Posted in: Disc Reviews by Archive Authors on August 14th, 2005
Synopsis
Another eight Columbo mystery movies are included here. The formula they follow is familiar: a murder is committed (and we generally know whodunit right off the bat), and we watch as Columbo, apparently absent-minded, closes in on the culprit, making said individual sweat like the dickens before he closes in for the kill. The episodes here also feature turns by such stars as Martin Sheen, Vincent Price and Johnny Cash, which makes this nostalgic trip all the more fun. These short movies-of-t...e-week are perfect examples of the Good Story Well Told. They are by no means challenging to the mystery genre, and their formulaic construction is very apparent. But they work within the strict parameters exceedingly well, and Peter Falk is an unceasing delight in the title role. Absolutely perfect late-night viewing.
Posted in: Disc Reviews by David Annandale on August 1st, 2005
Synopsis
Think of this as the John Waters version of Grease, with everything that that entails. The setting is the fifties, and kids are divided between the Squares (so clean-cut and conformist they make Ward Cleaver look like Marlon Brando) and the black-leather-clad Drapes. The leader of the Drapes is Cry-Baby Walker (Johnny Depp), and his posse includes the likes of Ricki Lake (BEFORE she became a talk-show host) and Traci Lords (AFTER... well, after). Square Amy Locane is drawn to Depp an... his world, much to the horror of her cohorts.
Posted in: Disc Reviews by David Annandale on July 26th, 2005
Synopsis
The premise should be familiar to anyone interested in the third season: Jerry O’Connell and friends continue sliding from one universe to another, encountering a different alternate earth in each episode, always trying to find the way back home. The range of possibilities is naturally pretty wide, so our heroes wind up in a deadly war game show (granted not the most original idea), in a world devastated by electric tornadoes, and so on. It’s all done with engaging humour and energy, though ...he FX have aged noticeably (the opening scene of the first episode, where a plane goes down, boasts process work worthy of the original Star Trek). And the presence of John Rhys-Davies is, of course, always welcome.
Posted in: Disc Reviews by David Annandale on July 26th, 2005
Synopsis
In the year 2525, humanity has been forced to seek refuge deep in the earth from robots known as “Baileys.” The title character is a stripper from our century, who went in for a breast enhancement and wound up cryogenically frozen until now. Thawed out, a stranger in a dangerously strange land, she winds up joining forces with two other female freedom fighters.
Posted in: Disc Reviews by Gino Sassani on June 29th, 2005
Synopsis
When it comes to 80’s films, you can talk about Spielberg, Lucas, or whomever, but those in the know will always put John Hughes at, or near, the top of influences of that era. Take a look at the 7 year run that he had in the 80’s when it came to writing movies in that era. From 1983 to 1990, the list brings up a flood of kitsch and nostalgia for any movie going kid during that time – Mr. Mom, Vacation, The Breakfast Club, Sixteen Candles, Pretty In Pink, Ferri... Bueller’s Day Off, Some Kind of Wonderful, Planes, Trains and Automobiles, Uncle Buck and Home Alone. Aside from getting a good dose of Anthony Michael Hall, Molly Ringwald and John Candy, one, some or all of those films have a soft spot in anyone’s heart if they’re under 30. So much was experienced from his films, hell, the guy served as a surrogate parent to a lot of people! For good or bad, he had an influence on a lot of lives, and if you take a look at the high school comedies that come out now, there’s no comparison. They just don’t have the same kind of originality. Hughes may not have done the high school comedy first, but very few have come close to achieving the combination of unique characters, quotable lines, touching emotional moments and hilarious scenes that have resulted in the Hughes films of the 1980’s. Universal put out an inexpensive boxed set of 3 of his films; The Breakfast Club, Sixteen Candles, and the "other" movie in the set, Weird Science, which I’m reviewing for your dining and dancing pleasure.
Posted in: Disc Reviews by Gino Sassani on June 24th, 2005
Las Vegas has a credo of sorts: What happens in Vegas stays in Vegas. Well... not anymore. Las Vegas tells all in a new smart and often sexy NBC series. Most of the cast was chosen for their more physical attributes; however, the performances are not bad either. James Caan takes a surprising journey to TV land. The part of an ex-CIA boss fits Caan like one of Sonny Corleone’s tailored suits.
