Posted in: Disc Reviews by Gino Sassani on June 24th, 2005
Las Vegas has a credo of sorts: What happens in Vegas stays in Vegas. Well... not anymore. Las Vegas tells all in a new smart and often sexy NBC series. Most of the cast was chosen for their more physical attributes; however, the performances are not bad either. James Caan takes a surprising journey to TV land. The part of an ex-CIA boss fits Caan like one of Sonny Corleone’s tailored suits.
The series always features special guest stars, often playing themselves. The lineup of guests includee Vegas names like Penn&Teller as well as box office champions that include Dennis Hopper and Sean Astin. The show’s Montecito Hotel and Casino is as much a character of the show as anyone in the cast. The sets have been an added bonanza for Universal, as the hotel has shown up in other studio run shows like Monk (sans the cast). Perhaps the most endearing aspect of the series is how easily the plots develop without ever really taking themselves too seriously. Even the dire straits Caan’s Big Ed often finds himself in never seem to venture too far from the shtick. While the stories are easily forgotten just minutes after watching, it is nonetheless a fun ride while it lasts.
Posted in: Disc Reviews by Gino Sassani on June 20th, 2005
Stargate SG-1 is about to enter its ninth year. There was speculation that after season 8 the series would bow out gracefully with the anticipated exit of Richard Dean Anderson. With that plan in mind the folks at Stargate Command decided it was time to spin off the franchise, and so was born Atlantis. Stargate Atlantis boasts pretty much the same team as SG-1. The quality of the production and tight storytelling have translated well to this sister series. The only flaw in this plan is that fans don’t want to let go of the original. With a cast shake-up that brings us a newer look, SG-1 Atlantis will find it harder to learn to stand on its own.
Synopsis
Posted in: Disc Reviews by Archive Authors on June 18th, 2005
Until the Night is a "fly under the radar" movie. You haven't heard of it, but then you watch it. And you're quite taken with it. Until the Night is in the tradition of those relationship/talkie movies (indy god Cassavetes comes to mind). Night also has shades of Sex, Lies, and Videotape. Characters talk to a camcorder, and there are some Soderbergh moments of time fracture.
The plot (to call it one) revolves around a pair of relationships. Elizabeth (played wonderfully by ...athleen Robertson) struggles to keep her chin up abou their marriage to Daniel (played by Michael T. Weiss). In the meantime Robert (played by the underated Norman Reedus) is a photographer who is descends in to a pit of despair over is failing relationship to Mina (Missy Crider). Robert and Elizabeth eventually, and inevitably, meet. And well...the tangled web of romance is weaved. The director/writer Gregory Hatanaka, in his first film, has shown a maturity of theme. This is a strong, truthful film about adult relationships.
Posted in: Disc Reviews by Archive Authors on June 14th, 2005
The Godfather Part II is, quite simply, one of the best films of all time. Personally, I would actually place it above it's predecessor, the original Godfather film, though both won Academy Awards for Best Picture. Part II, however, gave us not only Al Pacino in a genre-defining role, but also the young days of the original Godfather, played brilliantly by Robert De Niro, who impressively treads the line between believability and farce that is so fine with an actor like Marlin Brando.
In fact, i... is not only Al Pacino's acting that defines the gangster genre, but just about everything about this film, from the cinematography to the dialog. After the original film was released, every classic period piece for the next 35 years had to have that same golden look. The acting, the romantic storylines, and the cinematography re all first-rate. This is a classic film that deserves to be on every film fan's top 5 list and DVD shelf.
Posted in: Disc Reviews by Gino Sassani on June 6th, 2005
Synopsis
Another cog in the Disney/Winnie the Pooh machine comes to life here, as Pooh’s Heffalump Movie brings back all the characters you love for a story about acceptance, no matter what you look like.
Posted in: Disc Reviews by Archive Authors on May 24th, 2005
Samaritan Girl is a provactive little film from South Korea. The director, Kim Ki-Duk, has been said to be a filmmaker to watch. The plot surrounds the plight of two teenage girls, Jae-young (played by Min-jeong Seo) and Yoe-Jin (played by Ji-min Kwak). These two friends have dreams of going to Europe. The only problem: they need money. What's the solution: the oldest profession. Jae-Young becomes the prostitute and Yoe-jin is the pimp. Sounds a little twisted. Well...tragedy strikes. And Yoe-Jin devo...es herself to the men Jae-young slept with. You-Jin's father, a detective (played by Eol Lee), finds out about his daughter's secret life, thus going on a revenge mission. Ki-Duk's visual style is simple, but haunting. The narrative seems a bit far fetched, but works on a symbolic level.
