Posted in: Disc Reviews by Gino Sassani on June 27th, 2007
Mission Impossible didn’t really enter into its by now famous format until this, the second season. The IMF team was run by Daniel Briggs, played by Steven Hill. Hill was never really happy and left after the first season, citing a refusal to work on the Sabbath as his reason for leaving. While Hill was never bad in the role, his departure was our gain. Peter Graves immediately stepped up as the iconic Mr. Phelps, and Mission Impossible as we know it was born. I should add a word of caution and say this is really ...othing like the films which have become big budget vehicles for Tom Cruise over the last decade or so. This was not an explosive f/x or stunt driven show. The team managed their impossible missions with cunning and guile. The team was necessarily eclectic in nature. It featured Martin Landau in his signature role of Rollin Hand. Hand was very much akin to Martin Ross and his role in The Wild Wild West. He was a master of disguise. He could imitate almost anyone in very short order. Barney Collier was the gadget man, played by Greg Morris. Cinnamon Carter was the model and the team’s chief seductress and was played by Landau’s real life wife Barbara Bain. Finally, the muscle was supplied by Willy Armitage, played by brute Peter Lupus. Together they took on missions that the government could not be officially a part of. They were always admonished that should they be caught “the secretary would disavow any knowledge” of them. Usually they were sent somewhere to put some evil mastermind out of business. Their tactics ranged from scams to outright theft. Sometimes they were a rescue team while other times they would infiltrate a group of bad guys. There were certainly cold war elements to the whole thing.The openning segment of each episode was television history. A hidden tape recorder would give Phelps his assignment with the warning that the recording would self-destruct in 5 seconds. The tape and usually the recorder as well went up in a puff of smoke leading to the famous fuse and theme. Before we knew it we were off to save the world one week at a time.
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Posted in: Disc Reviews by Gino Sassani on June 20th, 2007
"Oh Bother"A.A. Milne was quite an eclectic writer. He wrote murder mysteries that even appeared on Alfred Hitchcock Presents. From that fertile mind would also come a place known as the 100 Acre Wood. In that select place some of literature’s finest characters had the greatest adventures any boy could imagine. And adventures are certainly no fun on your own. Young Christopher Robin was joined by Piglet, Tigger, Owl, Rabbit, Eeyore, and, of course, Winnie-The-Pooh. Who didn’t fall in love with that silly old bear... Winnie-The-Pooh. OK, so maybe Dahmer or Bundy might have been exceptions. Still, anyone growing up in the last 30-40 years who isn’t a psychopath has had a love affair with Winnie-The-Pooh, all stuffed with fluff.
Often when a company gets the rights to such classic characters they end up doing more harm than good, particularly if they include some quite radical changes to the beloved material. Walt Disney was first introduced to the stories after seeing his own children delighted by their adventures. His quick mind told him that this English story needed to be more formally introduced to American children. It took several years for the versions of these characters to evolve into what we so instantly recognize today. The original characters were quite different from these uniquely Disney inventions. I know the folks at Disney claim they stayed very true to the originals, but that simply isn’t true. Today the characters are recognized all over the world more in their Disney incarnations. More than the drawings, the voices of these characters have become very distinctive with those of us who grew up with them. Jim Cummings has done the voice of Pooh for years, but it was Sterling Holloway who originated the voice for these feature pieces. Paul Winchell gave us his giddy Tigger voice for over 40 years now. John Fiedler supplied the shy stuttering Piglet. These last two voice actors died just one day apart in June of 2005.
Posted in: Disc Reviews by Michael Durr on June 10th, 2007
Synopsis
Hello, all you happy people. Growing up, many people of my generation when turning to classic cartoons turned to Bugs Bunny or Mickey Mouse or even Popeye. I wasn't normal (who would have guessed?). I found my cartoon home when I wasn't watching Transformers or He-Man in the old Tex Avery cartoons of yesteryear. My favorite character was Droopy, the little dog with the deadpan wit and a penchant for outsmarting the big bad Wolf or Spike/Butch the bulldog. Tex was fa...ous for throwing one gag at you and then while you are still laughing throw another. He would usually follow that up with a third one for good measure. It was this constant unapologetic slapstick that would become his signature and would be found most consistently in the hands of Droopy.
