Posted in: Disc Reviews by Archive Authors on July 29th, 2003
Once in a blue moon, though, there’s a re-make that not only takes the original to a new level of appreciation, but actually improves upon it. In musical terms, it’s Ike and Tina’s “Proud Mary.” In the cinematic forum, Martin Scorsese’s 1991 re-work of the B-movie thriller Cape Fear is another.
Max Cady (Robert DeNiro, lost the Oscar to Anthony Hopkins) is a recent parolee, fresh out of the joint after serving a fourteen year stretch for aggravated assault. During his trial, his lawyer, public...defender Samuel Bowden (Nick Nolte, the rich man’s Gary Busey) had pled the charge down from rape and aggravated sexual battery, which could have earned Cady a death sentence. Why, then, would Cady have such a vendetta toward the man who may have saved his life? In his fourteen years in prison, Cady has basically done two things: covered his body in tattoos, mostly scriptural and threatening in nature, and learned to read law books. After his conviction, he dismissed Bowden and acted as his own attorney and found something in his file that he feels Sam buried, and has since focused every fiber of his being on one final goal: to make his lawyer pay for the fourteen years he lost. As soon as he is released, Cady immediately sets about getting his long-planned revenge with an almost Ahab-ian fervor, making Bowden and his family the white whale, the perpetrator of his anguish.
Posted in: Disc Reviews by Gino Sassani on June 15th, 2003
Forget Lethal Weapon and Beverly Hills Cop; Midnight Run has got to be one of the funniest cop-buddy films of the genre. True, Midnight Run did not break any records at the box office and was actually panned by a few well-known critics of the time, but the comic action just never lets up. Robert DeNiro and Charles Grodin share a rare chemistry. The overkill plot developments just wouldn’t work with any other combination. In all fairness, I wasn’t too thrilled about this one when it first hit the theatres. My wife suggested it and I agreed more out of guilt for all the genre films I’ve inflicted on her. I walked out still laughing.
Synopsis
Posted in: Disc Reviews by Gino Sassani on May 9th, 2003
Traffic sports an A cast and a pretty compelling story. The only real thing holding it back is that there are times the plot is too ambitious. It gets weary following the three distinct storylines. You might also find the ending a bit of a letdown. I was expecting something far more dramatic given the intense buildup over two and a half hours. Michael Douglas is the main star and gives us a fine performance, but I was more captivated by the character of Mexican cop Javier Rodriguez, played with excellent flair by Benicio Del Toro.
There are three very intense storylines being told in this film:
Posted in: Disc Reviews by Archive Authors on April 24th, 2003
In this story, very loosely based on his own life, Eminem makes his acting debut. This is the story of Jimmy Smith Jr. a white boy born on the wrong side of Detroit’s 8 Mile divide. With an alcoholic white trash mother played by Kim Basinger, a dead end job and a trailer park for a home he does not have much going for him. His dreams fed by Detroit’s vibrant underground rap battle scene Jimmy tries to find himself and his voice in the world. This is a well written story about courage and not allowing one’s self to become a product of your environment. It also deals with the issues of racism by turning the tables with a white man trying to break into the predominately black world of rap and freestyle.
Video
Posted in: Disc Reviews by Archive Authors on April 10th, 2003
Red Dragon is not only the prequel to The Silence of the Lambs and Hannibal, but it is also a remake of a film called Manhunter. The story fits nicely into the Hannibal Lector trilogy, and the story holds true to Manhunter.
Synopsis
Posted in: Disc Reviews by Gino Sassani on February 8th, 2003
In 1988 Richard Chamberlin played the signature role of Jason Bourne in a made for TV adaptation of the classic novel The Bourne Identity. The show was a two-part pilot for a projected series that was never picked up. While the TV version might have been more faithful to the novel, the 2002 film with Matt Damon as Bourne effectively brings the spy yarn into the 21st century. Microfilm is replaced with a laser decoder and the awkward doctor is replaced with a more fitting female companion. Damon’s youth is both an asset and a liability. He certainly appears to be too young for such an accomplished assassin. Still Damon’s youthful energy brings the character to life in ways that a more seasoned actor could not. With obvious Bond elements and style, Jason has been re-Bourne for an audience with higher expectations.
Synopsis
Posted in: Disc Reviews by David Annandale on February 2nd, 2003
Film
“In the criminal justice system the people are represented by two separate, yet equally important groups: the police who investigate crime and the District Attorneys who prosecute the offenders …” Law and Order is an example of a bygone day in network television. In the 1990-1991 season this first year program ranked 62nd of all television programs. In addition to its poor performance, NBC lost revenue from countless sponsors pulling their advertisements because of the controversial nature of t...e subject matter. (AIDS, abortion…) The pilot, filmed in 16mm for a gritty documentary style, was deemed not up to broadcast standards. Today any one of these black marks would doom a fledgling program before even one season was finished. NBC showed rare patience and renewed Law and Order. Now there are 3 hours of Law and Order programming each week. It is the longest running drama currently on prime-time. Law and Order has captured one of the largest Emmy collections in TV history. Recently NBC renewed the show for an additional record 5 years.
Posted in: Disc Reviews by Gino Sassani on December 31st, 2002
Film
The original Back To The Future film is already a classic. There has never been a more original sci-fi/comedy film. The sequels are less stellar but do retain the charm and uniqueness of the original. The talent of Christopher Lloyd and Michael J. Fox shine in these films. Both actors were trying to shed strong TV characters and prove they were more than Reverend Jim and Alex Keaton. The chemistry generated between them goes a long way in enhancing both performances. The supporting cast is also quite good here. Lea Thompson handles multiple ages and roles with convincing style. Thomas L. Wilson’s arch nemeses members of the Tannen family provide generous helpings of humor and villainy. Of course, the story is a bit tired by the third film, but the Western motif helps to freshen things up. Then again, I’d be inclined to watch Fox and Lloyd do play by play for a football game … especially if they could give me a little tip about the final score.
Posted in: Disc Reviews by Archive Authors on December 8th, 2002
Synopsis
Posted in: Disc Reviews by David Annandale on September 10th, 2002
Synopsis
Young Alex O'Connel accidentally brings the Mummy back to life, and has the manacle of Osiris stuck to his wrist. With the help of his parents, and wielding the power of the manacle, he must find the lost scrolls (scattered hither and yon around the world) in order to defeat the Mummy. The animation is strictly Saturday-morning level, and calling these three episodes a feature at 65 minutes is stretching it a bit.
