Posted in: Disc Reviews by David Annandale on December 14th, 2004
Synopsis
Posted in: Disc Reviews by Archive Authors on December 10th, 2004
I’ve got to be honest. I was never a Depeche Mode fan. My lack of interest in them didn’t really come from their music, which I always thought was different - in a good way. It was just that in the 80's and 90's, MTV played their videos 24 hours a day, 7 days a week. The video for “Enjoy the Silence” was burned into my eyelids. I couldn’t get away from the band no matter how hard I tried.
My, how things have changed. MTV doesn’t play Depeche Mode videos anymore, or any videos for that matter, and after wat...hing Depeche Mode’s concert DVD, Devotional, I have come to appreciate the band to the point where I would proudly say that I am now a fan. In an age where your choices range from over-saturated pop, to recycled rap music, Depeche Mode is a breath of fresh, nostalgic air. Front-man Dave Gahan’s overstated baritone voice is completely different from anything you hear nowadays and Martin Gore’s lyrics are actually quite deep for a techno-rock band, peppered with religious images and undertones. Far more introspective than most of the “music” that is mass produced today.
Posted in: Disc Reviews by David Annandale on December 7th, 2004
Synopsis
Posted in: Disc Reviews by David Annandale on December 7th, 2004
Synopsis
Posted in: Disc Reviews by Archive Authors on December 6th, 2004
With the popularity of the bio-pic Ray, Rhino comes out with O Genio: Ray Charles Live in Brazil 1963. Ray Charles is truly an O Genio, and this disc confirms that. Jazz, gospel, blues, rock n’ roll, this guy did it all. We have two performances recorded live in Sao Paulo. Each performance runs about an hour long. Ray is accompanied by a full brass orchestra and a lovely collection of female back-up singers. The first show gets off to kick-butt start with Charles’s famous hit “What’d I Say”. The ...est of the disc won’t let anyone down.
Audio
Posted in: Disc Reviews by David Annandale on December 5th, 2004
Synopsis
The McGuffin here is the titular Blood Orchid, a plant that blooms only once every sevenyears, and which seems to hold the secret to eternal youth. A team is dispatched by amultinational drug company, but the expedition arrives in Borneo (where, as numerous reviewshave already pointed out, anacondas do not exist) at the height of the rainy season, andeverything goes wrong very quickly. Soon our heroes are slogging through the jungle, beset bypoisonous spiders, treachery from within... and giant, hungry, CG snakes.
Posted in: Disc Reviews by David Annandale on December 3rd, 2004
Synopsis
This is the life story of Howard Hughes, as told by the man himself. Literally. Sort of. Michael Ferreri is the voice of Hughes, and he narrates his life from birth to death. This narration is intercut with interviews with Hughes’ surviving friends and widow. The visuals are a lively mix of footage and animated stills. Though the case boasts a running time of almost three hours, this is when all the extras are factored in. The actual feature is only 56 minutes long. Though the effort is alwa...s interesting, the decision to go with the fiction of Hughes telling his story is a very odd one, and one that I, personally, found very off-putting.
Posted in: Disc Reviews by Archive Authors on December 2nd, 2004
Venus Risingis a laughably bad movie advertised as “in the tradition of Johnny Mnemonic”. Maybe the two movies are in the same ballpark, theme-wise, but quality-wise they’re not even the same sport. Audie England and Costas Manylor play two fugitives who escape from a desert Island. Eve and Vegas, however, are still controlled by drugs from the Pacifica Corporation. The drugs also enable the characters to achieve a “virtual reality” state of mind. Fantasy sequences occur, flashbacks etc. It’s just an exc...se to kill time in this lame piece of celluloid.
Morgan Fairchild is advertised as one of the movie’s “stars”. She barely has 30 seconds of screen time. Oscar winner Joel Grey also makes a cameo. Can’t the host of the Kit Kat Club get better work? Venus Rising moves at such a slow pace too. It’s only 90 minutes, but it seems like 90 days. The acting is wooden, the dialogue is inane, and the plot is ridiculous.
Posted in: Disc Reviews by Archive Authors on December 2nd, 2004
Smooth Talk is a “coming of age” story that won the Grand Jury Prize at the Sundance Film Festival. It stars Laura Dern as Connie, a teenage girl from a small southern town. She’s at that rebellious age. In the words of Britney Spears, “she’s still a girl, not quite a woman”. Connie is curious about the opposite sex and a world outside the town. She’s searching for something, but what she finds, she might not want.
Treat Williams plays Arnold Friend. Friend, as it turns out, is nobody’s frien.... I won’t spoil the ending of the movie, but let’s just say he’s the villain of the piece. The ominous music helps you figure that out. Another performance of note is Levon Helm (drummer for “The Band”) who plays Connie’s remote, sensitive father; a standout piece of acting. He’s probably the best drummer/actor I’ve ever seen. Sorry Ringo.
Posted in: Disc Reviews by David Annandale on December 2nd, 2004
Synopsis
This is an episodic biopic about Bettie Page, moving from her glory days as a model for the pin-up photographer Bunny Yeager and fetish actress for Irving Klaw, maker of B&D shorts. All is well until a Senate investigation into obscenity, and Bettie herself pines for more mainstream, respectable roles. A fair bit of running time consists of B&W recreations of lost Klaw films, with Paige Richards doing a credible re-creation of Bettie’s look.