Posted in: Disc Reviews by Archive Authors on June 6th, 2007
Right off the top, I have to admit I’m a big Scrubs fan. Obviously, this portion of the review will be influenced by that bias, but at least I’m up front about it. Now, this DVD set brings us the ingenious sitcom’s fifth season, which aired in 2006. I didn’t catch any of these 24 episodes on TV, so this release was my first time.
Season five, like all of the previous seasons, picks up at the start of a new year at Sacred Heart. This time around, J.D. (Zach Braff, The Last Kiss) and Elliot (Sar...h Chalke, Roseanne) are full-fledged, attending physicians, while Turk (Donald Faison, Uptown Girls) is vying for one of the hospital’s few surgeon positions. As viewers would expect, the usual gang is still doing its thing, with Dr. Cox ranting, Carla bossing people around, the mysterious Janitor hassling J.D. and Dr. Kelso ruling the place with a nasty fist.
Posted in: Disc Reviews by Gino Sassani on June 6th, 2007
I should have known I was in trouble from the opening credits. The graphics are accompanied by some really cheap sounding synthesizer music. It sounds like they sprung for the $39 Casio. Beyond the crappy sound, the melody, if you can call it that, didn’t fit the western I was unfortunately about to see. Let’s keep this simple, shall we? If you pick this baby up at your local video store, I’m going to advise you to put it down and back away from the shelf. Now you owe me. I gave you back 2 hours of your life you we...e about to piss away on one of the worst films ever released in any format. This is extremely low budget nonsense all the way around. The acting is the absolute worst I’ve ever seen. Even George Kennedy is obviously only there for the paycheck, which couldn’t have been that much. George’s life must really suck these days for him to allow himself to be a part of this farce, even if it was only for five minutes. I think he just passed Conrad Brooks on the “do anything for a screen credit and a few nickels” circuit. He fumbles through his scene in a performance I hope he’d rather forget. If you’re looking for corny lines, bad acting, and incredibly poor editing, this is the film for you. Perhaps it should be required viewing at all film schools as an example of how not to make a film. If you just think I’m full of crap, I dare ya to sit through all 118 minutes of this film. I double dog dare ya.
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Posted in: Disc Reviews by David Annandale on June 6th, 2007
Synopsis
Gary Cooper is a writer who hit it big with his first book, but has been mechanically producing more of the same ever since while he and his wife booze it up in New York high society. When his publisher rejects his latest tossed-off effort, Cooper and wife (now dead broke) retreat to his old family home in the country. There he gradually falls in love with the daughter (Anna Sten) of his Polish neighbour. She herself is engaged (unhappily) to another man. The budding relationship is thus fra...ght with many perils.
Posted in: Disc Reviews by Gino Sassani on June 5th, 2007
What Time Is It? It’s Tool Time! Home Improvement was based on a stand-up routine that made a name for Tim Allen. In his act he would talk about his experiences with power tools and other manly misadventures. He came across as a comedic Bob Vila. Somewhere along the line it was decided this had the makings of a good sitcom for television. It was a rather inspired idea, and for many years it was one of the funnier shows on the tube. I often find myself referring to the show as Tool Time, which in reality is the cabl... handyman show Tim hosts. The reason for this almost constant confusion is simple. It is the Tool Time bits where the show was always at its best. Tim’s rapport with co-host Al Borland (Karn) is always worth a few laughs. Tim lived next door to Wilson (Hindman) who often had long winded words of wisdom when Tim found himself befuddled by life’s complications. As a running gag, we never see Wilson’s face below the nose. Most of the time the privacy fence they spoke over served to cover these areas, but often other well placed items did the job. Tim had a family. His wife, Jill (Richardson) tolerated Tim’s antics, all the while seeing him as an adolescent. The couple had three kids who were quite young as the show began. By season 6 the boys had grown, which demanded more screen and story time. Now there lives have dominated many episodes to the point that Home Improvement became almost a Brady Bunch instead of the more amusing fare it started as. There’s still plenty to laugh at here, but it’s just not as funny as it once was. Combine the older family with 6 years of the tool bits and Home Improvement was running its batteries down a bit. The show had only 2 more years left in it by this time. It might have been better to stop after 5.
