Posted in: Disc Reviews by Gino Sassani on March 30th, 2008
Stargate Atlantis went into its third season with a lot to prove. Its companion and older series SG-1 was winding down and preparing to take its show to the longer direct to video path. Atlantis rose to the challenge and had what was arguably its best season to date. The best decision the show runners could have made was the one to concentrate on their core characters and give us episodes that were obviously intended to help us learn more about them. We meet McKay’s sister and Ronon’s wife and family along the way. We get to witness Sheppard in his alluded to battle in
Posted in: Disc Reviews by David Annandale on March 28th, 2008
Three female friends are there for each other’s personal storms. One is a coke-addled sensation addict, one aspires to be an artist (and does her share of powder too) and the third is taking refuge from an unhappy marriage and questioning her sexual identity. Many scenes of heightened emotion are the order of the day.
The title (translated as “On the Edge”) recalls Women on the Verge of a Nervous Breakdown, but Teresa Suarez isn’t quite in Pedro Almodovar’s league. The film has some fine comic moments (I’m thinking of one dream sequence in particular), and plenty of energy, but some of that is second-hand: a coke-frenzied drive early in the film more than slightly recalls Ray Liotta’s paranoid excursion in GoodFellas. Further, despite the universally vile male characters in the film, many of the protagonists’ problems are so obviously of their own making that they are hard to care for.
Posted in: Disc Reviews by Archive Authors on March 27th, 2008
It has always been odd to me that for as popular as Bollywood films are in India, they really haven't made much of an impact here in the States. Films from other countries find their place here, but Indian works are pretty widely overlooked here. Maybe it has to do with the wide cultural differences. Maybe it is because so many Bollywood films rely heavily on the traditions of the American musical. Whatever the reason, no Indian films have really caught on here, and the same can be said of the beautiful and talented Indian actors and actresses.
The Namesake is a film that may finally have opened this part of the world up to Americans. Ironically, it has been done through the salesmanship of Kumar Patel himself, Kal Penn. Previews sold this film as a Kal Penn vehicle, wherein he confronted his painfully uncool parents and learned that they might not be so uncool after all. I was shocked when I discovered that this is not at all what the film is about.
Posted in: Disc Reviews by Archive Authors on March 27th, 2008
Imagine my surprise when I found out that the show Wildfire, aired exclusively on the ABC Family network on Monday nights, is coming up on its fourth season. So it makes me wonder, since ABC Family is a little long on episodes, if a show airs on a network that people barely watch (aside from the occasional Gilmore Girls repeat), does the show really exist?
Wildfire is not, as I first thought, a reality show surrounding professional wrestler Tommy Rich, nor is it a dramatic show about fighting brush blazes in California or Montana. It is the name of a racehorse. The horse finds a kindred spirit in Kris (Genevieve Cortese, Kids in America), who is on a work release program and is given parole to work at Raintree Ranch, owned by Jean Ritter (Nana Visitor, Star Trek Deep Space Nine). Jean's son Matt (Micah Alberti, American Pie Presents Band Camp) is becoming an accomplished trainer, perhaps better than the farm's head trainer Pablo (Greg Serano, In the Valley of Elah), but despite his feelings for Kris, he's become the trainer for a horse owned by Danielle Davis (Nicole Tubiola, Imaginary Heroes), in a family that Jean seems to run into conflicts with. The patriarch Ken (James Read, Legally Blonde) has tactics that seem a little bit seedy, and his son Junior (Ryan Sypek) wants to break free from his hold.
Posted in: Disc Reviews by Michael Durr on March 25th, 2008
Do you ever look at some covers in disbelief and wonder why this ever got made? Okay, some directors are trying to break into the business or perhaps an actor is taking on an indie release that one can show their acting range with. But if a movie looks, smells and feels like a B movie; then most likely you are in for a rough ride. At the end, you might come out okay. A lot of times however, you might not. I witnessed such an example in Killer Pad. A movie directed by Robert Englund. Yes, the "Freddy" guy. The box sports some clueless guys and a hot devil lady. Oh and a spooky house behind it all. I'm scared, mainly cause I have to watch it.
Three friends; Doug, Craig & Brody (played by Daniel Franzese, Eric Jungmann, & Shane McRae) decide to leave their small midwest lives and head for the Hollywood Hills. After some searching, they meet up with a landlord named Winnie (played by Bobby Lee)who gets them to a sign a deed to 666 Perdition Lane (gee I wonder if it could be evil). Once they get there, they realize it is the house of their dreams and decide to host a party at their "killer pad." Little do they know that the house is haunted and foul things are a foot. The rest of the adventure is spent finding out the answer to various supernatural occurrences and trying to still host the most awesome party ever.
