Posted in: Disc Reviews by Archive Authors on May 19th, 2007
Synopsis
I’d like to think of Amanda Bynes (She’s the Man) for being part of a smaller second wave of teen female performers. Nobody’s really sure of who she is, but she appears to stay out of trouble and certainly not emulate the Lohans and Spears of the world. She had an already established name among the Nickelodeon demographic, but soon moved to grown up television, joining television veteran Jennie Garth (Beverly Hills, 90210) in What I Like About You.
Posted in: Disc Reviews by Archive Authors on May 19th, 2007
Synopsis
In the late ‘70s and early ‘80s, Robert De Niro may have taken on some more famous roles (like The Deer Hunter and Raging Bull), but he wasn’t shy to experiment in roles with directors like Bernardo Bertolucci (1900), to name a few. And in his first film after playing Jake LaMotta, De Niro plays Des, a monsignor who runs into his brother Tom (Robert Duvall, The Apostle), a police homicide detective.
Posted in: Disc Reviews by Archive Authors on May 18th, 2007
Blood & Chocolate is based upon the novel of the same name by Annette Curtis Klause, which was written in 1997 and has since been in the talks of screenplay adaptation. Written by Ehren Kruger (Arlington Road, Scream 3, The Ring) and directed by little known German director Katja von Garnier, Blood & Chocolate looks too impress.
It was refreshing to see a werewolf movie with a much different formula then were used to. Instead of the typical blood soaked horror we are presented with a dark an... somewhat more reasonable storyline. Vivian (Agnes Bruckner) and her family live in America, but when word spreads that they are a family of werewolves, a posse burns down their house and leaves everyone for dead. Vivian escapes and moves to Romania to be with her aunt Astrid and fellow werewolves. What interested me was the fact that these werewolves are proud. They come from a centuries old family of loup-garou’s (their fancy word for werewolves) that can shape shift on thought as opposed to the tiresome uncontrollable full moon fits of rage. They hunt only to survive and only on the full moons, and they avoid any public displays as they know if their identity is compromised they will stand no chance against the enraged humans.
Posted in: Disc Reviews by Archive Authors on May 18th, 2007
Blood & Chocolate is based upon the novel of the same name by Annette Curtis Klause, which was written in 1997 and has since been in the talks of screenplay adaptation. Written by Ehren Kruger (Arlington Road, Scream 3, The Ring) and directed by little known German director Katja von Garnier, Blood & Chocolate looks too impress.
It was refreshing to see a werewolf movie with a much different formula then were used to. Instead of the typical blood soaked horror we are presented with a dark an... somewhat more reasonable storyline. Vivian (Agnes Bruckner) and her family live in America, but when word spreads that they are a family of werewolves, a posse burns down their house and leaves everyone for dead. Vivian escapes and moves to Romania to be with her aunt Astrid and fellow werewolves. What interested me was the fact that these werewolves are proud. They come from a centuries old family of loup-garou’s (their fancy word for werewolves) that can shape shift on thought as opposed to the tiresome uncontrollable full moon fits of rage. They hunt only to survive and only on the full moons, and they avoid any public displays as they know if their identity is compromised they will stand no chance against the enraged humans.
Posted in: Disc Reviews by Gino Sassani on May 17th, 2007
We hear it all the time. Some kid had it rough as a child. Single parent home, gangs, poor schools and even poorer neighborhoods. What this usually describes is some three time loser who has just robbed or killed somebody and ends up in a high speed chase with police. Some folks take adversity and turn it into gold. George Lopez is the latter. He’ll be the first one to tell you that the sad stories his character tells of his youth are rooted in cold hard reality. Not only does he bare these painful memories for mil...ions to see, but he encourages us to laugh at them. Lopez doesn’t have the same kind of raw talent that most comedic actors draw from. For Lopez the talent is in the genuineness of the portrayal. He’s capable of some of the most complicated expressions that make us want to take him home. Of course, feeding him is another story. There’s nothing really complicated about the George Lopez Show, however. While it has recently been cancelled, it remains one of the true standout sitcoms of the decade. The George Lopez show doesn’t rely on sexual innuendo or exotic situations for its laughs. This is the kind of show you don’t have to be embarrassed watching with the kids.
George Lopez is George Lopez. He has a son, Max (Garcia) and a daughter Carmen (Lusha). His wife Angie (Marie) is a fiery Cuban who is a constant clash to George’s more laid back demeanor. Their family backgrounds are quite different even though both are Latino. Here the show does a great job of dispelling Latino stereotypes by accenting the cultural differences between George and Angie. Don’t get me wrong. There’s plenty of Latino generalization throughout the show, played mostly for laughs. The show is almost stolen by George’s mother, Benny (Moreno) who’s not often very apologetic about her dysfunctional mothering when George was a child. The banter provides some of the best moments in the show. There are few comedies these days that actually get me to laugh. The most many get are a random chuckle from time to time. The George Lopez Show is one of those few that elicit genuine laughter. I’m talking Sanford and Son laughs here.