Audio
Posted in: Disc Reviews by Archive Authors on May 18th, 2005
This is a review based on a screener copy.
Kelly Clarkson - Behind Hazel Eyes is a behind the scenes look at the former American Idol winner. The documentary format suits the work well. We get to see Kelly revisiting her old high school haunts, in the studio, and going camping with her girl friends (among other things). The portrait that emerges, or the portrait Kelly wants to have emerge (a slightly more cynical opinion), is of a young woman who hasn't lost touch with her "roots".
Posted in: Disc Reviews by Archive Authors on May 15th, 2005
It is 1994, and both ER and Chicago Hope premier in hopes to win the battle for Hospital drama supremacy on primetime TV. Fast forward to today, and the winner of this battle has been clearly decided; Chicago Hope had six successful seasons before getting cancelled after the 2000 season, while ER has become the most successful Hospital drama in TV history. While ER is currently in its 11th season, we now rewind to 1997, to the shows third season.
So what is this show about? Here is a...brief series synopsis from Warner Brothers… “Combining the extraordinary talents of multiple award-winning producer John Wells, best-selling author Michael Crichton and Steven Spielberg, "ER" follows the lives of the emergency room staff and doctors at Chicago's County General Hospital, where the difference between life and death rests on split-second decisions--and the pressure, joy and guilt are often overwhelming.”
Posted in: Disc Reviews by Gino Sassani on May 12th, 2005
“It’s been a long time getting from there to here.” 35 years to be exact. Enterprise is the fourth spin-off from the original 1960’s hopeful series. Rick Berman decided to set this series about 100 years before the days of Kirk and Spock. Enterprise has certainly taken a ton of heat since its debuted just 4 years ago. While much of the whining by the “get a life” fans can be delegated to the “Nitpicker’s Guides,” much of it is well deserved.
The most egregious infraction is the liberty the show has taken with established timeline of Star Trek. At times it does appear Berman has decided to insult the very fans that have made the program so enduring. The writers try too hard to make Enterprise the underdog in every fight. It sure seems like everybody else has shields and better weapons. Makes you wonder how Earth became the dominant member of the Federation. With that said, I have found this to be the most entertaining Star Trek since Picard and his crew flew their Enterprise in The Next Generation. The characters, with the notable exception of Hoshi, are the most compelling in many years. Finally there is a trinity of characters reminiscent of the Kirk, Spock, and McCoy relationships. Great effort has been made to create this chemistry with Archer, Trip, and T’Pol, the newest Vulcan. I particularly liked the nice touch of having the three often dine together while discussing the business of exploring space.
Posted in: Disc Reviews by Gino Sassani on May 8th, 2005
Farscape is an acquired taste. Honestly, it took me a few viewings to get hooked. It is unlike any sci-fi show ever produced, with stories that are often too complicated to follow with a casual viewing. It requires your full attention or you can become hopelessly lost. The characters are never cut and dried good or evil, and the stories do not always end on a happy note and seldom with all of the loose ends brought together. The Henson creature creations are the most outstanding examples of puppetry I’ve ever seen in television or the big screen.
The Sci-Fi Channel relied on Farscape for the first three years to anchor its original programming. Having a smart and totally original program elevated the once repeat wasteland to the ranks of a premier program outlet. After the third season Sci-Fi committed to a fourth and fifth season of Farscape. Unfortunately, Bonnie Hammer, the president at Sci-Fi, decided not to honor her commitments. Near the end of season four the station abruptly decided to end the show. Fans were angry and “save Farscape” campaigns began to pop up like Hynarians at a buffet. It seemed that Farscape was doomed to end with a cliffhanger fans would never see resolved. That was until Henson and his crew pushed hard enough to secure financing and eventually an airdate for a mini-series that would conclude at least this incarnation of Farscape.