The series always features special guest stars, often playing themselves. The lineup of guests includee Vegas names like Penn&Teller as well as box office champions that include Dennis Hopper and Sean Astin. The show’s Montecito Hotel and Casino is as much a character of the show as anyone in the cast. The sets have been an added bonanza for Universal, as the hotel has shown up in other studio run shows like Monk (sans the cast). Perhaps the most endearing aspect of the series is how easily the plots develop without ever really taking themselves too seriously. Even the dire straits Caan’s Big Ed often finds himself in never seem to venture too far from the shtick. While the stories are easily forgotten just minutes after watching, it is nonetheless a fun ride while it lasts.
Posted in: Disc Reviews by Archive Authors on June 16th, 2005
In watching Being John Malkovich again recently, for the first time in awhile, the thing I was struck by is how unique it is (duh!). It doesn't try too hard at being different, to the point that it's going to suck, everything is matter of fact, and it's hilarious. Its characters are flawed, but we feel for some of them a great deal. It's funny, it's touching, it's dramatic, it works on many levels. I'd expected this to be a 112 minute MTV video from Spiegel heir Spike Jonze, but it's clear that with his work, combined with Charlie Kaufman's script, the result is a story about the 3 main characters experiencing deep, life-altering experiences, and from those experiences, finding (or wanting to find) love. How they get there though, that's another story.
Craig Schwartz (John Cusack, High Fidelity) is a street puppeteer dreaming of success. Sometimes his puppet shows are a little on the PG-13 tip for some G audiences, leading to a young girl's father punching Craig. He then returns home to his wife Lotte (you'd barely notice, but it is Cameron Diaz of There's Something About Mary) convinces him to try and find a job. Lotte runs a pet store, and their apartment is crowded with pets, among them a chimp suffering from an ulcer. With Craig's expert hands, he manages to find a job working as a file clerk at LesterCorp, located in the Merton Flemmer building on the 7th floor. He meets and falls for Maxine, who is not afraid to speak her mind, especially when it comes to Craig's passion. She tolerates Craig, knowing that he's pretty harmless. One day at work, Craig accidentally drops a file behind a cabinet, and behind the cabinet, finds a door and a small crawlspace. Going through the door whisks him through a portal which places him inside of John Malkovich's head for 15 minutes, before depositing him along the side of the New Jersey Turnpike. Craig returns to work and tells Maxine (and subsequently Lotte) about the portal, and things go from there.
Posted in: Disc Reviews by David Annandale on June 16th, 2005
Synopsis
Years after the events of Bride of Chucky, evil dolls Chucky (voice of Brad Dourif) and Tiffany (Jennifer Tilly) are dormant and being used to make a Chucky movie, starring in-decline sexpot Jennifer Tilly. (I know: very postmodern already, and we’ve only just begun.) Their offspring (voice of Billy Boyd), of indeterminate gender and gentle spirit, escapes its evil ventriloquist captor, travels to Hollywood and revives the demonic duo, unaware of their psychotic natures. Chucky wants ... boy, and names the child Glen. Tiffany wants a girl, and picks the name Glenda. Chucky wants Glen to take up the knife, while Tiffany tries to quit killing (but keeps having slips). Meanwhile, they plan to impregnate Tilly so that Glen/Glenda can become a real child, while the parents plan to transfer their souls into the bodies of Redman and Tilly. Lurking in the background is, appropriately, John Waters as a paparazzo.
Posted in: Disc Reviews by Gino Sassani on June 7th, 2005
“In the criminal justice system the people are represented by two separate, yet equally important groups: the police who investigate crime and the district attorneys who prosecute the offenders …” If you haven’t seen Law and Order, this is the set to begin with. Season 3 is most notable as the first year for Jerry Orbach. His 11 years in the role of Briscoe gave this revolving door series the kind of stability it needed. The powers that be at Universal added confusion to the mix when it released season 14 following season 2. I suspect the move was intended to deal with the unfortunate death of Orbach. His final season was obviously a “hot” item. Fortunately it now appears the releases will continue again from the show’s beginning.
Synopsis
Posted in: Disc Reviews by Gino Sassani on June 2nd, 2005
Synopsis
The only thing I really remembered about Murder, She Wrote was that as a young American child, I used to see it being advertised after 60 Minutes and before a TV movie starring Tori Spelling or something. It would bother me even more because these ads were being announced by a semi-drunk pro football announcer, and put a damper on whatever football game I was watching. Enough with the plugs and get back to the action!