Posted in: Disc Reviews by Gino Sassani on May 17th, 2007
James Garner could have been a Hollywood leading man. He had surfaced in a few films and apparently was on every director’s radar at one time or another. Hit or miss, he might have made quite an impact on the film industry. Instead, he will forever be known for the two defining television roles of his career. Maverick completely reinvented the television western. Up until that time the western was a place populated by clear good guys and bad guys. Men like Marshall Dillon and Ben Cartwright were known for their wholesome ways and do unto others attitude, perhaps mixed in with the occasional frontier justice. Enter Bret Maverick, who was a morally ambiguous character who loved to gamble and often run a con, even if it was usually on the bad guys. A western Robin Hood, if you will. It’s no surprise that when Stephen Cannell was looking for a new character he would bring Bret Maverick into the current day. Instead of a horse, Rockford drove an iconic Firebird. Still, even without the western trappings, Rockford is Maverick.
James Rockford lived in a trailer on the beach. His lovable dad was a truck driver who never did understand how his “sonny” could be mixed up in the dirty world of private investigations. While Rockford always projected a tough guy exterior, it was his soft spot for a sad story that often got him deep in trouble. He could understand the world of injustice. He had spent five years in prison for a crime he didn’t commit. Even after a full pardon, the cops considered him a lowlife ex-con. His one buddy, Lt. Becker, usually laid low among his fellow officers, often afraid to admit to being Rockford’s friend. Rockford was also king of the con. When normal tactics didn’t work, he could bring together a group of scam artists and con men to handle the largest of productions. He traveled with his own business card printing press. Afraid of guns, Rockford usually kept his in the cookie jar.
Posted in: Disc Reviews by David Annandale on May 15th, 2007
Synopsis
Here we go: all 30 episodes of the first season, wherein we follow the adventures of Flipper, a dolphin owned by youngsters Bud and Sandy. All three are watched over by their father, Chief Ranger Ricks of Coal Key Park. The formula for each episode generally sees either someone who needs rescuing (from drowning, shark attack, that sort of thing) and Flipper must help out, or the boys and the dolphin wind up in trouble after poking their noses somewhere they shouldn’t. It’s all very familiar,...but damn if the show doesn’t still generate a certain degree of suspense with its cascade of predicaments. Also fun is the behind-the-scenes talent. Co-creator and director of many episodes is Ricou Browning, who played the Creature from the Black Lagoon in the underwater sequences of that film. He gets to recreate that role in the final episode of the season, as a monster movie is being shot at Coral Key, and Browning plays the monster (the costume appears to be repurposed version of the one used in The Monster from Piedras Blancas). There are moments in this episode which are deliberate, happier echoes of the original Creature. Curiously, the Creature was played in the land scenes by Ben Chapman, and that name shows up in the credits too as production supervisor, though in this case the name is a coincidence.
Posted in: Disc Reviews by Michael Durr on May 13th, 2007
Synopsis
It's fairly common to bring ideas from other cultures and bring them into American television shows. We have done it with gameshows (Lingo) and we have done it with movies (Ring). However, sometimes we simply wish to recreate shows in our image. Rarely, we just go ahead and use the same show and edit it to suit our tastes. Enter Most Extreme Elimination or MXC. This show (part of SpikeTV's late night lineup) is simply the Japanese show; Takeshi's Castle peace me...led together with new commentary and a different focus. (I'll explain more later in the extras).
Posted in: Disc Reviews by Archive Authors on May 8th, 2007
Beverly Hills 90210, although I never watched this growing up, I knew a lot of people who did. Often compared as The OC of the 90’s, the show does in fact share a lot of similarities with The OC; two popular primetime soap operas based around the posh lives of rich teens. The main difference between the two shows is the fact this 90210 lasted 9 seasons and 10 years on air, which made for a vast array of storylines and ever developing characters. Some people might not remember the show all ...hat much, but I’m pretty sure everyone remembers the teen idols that it produced which include Luke Perry and Jason Priestley. Of course the storylines are at times a little over the top, but also address serious problems that teenagers and young adults might deal with, but in an entertaining manner.
Incase you don’t know, Beverly Hills 90210 takes place in Beverly Hills, California a city known for its exclusivity ranging from shopping to housing. These elite teenagers enjoy a posh lifestyle that is a constant drama fest. From love triangles too serious issues like child abuse, divorce, and teenage pregnancy - this show has it all. In true soap opera fashion these mid to late twenty actors play seventeen year olds, but I can get past that I just thought I’d throw that out there.
Posted in: Disc Reviews by Archive Authors on May 5th, 2007
Catch and Release is appropriately dubbed as a chick flick. Written by Susannah Grant, who also makes her directorial debut, is responsible for the screenwriting of some rather dismal movies in the past, including Ever After, Erin Brockovich, and 28 Days. Although I hint at a dislike for romantic comedies, I'll have you know that in the past I have enjoyed several, and am going into this completely unbiased.
The movie starts off on a sad note, Grey (Jennifer Garner) a grieving a...most widow mourns the death of her fiancé Grady. Originally they were to be married on that day, but due to an accident on a fishing trip, Grady was killed. Dealing with the loss in her own way, Grey sits in a bathtub where she can be alone with her thoughts. Before long, Grady's friend Fritz (Timothy Olyphant) bursts in and seduces a waitress. Waiting until the woman leaves, Grey reveals herself and tells Fritz she never understood why Grady was his friend.