Posted in: Disc Reviews by Gino Sassani on March 19th, 2008
I’m not going to spend any time in this piece telling you about the characters, actors, or plots of the new Stargate direct to DVD film The Ark Of Truth. Honestly, if you are not up to speed you will be totally lost here and have zero chance of even remotely enjoying the ride. For the show’s fans, I think you’ll know exactly what I mean when I say that The Ark Of Truth is basically a perfect extended episode of the series. There is a prelude that provides the “story so far” in flashbacks from the series, but let’s face it, Stargate ran for 10 years and it wasn’t really known for its uncomplicated story threads to begin with. Likely instead of catching you up, the prelude will leave you with even more questions. This is not the place to jump on board the Stargate journey. And no, having seen the original film will do you no good at all. If you find yourself suddenly interested in the franchise, go back and start at the beginning. Trust me, the time will be well spent.
Posted in: Disc Reviews by Gino Sassani on March 18th, 2008
I don’t know what I really expected when I started watching Greek. I never saw the broadcast, and the series was extremely underplayed in the crowded wilderness of promos and press. Honestly, I’m not sure I would have invested any time in the show if I had heard of it. So, when Greek showed up at my door to watch and review, I had to scratch my head a little bit before deciding to put the first disc into my DVD player. The release case almost makes the show sound like a Greek life reality show, and I’m sure as we speak some new reality creator is just now thinking what a great idea that would be. But Greek is not a reality show at all. It’s a teen soap opera set in the party environment of a college campus and both a fraternity and sorority house. The concept would appear to be slightly misplaced on ABC’s Family Network. The prerequisite underage drinking and promiscuous sexual lives don’t appear to be the best “family” entertainment. We don’t get even halfway through the pilot episode before we’re already charting those waters. To be sure, Greek is no Animal House, and the atmosphere is toned down considerably, but the issues remain, and this is not a show for the kiddies.
Posted in: Disc Reviews by David Annandale on February 29th, 2008
Blackgate Prison is built on ground where massacres of one sort or another have occurred throughout the history of the United States. When a disused wing of the prison is reopened, all sorts of nastiness emerges. Michael Paré is the officer called in when a guard mysteriously commits suicide, but that is only the first of many unexplained deaths yet to come.
So here we go with another haunted prison film, and a great deal that we have seen before. Take a cinematic tone that seeks to borrow the eeriness of Session 9 (but fails), mix in creepy little girls in jump-cuts (from the J-horror remake of your choice), and season with a cast that’s a collection of down-on-their luck pros (Tom Sizemore) and a lead in Paré who clearly took the part when From Hell It Came’s tree turned the role down for something with more range. Wake me when it’s over. Our hero’s performance is not helped by a script that appears to be composed entirely of lines from CSI fan fiction.
Posted in: Disc Reviews by Michael Durr on February 29th, 2008
My college life was usually spent doing two things. Okay, actually three things. One, studying (nearly unsuccessful) . Two, trying to get women to sleep with me (mostly unsuccessful). Three, playing Dungeons & Dragons. I owned a good dozen dice from a D3 to many assorted D20's. Want to scare a fellow gamer? As DM, roll for damage and bring out 5 D20's. Anyhow, around this time I also discovered D&D adventure books. I read primarily the works of R.A. Salvatore & Ed Greenwood (Drizzt & Elminster). So needles to say, I was a little intrigued when I saw a Dragonlance movie in my pile. The original book was published in 1984, a few years before I really got into D&D. But with dragons, elves & a mad mage; it was a surefire recipe for something wonderful.
Tanis (voiced by Michael Rosenbaum), a half-elf comes upon his old friend, a dwarf named Flint Fireforge. The two are also joined by a kinder named Tasslehoff Burrfoot. They decide to go to their local hometown tavern where they meet up with their other friends. First there is a knight named Sturm Brightblade. Beside him are two brothers, one a warrior named Caramon Majere. The other, a young mage named Raistlin Majere (voiced by Kiefer Sutherland). Off in the corner, an older mage named Fizban is telling tales of long ago (what he can remember anyways)about the gods of light and their ultra powerful healing magic that has since left this world.
Posted in: Disc Reviews by Archive Authors on February 26th, 2008
Guy Pierce fascinates me. He first broke on the scene in a big way in LA Confidential, which just happens to be one of my favorite films. Instead of taking the path of his co-star Russell Crow and chasing the big Hollywood dollar, however, Pierce chose to explore smaller, more interesting fringe films. Sometimes, this decision pays off for him, as was the case in the amazing Memento, or the recent The Proposition. Other times, however, the gamble falls flat, as was the case with The Hard Word. Pierce is consistently excellent, but the films he picks are hit and miss. That's the problem with interesting projects, they either turn into surprise hits, or predictable failures. So the big question is, is First Snow a hit or a miss?
First let's talk about the plot. Guy Pierce plays a salesman whose car breaks down in a remote part of the country, and while he is waiting for repairs, he visits a traveling fortune teller to pass the time. What starts out as a lark turns into a profound experience that alters the course of his life forever. The fortune teller informs him that his life will be over at the first snowfall of the season, and he slowly begins to believe him.
