seeks a non-violent revenge. What Mallory creates, he can also destroy as “Night Key”. Using his own device, Mallory, along with a small time crook, breaks into shops protected by his old partner’s firm, but not to steal. He’s only trying to make a point, until the local head hood comes calling to use the device to line his pockets. Of course, this really isn’t a horror film at all, but Karloff will make it worth your while.
Posted in: Disc Reviews by Gino Sassani on October 5th, 2006
By the middle of the 1950’s Universal was playing out its long string of monster movies that started over 20 years earlier with Dracula and Frankenstein. In the next year their last iconic monster would take its last bow in The Creature Walks Among Us. This Island Earth was a bit of a crossover film. Like many of the alien invasion films of the 1950’s the film capitalized on the growing belief that we were not alone. Contrary to the DVD’s misleading box art, these aliens were here to find answers to their own survi...al. The famous Mutants were shown all too briefly and were not the driving force of the story. The Metalutan Mutant was, perhaps, the last of the Universal creature designs. The large tan heads of Exeter and his alien cronies is a hoot compared to today’s images. The film was state of the art for its day and one of the first color science fiction films. Faith Domergue has almost become a stereotype today, but it was a meaty and progressive role for the time. A pleasant addition of Gilligan’s professor, Russell Johnson, adds to a strong cast that includes Rex Reason and Jeff Morow.
Video
Posted in: Disc Reviews by Archive Authors on October 3rd, 2006
This, the first of three films in the Fast and Furious trilogy, tells the story of Dominic Toretto (Vin Diesel) and his group of friends Letty (Michelle Rodriguez), Jesse (Chad Lindberg), Vince (Matt Schulze), Leon (Johnny Strong) and his sister Mia Toretto (Jordana Brewster). By day Dominic and his friends seem like normal people who work in the garage on their cars, have barbeques and seem to have a good old time. Once the night comes, Dominic involves himself in the L.A. street races, something he particula...ly excels at. There is something else that he and his buddies do that prompts the interference of the police and office Brian O’Connor (Paul Walker).
Turns out that Dominic and his buddies are suspects (mostly due to Dominic’s background) of stealing product from trucks of which include high-end audio/video equipment. With a little money from column A and a little from column B, they fix up their cars, go race them, and gain tons of gawking fans who then run to the local custom shop trying to fix up their own cars so they can become the next Dominic in the racing world. Brian’s job is to infiltrate Dominic and his gang, try to prove that Dominic is indeed behind these robberies and bring him down. Unfortunately for Brian, he develops a friendship with these people (well all except Vince for the most part).
Posted in: Disc Reviews by Archive Authors on September 27th, 2006
The Fast and The Furious: Tokyo Drift is not as solid as the previous two in the Furous series, but the addition of a totally new local does add quite a bit to the film’s strength. Anyhow, Sean Boswell (Lucas Black) is your typical high school character. He loves fixing his car, racing and subsequently gets into a lot of trouble. After ‘gawking’ at the girlfriend of Clay (Zachary Ty Bryan), an immediate race occurs through the backlot of a new development. Chaos ensues and the police, due to Sean’s high...trouble rate, end up sending Sean to live with his father in Tokyo. So let me understand this… If I were to get into a lot of trouble and my father lived in a foreign country, I would avoid jail time and get to go stay with him? Riggghhhttt.
Anyhow, besides this minor story flaw, Sean soon arrives in Tokyo and promises his father he won’t do any street racing. Obviously Sean quickly becomes involved in an underground “drifting” racing scene (which is totally new to him) after meeting Twinkie (Bow Wow). For some reason, Sean gets to prove himself by racing the ultra famous Drift King (Brian Tee) who goes by DK. Han (Sung Kang), one of DK’s friends, (Sung Kang) lets Sean borrow his vehicle. It being Sean’s first time “Drifting”, he ends up destroying Han’s car. To repay his debt, Han enlists Sean as his new boy. The two quickly develop a friendship and Han decides to have Sean become one of his racers, but first Sean must learn the art of drifting.
Posted in: Disc Reviews by Archive Authors on September 25th, 2006
Ron Howard’s Backdraft tells the story of two brothers, Brian and Steve McCaffrey (William Baldwin and Kurt Russell), who are part of Engine Company No. 17 in Chicago. The two brothers always seem to have a sense of rivalry in their blood. Ever since their father passed away, Steve has always tried to prove to Brian that he is the true firefighter in the family. Well, despite all their problems, Steve and Brian soon find out that they will have to put aside their differences rather quickly since there is an ar...onist going around setting fires that are meant to kill off selected firefighters.
Having never seen this film before, I had only read numerous praise for this film. Critics loved the acting and, most importantly, the drama presented. Possibly because I saw the film Ladder 49 first, I couldn’t really get into Backdraft all too much. Granted I did enjoy the acting by Kurt Russell and Robert De Niro, but I couldn’t ever find myself feeling a connection to these characters. All I felt like I was watching a scene after scene of a huge fire explosion followed by Brian and Steve arguing. Speaking of the characters, I felt the role played by De Niro, albeit kind of useless in terms of using his acting abilities, was one of the only positives here.
