Posted in: Disc Reviews by Archive Authors on January 29th, 2004
Angels and demons and monsters, oh my!
Not even the death of Buffy could stop this popular show from coming back for a third season. This time around, Angel must find melodrama in new and interesting places, and luckily for fans of the show, he succeeds admirably. In fact, I feel that the death of Buffy was a good thing, as it forced the writers to push this show into its own territory, and helped to give the whole production a voice and an identity all its own.
Posted in: Disc Reviews by Gino Sassani on January 25th, 2004
The best sci-fi show on television keeps getting better. MGM has also shown an attempt to improve the DVD releases with each subsequent season. This was Showtime’s final year of hosting Stargate SG-1. I will be interested to see if the cinematic quality holds up with the release of season 6 which was taken over by the Sci-Fi Channel. The stories are bigger in season 5 and the f/x continue to amaze. With seasons 4 and 5 SG-1 had reached its peak.
Synopsis
Posted in: Disc Reviews by David Annandale on January 21st, 2004
Synopsis
Posted in: Disc Reviews by Archive Authors on January 15th, 2004
Slam is one of the rarest of films, an intelligent urban drama. These days, most films that deal with inner city African American youth either glorify the violent world that they live in, or turn into an After School Special on just saying "no". Slam disses both of these paths, and instead, forges its own path. Luckily, this path leads to truth, to knowledge, and to awards at Sundance.
This is the story of one young man coming to grips with his time and place in the history of the world. Being pinche... for possession of narcotics, the talented poet finds himself locked down while he awaits trial. While on the inside, he develops his talents as a writer as well as his views on violence and loyalty to the street life that he has been living in.
Posted in: Disc Reviews by David Annandale on January 15th, 2004
Synopsis
Posted in: Disc Reviews by Archive Authors on January 8th, 2004
It seems to me that B-level actors sometimes agree to do a movie for the experience and practice as much as to further their career and get a paycheck. Other times, the opposite is true, and major stars purposely chose to do a small independent production following a major success, knowing that they could never top their last picture. Often times, it is obvious when an actor has their personal motives in mind when choosing to do a film. Kate Winslet's decision to shoot Hideous Kinky following the hugely-succes...ful Titanic comes to mind, as does Elijah Wood's decision to take part in All I Want, following his work on The Lord of the Rings.
These films are usually great for everybody except the audience. The obscure filmmaker gets a "name" in their film, the actor gets to work in a more relaxed environment, everybody gets to work a little and the studio will hopefully break even in the accounting department. The film is almost secondary, and while the finished product usually has a bit of low-budget charm, it's certainly not going to be an award winner.
Posted in: Disc Reviews by David Annandale on January 8th, 2004
Synopsis
Posted in: Disc Reviews by Archive Authors on December 31st, 2003
There have always been directors that have stood out in the public consciousness. Scorsese. Spielberg. Hitchcock. Lynch. These are all directors that have a specific vision. With very few exceptions, if you came across one of their films on television on an average Saturday afternoon, it wouldn't take too long to figure out who the director was. They each have a very unique cinematic style, usually based in dramatic films.
Oddly enough, Rob Reiner also fits into this category. His light comedies all have a ...pecial feel to them, and even the bad ones are uniquely pleasing. A kind man hiding behind an emotional facade, a quirky but charming woman and a classic soft jazz soundtrack is all it takes to make one of his light-hearted modern classics.
Posted in: Disc Reviews by David Annandale on December 31st, 2003
Synopsis
Posted in: Disc Reviews by Archive Authors on December 31st, 2003
There have always been directors that have stood out in the public consciousness. Scorsese. Spielberg. Hitchcock. Lynch. These are all directors that have a specific vision. With very few exceptions, if you came across one of their films on television on an average Saturday afternoon, it wouldn't take too long to figure out who the director was. They each have a very unique cinematic style, usually based in dramatic films.
Oddly enough, Rob Reiner also fits into this category. His light comedies all have a ...pecial feel to them, and even the bad ones are uniquely pleasing. A kind man hiding behind an emotional facade, a quirky but charming woman and a classic soft jazz soundtrack is all it takes to make one of his light-hearted modern classics.