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Posted in: Disc Reviews by Gino Sassani on June 5th, 2007
Maybe it’s just not possible to do a good western on television these days. Most of the more recent attempts have come up pretty empty, and The Magnificent Seven is no exception. I'd have to say that perhaps The Adventures Of Brisco County, Jr. might be the lone standout. The Magnificent Seven certainly tries. All of the traditional clichés are there, from the Ponderosa rip-off music to the “howdys” and “reckons” in the dialogue. There’s plenty of gunplay and horses to meet the expected quotas, but it all looks way...too staged for my tastes. It felt like I was watching one of those Amusement Parks Ol’ Western Shows. The cast is relatively impressive, but whether it’s that there are too many of them for true character development or no one on the writing crew decided character was important, I can’t say for sure. It’s just not there.
Seven unlikely men join together to protect a Western town from those that might take advantage of its peace-loving citizens. The seven are pretty much ordinary folk thrust into extraordinary circumstances working for an old judge (Vaughn) for $1 a day plus room and board. Michael Biehn plays Chris Larrabee, who is pretty much the unofficial head of the seven. He usually wears black, going against the “good guys wear white” western tradition. His family had been lost to a tragic fire. Following him are: Buck Wilmington (Midkiff), JD (Kavovit), Vin Tanner (Close), Ezra Standish (Starke), Nathon Jackson (Worthy) and Josiah Sanchez (Perlman), a defrocked preacher. Perlman gets most of the best lines. In the season opening he is asking God for a sign when a nearby dog barks, signaling the return of his fellows. He looks up to Heaven and says, “I bet you thought that was funny, didn’t you?”. The second season begins with a new lawman in town who doesn’t take to the seven’s tactics in protecting the town. When he posts a long list of new laws, including no firearms in the city, the seven leave the town to its own fate. As you might expect, a few of the local tough guys take advantage of their leaving and begin to run the town ablaze. Certainly the boys return and a new season is set up. Now they have the title of “honorary” marshalls. Let the good times roll.
Posted in: Disc Reviews by Michael Durr on June 3rd, 2007
Synopsis
Tom & Jerry cartoons used to be so much fun back in the day. The mayhem, the violence, the pursuit of one cat to vanquish one tiny little mouse (and never succeeding). I remember one episode very vividly that involved Tom destroying the whole house to get to Jerry and literally killing himself in the process (well the fake cartoon dieing anyway). They probably took that off tv these days with trying to sanitize children's programming and all. However, without Tom & ...Jerry, there would be no Wile E. Coyote & Road Runner, no Itchy & Scratchy & no Rosie O Donnell & Donald Trump. (all I'm saying is that Rosie is hungry). Since those old cartoons are considered too violent (*roll eyes*) and sometimes too racist (*even bigger roll eyes*) they try to bring back popular cartoons in new tv series. They do this to try to bring back today's viewing public back in by serving them friendly cartoons and keep the parents from suing or complaining to somebody.
Posted in: Disc Reviews by Michael Durr on June 3rd, 2007
Synopsis
Groundbreaking is often a word that is simply used too much. People tend to sling it around whenever they find a movie or tv show that is just simply different. However, this is not the case with the groundbreaking show: Cagney & Lacey. It was to show two women in leading roles as police officers solving crimes and getting the bad guys. The show in its first season alone would explore such controversial women's issues as date rape and burnout (which a lot of women du...ing that time experienced when faced with both being employed and a domesticated wife). The cast was centered around Christine Cagney & Mary Beth Lacey (played by Sharon Gless & Tyne Daly respectively) and plays an important part in women's television even today.
