Posted in: Disc Reviews by Archive Authors on October 26th, 2005
Dolph Lundgren and Jean-Claude Van Damme. When is the last time you heard those two names? I'll bet it has been quite some time. Lundgren is the poor man's Schwarzenegger, and Van Damme is best known as the Canadian action superstar that is long on physical talent, but horrid at dialog. These two team up in Universal Soldier, a film that is filled with as much action as possible, with as little actual story as possible. This is the action film equivalent of pornography... give the viewers what they want, and a...d a little story in at the end to loosely tie together all of the set pieces.
The story involves two excellent Vietnam-era solders, who die on the battlefield and are reincarnated as... what?...zombie soldiers?... many years later to become super-soldiers. Unfortunately, the two gradually gain some of their memory back from their past lives, remember that they don't like each other, and go to war. Somewhere in the middle of all of this, a girl shows up. I was really shocked to see how much of this film was "borrowed" from the original Terminator film. For mindless action, this film has plenty of it. Just don't expect to go into this and find anything resembling a cohesive plot.
Posted in: Disc Reviews by Archive Authors on October 25th, 2005
Synopsis
In his mansion and forested estate, a rock star (played by Michael Pitt and named Blake, but obviously supposed to be Kurt Cobain) wanders about in a terminal drug stupor. Hangers on, business associates, Mormons and salesmen besiege him, but his flees human contact, withdrawing completely into himself.
Posted in: Disc Reviews by Archive Authors on October 20th, 2005
Synopsis
A group of young folk on their way to the “biggest college football game of the year” (you would do an overnight trip for THAT?) take an unfortunate detour. In groups of two, they are lured into a town run by two madmen, where the only other inhabitants are the was-coated effigies of their victims. What follows is the expected gory slaughter, and some of the deaths are gruesomely imaginative. There is, however, no terror. What does it say when practically the most likeable character in a fil... is played by Paris Hilton? It says that you can’t wait for these people to die. Even the more amiable heroine behaves in ways that are colossally stupid even by slasher movie standards. And the twist at the end is so trivial and meaningless, so utterly irrelevant to the plot, that it is the narrative equivalent of bicycles for fish.
Posted in: Disc Reviews by Archive Authors on October 14th, 2005
Synopsis
At a gathering of all the gangs of New York City, the messianic leader proposing a unification of all the organizations is gunned down, and the Warriors are unjustly accused. They must make their way from the Bronx to Coney Island with every gang in the city out for their blood.
Posted in: Disc Reviews by Archive Authors on October 8th, 2005
Let's face it; Harrison Ford is not a particularly great actor. He is not capable of playing diversity in his roles, and he has never faded into a character. When you go to see a Harrison Ford movie, the result is always something like “Harrison Ford as the President of the United States”, or “Harrison Ford is wrongly accused of a crime he didn't commit.” Never once have I seen one of his films and came away saying “it is about this professor that goes on a quest to find the holy grail. Harrison Ford played the profe...sor.”
Having said this, I like Harrison Ford. He happens to be one of those personalities, much like William H. Macy, that is comfortable and pleasant to watch on screen. He always handles each role with care, and is never content to let a role slip by without putting effort into the feelings and intentions of the character. He is much like the great Gregory Peck in this regard, as some of Harrison the man always comes through in the characters he plays. He is always genuine, always true to himself.
Posted in: Disc Reviews by Archive Authors on October 7th, 2005
Synopsis
The wife of a policeman shows up at the mansion of one Elizabeth Caine (or is she Erzsebet Bathory) for a lesbian tryst, but has her neck punctured by her host. Ray, the cop, investigates his wife’s disappearance, and very quickly suspects Bathory, but has difficulty assembling proof. To make matters worse, bodies of young women start piling up, and the evidence points more and more damningly toward Ray. He is in a race to prove his innocence and stop Bathory before she kills again.
Posted in: Disc Reviews by Gino Sassani on October 5th, 2005
Nothing much changes in the second season of Las Vegas. Of course, Danny comes home from his secret and apparently tragic tour of duty. Mike is a full fledged member of the security team. Otherwise it’s business as usual for the workers at the Montecito. The show works well as an ensemble piece, but the relationship between Danny and Big Ed is more fully developed here and is beginning to dominate the series. James Caan continues to impress with work most of his peers would consider beneath him. The flashy fast paced camera work continues to offer a dizzying ride through the glitz and glamour of Las Vegas. All in all the show probably improved in year two, if for nothing else the characters have been fleshed out more in season two. Sometimes the interrelationships get a little too complicated and I could certainly do with less of the cliché of everyone hooking up with everyone else. All in all, this is a unique series with plenty of laughs, glitter, action, and hormones to please almost anyone.
Synopsis
Posted in: Disc Reviews by Gino Sassani on October 4th, 2005
For the first time in Star Trek history it was decided to dedicate an entire season to tell a single story. Following a recent trend started by hits like Alias and 24, Enterprise boldly went where many had gone before. The problem with this grand idea is that character development and Trek lore were all given a back seat. Rick Berman felt the need for Trek to become more epic. Unfortunately what Enterprise really needed to do was return to its character and socially driven roots. The show did finally start in that direction, but not before losing a legion of fans. On DVD, however, this story plays out much better. Now you don’t need to worry about missing an episode and spending the rest of the entire year feeling like you’re the only one who doesn’t know what’s going on.
Season Two ended with a shocking attack on Earth that destroyed much of my home area, Florida. The Enterprise embarks on its single mission to find and stop the mysterious Xindi. Along the way we are treated to plenty of stories that are in some way interrelated to this new big picture. The season is much darker in tone, both in script and cinematically.
Posted in: Disc Reviews by Gino Sassani on September 28th, 2005
Warm Springs is an HBO production based on a lesser known part of the life of Franklin Roosevelt. While most folks know about FDR’s debilitating bout with polio, few are aware of his long-term association with a rural Georgia resort. It seems the water there is high in minerals, which allows those suffering from crippling diseases a chance to stand or even walk in the super buoyant water. HBO films has a nice track record with historical films. Truman is one of the best Presidential bio films I’ve ever seen. This film limits itself perhaps too much and becomes more about polio than it is about FDR. Kenneth Branagh delivers an above average performance as the single-minded future president. Cynthia Nixon literally steals the show with a clever portrayal of Eleanor Roosevelt. The remaining cast including Kathy Bates holds up well.
My main complaints can be found in the script. For one thing it runs too long at almost exactly 2 hours. The situations become repetitive and slow. The dialogue seems out of place at times. Flowery period talk can be taken too far, and it certainly was here. The sets are magnificent as is the atmospheric photography. The historical aspect is played quite loosely. Don’t expect great historical accuracy here.
Posted in: Disc Reviews by Archive Authors on September 22nd, 2005
This is the kind of film that usually comes from the English or the French... not the Germans. Let's face it, Germany is not known for a stable of modern intellectual comedies. If you need a beer, or a fine automobile, you go to the Germans. If you need an entertaining art film, you go to France. Still, this is a film that bucks the trend... and will hopefully start a new one.
The Schultze of the title is a retired German miner that finds himself lost in his newfound abundance of free time. Eventually,...he turns to his accordion playing as a release from the banality of everyday life. This pursuit eventually leads him to discover Louisiana Zydeco music, and his world is turned upside-down. If you have seen About Schmitt, then you are on the right track with the tone of this film. Personally, however, I preferred this picture much more than the Jack Nicholson vehicle.
