Posted in: Disc Reviews by Michael Durr on July 12th, 2011
My childhood was full of cartoons from all walks of life. There are classics such as the Jetsons and Daffy Duck (notice I did not say Bugs Bunny) and then more recent products of my time period like Transformers and X-Men. But I always had an eye out for those cartoons that were anything but conventional. I recently got the chance to review Thundercats and I hoped that my childhood memories would hold up. Thundercats, HOOOO!
We are aboard a spaceship flying away from a planet. Jaga, an elder tells a younger Thundercat, Lion-O to watch as their home planet, Thundera explodes and is no more. The spaceship represents the last of the creatures as they try to find a planet that is like theirs in air quality. Jaga also introduces the young cat to the Sword of Omens which contains the legendary Eye of Thundera.
Posted in: Disc Reviews by Gino Sassani on July 11th, 2011
It sounds like nothing new. Hard-boiled detective uses computers and other forms of technology to solve cases. It isn’t anything new, except the detective in question is Joe Mannix, and the series started in 1967. The computer that Mannix used took up an entire room and was queried using cardboard punch cards. This wasn’t science fiction. We’re not talking some newly discovered Irwin Allen series. Mannix didn’t go after aliens or robots. This was a down-to-earth gritty detective show. Mike Connors played the tough-as-nails detective. He was perfect for the part and blended into the role seamlessly for 8 years.
The show was created by the team of Link and Levinson, who later gave us the detective in the rumpled raincoat, Columbo. It was groundbreaking in so many areas. While it might not be remembered today as one of the top detective shows, there can be no argument about the impact Mannix had on the genre. A decade later one of my favorite television detectives, Jim Rockford, would borrow rather heavily from Mannix. Like Rockford, Mannix was getting beat up a lot. They both had the same sense of style, wearing rather ugly sport jackets. Neither was afraid to bend the rules, or the law, when necessary. Again like Rockford, Mannix often falls for the wrong girl at the wrong time. Mannix was good with a gun and equally adept with his fists. The show received a ton of controversy from the start for the amount of violence it employed. Tame by today’s standards, Mannix was quite aggressive for its time. The joke was that the show’s producers mandated a fight or car chase every 15 minutes whether it was needed or not. I’m sure that wasn’t true, but nonetheless the show opened the floodgates for the detective shows that followed. In this first season, Mannix worked for the enigmatic detective agency, Intertect. They supplied him with the latest in modern technology and with his cases. His main company contact was Lou Wickersham, played by Joseph Campanella. Now Mannix is on his own and begins to resemble more and more these detectives that would eventually follow in his tire tracks.
Posted in: Disc Reviews by Archive Authors on July 11th, 2011
Oh, how the rich can get into mischief. This DVD set is smack dab in the middle of Dynasty’s successful nine season run. The mudslinging, both literal and figurative, was at its height in this fifth season, and no $200 haircut or $1000 outfit was left unruffled by the various scandals and plots set into the web of these wealthy Denver residents. In fact, this season was the one and only time this series won a Golden Globe for best TV drama.
Both my age and lack of interest from the time I was between the ages of 1 to 5, when this show originally aired, betray any memories I may have of this program. Approaching it these days, I can clearly see how it was derivative of Dallas, its CBS rival (Dynasty having aired on ABC). If these wealthy folk are not in each other’s faces, they’re in each other’s beds.
Posted in: Disc Reviews by Archive Authors on June 30th, 2011
Written by Bamboo
Shot in the Dark is a very well done documentary by Adrian Grenier (before he starred on HBO’s Entourage) about what it means to be a father. The film starts as a series of interviews with random people in New York, as well as Adrian’s friends and family members. Adrian has not seen his father in over eighteen years. He feels as though he doesn’t know what it means to have a father or how he should feel about not having a father around while he was growing up. Adrian hopes to gain some insight through this documentary.
