1.78:1 Widescreen



Synopsis

Con man Alex McArthur joins up with brutal thug Coolio and computer genius DanielBaldwin in one of those “can’t miss” schemes: kidnap actress Jenya Lano and force her to havesex in a pay-per-view Internet session. The kidnapping goes well, but frictions between the triothreaten the alliance, and all is not as it appears.

Easily one of the more tasteless premises for a thriller in recent years, and the film showslittle awareness of its own sleaziness. But then, the p...



Synopsis

In 1932, in Carson County, West Virginia (or, as the name appears on the screen, “WestVirGINA”), a farmer kills his wife and hangs her up as a scarecrow. Cut to the present, and adistant descendant inherits the cursed property. He and the usual gaggle of teenaged friends headout for the farm, after some wandering around and skinning dipping, are set upon by a demonicscarecrow with glowing eyes.

The film follows the stereotypical slasher plot in perfect lock-step, wi...



Synopsis

Michael Keaton is a straight-arrow banker arriving in Nice to investigate some dubiousfinancial dealings at a film studio. The production is, in fact, a total scam, a front for whiteslavery operations run by the Russian mob. Keaton pokes his nose in where it isn’t wanted,refuses a bribe, and is promptly set up as the fall guy when a crooked police chief (on the outswith the Russians) is assassinated. On the run, Keaton must prove his innocence and take downthe mob. Also mix...



Synopsis

Gina Gershon, leader of the Clam Dandys, is about to turn 40, and still hasn’t had her bigrock & roll break. She is insecure about aging, and can’t maintain a relationship with either menor women. Also in her band are Lori Petty (guitar teacher by day), Petty’s lover Shelly Cole (thevery young drummer), and the drug-and-booze-and-loser-boyfriend addled Drea De Matteo (thebass player). Then two things happen: there is the possibility that the band might finally get itsbreak,...



Synopsis

Frankie Avalon and Annette Funicello essentially play themselves. Once a teen surf idol andMouseketeer, they are now, respectively, a stressed-out car salesman and a neurotic housewife.Their son is a leather-bedecked punk who addresses the camera directly to itemize the failingsof his parents. A trip to LA revives aging pair’s youthful spirit, however, thanks also to cameosfrom everyone from Bob Denver (in Gilligan outfit) to Pee-Wee Herman.

Nostalgia is one thing, ...



Synopsis

The collapse of the studio system was followed by the rise of the independents, and the late-60s to the early 70s saw what is sometimes termed the American Renaissance. This is the era thatsaw the rise to prominence of Dennis Hopper, Peter Bogdanovich, Francis Ford Coppola, MartinScorsese, and Sam Peckinpah, among other, along with, most fatefully, Steven Spielberg andGeorge Lucas. Based on the book of the same name, Kenneth Bowser’s film narrates the rise and(often drug-fu...



Synopsis

Brigitte (Emily Perkins), having dispatched her werewolf sister in Ginger Snaps, isnow living with the fact that the wolfsbane antidote concocted in the previous film is not a curefor lycanthropy. It can merely hold the transformation painfully at bay. Mistaken for an addictto more traditional drugs, Brigitte is picked up and placed in combination drug rehab centre andburn ward (don’t ask). She needs to escape, as she is being stalked by a werewolf who seeks amate. B...

It seems that the producers of many long-running television shows are starting to catch on to what the viewing public has known for years; it’s best to go out on top. Shows such as Seinfeld, Friends and even Frasier (to an extent) have decided to pull the plug while the material is still operating on an acceptable level. It’s rare that shows can successfully pull the great switch like ER did, and replace virtually every member of the cast, while still not losing what made them great in the...



Synopsis

We’re back at the open plan offices of Wernham-Hogg in Slough, which have now mergedwith the branch at Swindon. This spells disaster for manager David Brent (Ricky Gervais). His(erroneous) self-image of popular, entertaining boss is dealt a mortal blow by the arrival of theSwindon employees and their genuinely smart and funny manager, who becomes Brent’simmediate superior.

The style, as in the original series, is mockumentary, with a fly-on-the-wall handheld camera...