Posted in: Disc Reviews by David Annandale on May 7th, 2004
Synopsis
In 1957, the British studio Hammer, having already produced a number of classic SFthrillers, turned to gothic horror, which had been effectively dead since 1946, and brought it backwith a vengeance. Their revolutionary entry was The Curse of Frankenstein (****1/2),which introduced colour, gore and sex to the classic horror formula, and made Peter Cushing (asFrankenstein) and Christopher Lee (as the Creature) into stars. Unlike the Universal Frankensteinfilms of the 3...
Posted in: Disc Reviews by David Annandale on May 3rd, 2004
Synopsis
Structured around 11 “life lessons” learned by former Secretary of Defense Robert S.McNamara, Errol Morris’ documentary takes us through McNamara’s life and concentrates onhis role in the Cuban Missile Crisis and the Vietnam War. Extensive war footage is intercut withMcNamara’s direct address to the camera, while off-screen we occasionally here Morris askquestions. Still incredibly vigorous and forceful in his 80s, McNamara is a compelling speaker.His descriptions of just h...
Posted in: Disc Reviews by David Annandale on May 2nd, 2004
Synopsis
In the second year of the series, Clark finds more and more of his powers manifestingthemselves, most notably heat vision, and a move closer and closer to flight. An archaelogical digreveals more secrets of his origin, and there’s a really big revelation when he encounters areclusive scientist/billionaire played by Christopher Reeve.
One of the more impressive aspects of the series is a real sense awe associated with theSuperman myth. “Myth” doesn’t seem too strong ...
Posted in: Disc Reviews by David Annandale on April 30th, 2004
Synopsis
The film spirals around and around the last half-hour or so at a high school before twoheavily armed students arrive to slaughter their classmates. Again and again, we go over the sametime segment, but Gus Van Sant’s constantly moving camera takes a different POV each time,and interactions that were fleeting background at one moment become central on the next goaround. Anyone who has survived high school (one of society’s most successful attempts tocreate Hell on Earth) wil...
Posted in: Disc Reviews by David Annandale on April 26th, 2004
Synopsis
Bill Paxton accompanies James Cameron on another expedition to the Titanic, and narratesthis documentary about their exploration of the ship. Though the narration is hobbled by anendless stream of pseudo-profundities, the underwater photography is simply stunning. Thanks totwo remote-controlled robots, we get to see the interior of the ship. Computer animation andsuperimposed extras (the ghosts of the title) both re-create the ship as it once was, and help usvisualize where...
Posted in: Disc Reviews by David Annandale on April 20th, 2004
Synopsis
Cliff Robertson is a US Lieutenant who had planned to make it through WWII as a radiooperator and translator, and see no action. He is less than pleased when Henry Fonda dispatcheshim to the New Hebrides to accompany a rag-tag squad of disaffected British soldiers (and noneare more disaffected than Michael Caine) on what may very well be a suicide mission. Leadingthe squad is Denholm Elliott, a brave but incompetent officer, and bit by bit, the mission goeswrong. Eventually...
Posted in: Disc Reviews by David Annandale on April 15th, 2004
Synopsis
Here are three cartoons that Paul McCartney backed and scored. They are all lovinglycrafted, even if they don’t always work at the narrative level. “Tropic Island Hum” and “Rupertand the Frog Song” are the weakest (though again, they look stunning). They are little more thanvisually lush excuses to set up underwhelming musical numbers (which tend to reinforce theimpression that McCarney is a creatively spent force in this department). The former apes thelook of classic musical shor...
Posted in: Disc Reviews by Gino Sassani on April 9th, 2004
Suspended animation is a story with a lot of promise. Fifteen minutes into the film and it looks like we’re seeing a Misery ripoff with a cannibal twist. From that point on I’m not sure if I’m watching Misery, Deliverance, or Texas Chainsaw Massacre. There are some truly suspenseful moments in the film, but they are spaced too far apart with needless muddled plotlines. The film style is eerily reminiscent of the Italian suspense masters like Brava and Argento without the gore. The Spaghetti Nightmares are an obvious ...
Posted in: Disc Reviews by Archive Authors on April 3rd, 2004
I am often fooled into watching a bad film because the box looked good. I can’t tell you how many times I have been in the video store and uttered the phrase “this looks good”, only to get home and be reminded that looks can be deceiving. Rare have been the times when I found a good film packaged in a bad box. It happens, but not that often. Lucky for me, this is one of those times.
Now, there’s really nothing special about this movie, mind you. The film is just a rehash of the plethora of teen slasher flic...
Posted in: Disc Reviews by Gino Sassani on April 3rd, 2004
CSI continued to improve into its third season. The stories are as crisp and innovative as ever. Surprisingly, the show did not suffer from the addition of its fine but inferior Miami cousin. Minor characters like lab tech Greg are put to much better use. The f/x get better also, and a strong cast of guest stars doesn’t hurt the mix either.
Audio
This Dolby Digital 5.1 sound once again reinvents TV sound. Highs and lows both exhibit dynamic performance. Dialogue is crisp and always clear. ...