Posted in: Disc Reviews by David Annandale on June 6th, 2011
A mother locks her child in a closet so she can have an uninterrupted tryst with her lover. But the couple is rudely interrupted after all, as they are bludgeoned to death. Ten years later, a group of friends arrive at the deserted house to party down. After doing so for a fair bit of running time, they then fall prey to a hulking masked maniac, who not only has the titular hammer, but also has all sorts of supernatural powers.
This is, according to the box, “the first shot-on-tape slasher movie for the home video market.” This is a warning as much as anything else: don't be expecting John Carpenter or Dario Argento behind the camera. That the film is amateurish goes without saying, but I'll say it anyway. Viewers should be prepared, then, for lots of padding (a slow-motion scene of a couple walking that goes on for minutes), bland camera set-ups, ropey script (let's have a complete food fight sequence!) and whipped-up-in-the-kitchen gore. On the upside, once the supernatural kicks in, logic goes out the window, and all sorts of strange things start happening with no explanation whatsoever, resulting in a rather charming sort of dime store surrealism. This isn't a good film, but it is a likable one.
Posted in: Disc Reviews by Gino Sassani on May 31st, 2011
"Sketch comedy, what is it? What is required? The first thing that is needed is a premise."
Posted in: Disc Reviews by Gino Sassani on May 17th, 2011
"You unlock this door with the key of imagination. Beyond it is another dimension— a dimension of sound, a dimension of sight, a dimension of mind. You're moving into a land of both shadow and substance, of things and ideas. You've just crossed over into the Twilight Zone."
Posted in: Disc Reviews by Gino Sassani on May 17th, 2011
There were a lot of changes in store for the Bunkers in the 9th and final season. The biggest change was the addition of Stephanie played by Danielle Brisebois. She was the daughter of one of Edith's cousins. The girl was originally left with the Bunkers for what was supposed to be a temporary situation. Of course, the couple gets stuck with the 9-year-old girl and have to raise her. The matter is made worse when Archie discovers she's Jewish. Mike and Gloria have moved out to California but are not completely out of Archie's life. Archie and Edith make a trip out to see them and their grandson in a three-part episode, only to discover they have split up. This would lead to yet another All In The Family spin-off called Gloria. The release includes the three-part All In The Family Retrospective hosted by Norman Lear.
The series was first released through Fox for three seasons. Sony took over the releases for the next three seasons. Finally Shout Factory has stepped up and has taken over the release chores for this classic comedy.
Posted in: Disc Reviews by David Annandale on May 17th, 2011
Clowns have been a recurring obsession for Fellini, by the director's own admission, and after having been memorable presences in his films (perhaps most notably in La Strada), here they have an entire film devoted to them. Fellini here offers a mixture of biography, documentary and comedy. The film opens with a young boy (meant to be Fellini) first encountering (and being frightened by) clowns at the circus. Fellini's narration recounts how the clowns reminded him of real characters from the village of his youth, which cues recreations of those people, their actions essentially circus clown routines transposed to world outside the circus tent. Fellini then heads off to Paris in search of clowns and their history.
Fellini incorporates many clowning routines, and how well the gags work will, of course, depend on the individual viewer. But the value here is less that gags than the history and broader meaning of the circus itself. What clowns mean, what we take from them, what the different figures represent – these are the kinds of meditations the film engages in, and there is a great deal of melancholy and poignancy to go along with the broad slapstick. A fascinating piece then, originally done for Italian television.
Posted in: Disc Reviews by Gino Sassani on May 12th, 2011
"Once upon a time in the projects..."
Eddie Murphy co-created this controversial situation comedy that aired first on Fox and was later picked up by the WB. It was quite an original undertaking. The show was made using stop-motion. The process was very much like the traditional claymation process that brought such classic favorites like Gumby to life. But since the models were made of foam instead of clay, the process was dubbed foamation. There's a bit of a coincidence at play here since Eddie Murphy often played a version of the Gumby character on a regular basis during his stint with Saturday Night Live.
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