Posted in: Disc Reviews by Archive Authors on September 25th, 2006
Steven Soderbergh’s Traffic tells so many stories intertwined into one unique story that one can’t help but be drawn into what we’re viewing. The story involves many different characters including, Javier and Manolo (Benicio Del Toro and Jacob Vargas), newly appointed Presidential Drug Czar Bob Wakefield (Michael Douglas), daughter Caroline (Erika Christensen), Drug Enforcement agents Castro (Luiz Guzman) and Gordeon (Don Cheadle), drug kingpin Carlos Ayala (Steven Bauer) and his wife (Catherina Zeta-Jones). < ...p>
Traffic deals with the issue of drug trafficking, and drugs in general. Soderbergh presents all the aforementioned characters in this drug world giving each character their own story resulting in each story containing a purpose and a point that makes us get involved. What we eventually learn is that the film isn’t necessarily about drug lords like Carlos Ayala trafficking drugs, but rather trafficking a part that belongs in everyone’s life, as we find out in the film.
Posted in: Disc Reviews by Archive Authors on September 21st, 2006
Synopsis
While George Lucas was in the midst of his then-recent Young Indiana Jones series, he decided to try and put together a film based on the radio theater broadcasts of the 1930s and 40s. Basically, the film is based on a radio station in Chicago that is scheduled to launch its first broadcast, hoping to become the next big radio network. But when people start to get murdered during the broadcast, things become a little bit tense.
Posted in: Disc Reviews by Gino Sassani on September 19th, 2006
The Sci-Fi Channel has certainly gotten its considerable amount of money’s worth from Ronald D. Moore’s reincarnation of Battlestar Galactica. The trouble, at least for me, is that it is still very hard for me to consider this Galactica at all. It might have been better if, as Jack Webb used to say, the names had been changed to protect the innocent. There isn’t much doubt that this version of Galactica is innovative science fiction in its own right. The cinematography is often mind-boggling, if a bit too dark. T...e stories are also quite dark in tone. Here is where Moore misses the point of the original entirely. The first Galactica and Colonial Fleet were fleeing the destruction of their worlds, but with a great deal of hope in finding their long lost brethren: Us. In Moore’s tale, Earth is an almost impossible dream. The entire atmosphere is one of dread and bleakness. Galactica survives almost just for survival’s sake. No one is really living in this fleet. Not to say that Moore’s version can’t make for some compelling drama. It does. Under a different name I think I might actually be able to somewhat embrace this series. I can’t shake the feeling of watching something dear morphed into something it was never intended to be when I see Katee Sackoff addressed as Starbuck. She’s also one of the weakest actors to grace a major science fiction series since Denise Crosby.
OK. So let’s talk about what I DO like about the show. No question it’s the f/x. Moore has a luxury that not even a million dollars an episode could buy you in 1979. With today’s CGI advances, there isn’t very much that can’t be realistically visualized anymore. The fighters are sleek and the space battles are epic. If anything, these dogfights can get entirely too busy. Edward James Olmos is a fine actor and lends a ton of credibility to what is otherwise a fairly weak cast. His earlier concerns have ceased, either by studio edict or an uncharacteristic change of heart. Remember, it was Olmos who warned fans to stay away, offering that they would not be happy with the new show. The scripts are tight and go into depths the original never even attempted.
Posted in: Disc Reviews by Archive Authors on September 14th, 2006
Synopsis
I was never that much of a Nintendo kid growing up. I went from the Sega Genesis to the Playstation, then the PS2, before recently landing on the Xbox. I was never that accustomed to the world of Double Dragon, however I’d like to think that I was the bomb at Contra. And the only video game movie I can recall seeing when I was growing up was a film called Joysticks, which was a crude version of Animal House and Hardbodies, with Pac Man, Galaga and the like.
Posted in: Disc Reviews by Archive Authors on September 13th, 2006
Seabiscuit tells the true tale of three men and one legendary racehorse. The story takes place right after the Great Depression has hit leaving many feeling the after effects. John Pollard (Tobey Maguire) is a young man who wants nothing more than to race his horse. Tom Smith (Chris Cooper) is his ‘horse whisper’ in that he seems to be able to communicate with his horses. Charles Howard (Jeff Bridges) is your standard businessman at this time, completely broke. Looking for a way to get out of his hole, he dec...des to band together with these other two men after a horse named Seabiscuit gives them the idea of a lifetime. Take this relatively unknown horse to the to the extreme top. Seems rather unlikely right? If you’ve ever read the history books, you’ll know the outcome of the story and hence the film at hand.
What makes a film like this high enjoyable (more so then I expected) is not only the characters but also the story which tugs at the heart strings. This was a time when everyone was, well, depressed and didn’t know what to do. A story about three unknown men and a horse is not only moving and inspirational, but also a sign of what anyone can really do if they have faith in themselves and those around them. Consider the film is definition of the ‘American Dream’, as the film’s main message tells us that events like this can occur.
![The Fast & The Furious: Tokyo Drift [HD DVD] dvd cover art](https://upcomingdiscs.com/ecs_covers/the-fast-the-furious-tokyo-drift-large.jpg)
![Seabiscuit [HD DVD] dvd cover art](https://upcomingdiscs.com/ecs_covers/seabiscuit-hd-dvd-large.jpg)
