Posted in: Disc Reviews by Archive Authors on January 29th, 2004
Angels and demons and monsters, oh my!
Not even the death of Buffy could stop this popular show from coming back for a third season. This time around, Angel must find melodrama in new and interesting places, and luckily for fans of the show, he succeeds admirably. In fact, I feel that the death of Buffy was a good thing, as it forced the writers to push this show into its own territory, and helped to give the whole production a voice and an identity all its own.
Newcomers to the show (like myself)...
Posted in: Disc Reviews by Gino Sassani on January 25th, 2004
The best sci-fi show on television keeps getting better. MGM has also shown an attempt to improve the DVD releases with each subsequent season. This was Showtime’s final year of hosting Stargate SG-1. I will be interested to see if the cinematic quality holds up with the release of season 6 which was taken over by the Sci-Fi Channel. The stories are bigger in season 5 and the f/x continue to amaze. With seasons 4 and 5 SG-1 had reached its peak.
Synopsis
Col. Jack O’ Neal (Anderson) heads the group.
Posted in: Disc Reviews by David Annandale on January 21st, 2004
Synopsis
Daryl Hannah plays CJ, a world-weary hired assassin. She wants out of the life, but hercurrent job goes awry when the drugs she is suppossed to recover for mob boss Alex Rocco gomissing. They have wound up in the hands of nervous Brad Renfro and his very pregantgirlfriend, Dominique Swain. CJ finds it difficult to kill these two young people, and this gets herinto trouble herself. Meanwhile, she begins to succumb to the overtures of a former priest (EricMabius), who wants a...
Posted in: Disc Reviews by Archive Authors on January 15th, 2004
Slam is one of the rarest of films, an intelligent urban drama. These days, most films that deal with inner city African American youth either glorify the violent world that they live in, or turn into an After School Special on just saying "no". Slam disses both of these paths, and instead, forges its own path. Luckily, this path leads to truth, to knowledge, and to awards at Sundance.
This is the story of one young man coming to grips with his time and place in the history of the world. Being pinche...
Posted in: Disc Reviews by David Annandale on January 15th, 2004
Synopsis
The format is familiar (as is pointed out by the series creator): this is a “precinct” show. Onlyinstead of cops, we’re dealing with spies, who fight against threats to Great Britain, whilejuggling complicated personal lives. Given the combination of ensemble cast, investigations, andsnazzy, futuristic look of the MI-5 headquarters, you might want to imagine a cross betweenNYPD Blue and La Femme Nikita. The performances are strong, the productionvalues are hig...
Posted in: Disc Reviews by Archive Authors on January 8th, 2004
It seems to me that B-level actors sometimes agree to do a movie for the experience and practice as much as to further their career and get a paycheck. Other times, the opposite is true, and major stars purposely chose to do a small independent production following a major success, knowing that they could never top their last picture. Often times, it is obvious when an actor has their personal motives in mind when choosing to do a film. Kate Winslet's decision to shoot Hideous Kinky following the hugely-succes...
Posted in: Disc Reviews by David Annandale on January 8th, 2004
Synopsis
Set during the Opium Wars in the 19th Century, Fist of the Red Dragon tells the tailof two masters of marital arts. One of them leads the battle against the opium trade. The other(played by lead Donnie Yen) is a brash, cocky young man who falls under the spell of the evilprince who rules the territory. Yen must undergo some painful experiences before he realizeswho his real enemy is.
When the fight scenes happen, they are reliably entertaining, with much by w...
Posted in: Disc Reviews by Archive Authors on December 31st, 2003
There have always been directors that have stood out in the public consciousness. Scorsese. Spielberg. Hitchcock. Lynch. These are all directors that have a specific vision. With very few exceptions, if you came across one of their films on television on an average Saturday afternoon, it wouldn't take too long to figure out who the director was. They each have a very unique cinematic style, usually based in dramatic films.
Oddly enough, Rob Reiner also fits into this category. His light comedies all have a ...
Posted in: Disc Reviews by David Annandale on December 31st, 2003
Synopsis
Max (Reg Rogers) is a photographer. After a stunning debut, he finds himself, a year later,suffering the photographer’s equivalent of writer’s block. He’s lost his inspiration, and can nolonger take pictures. He must provide ten for the next day, however, or his career tankspermanently. Hitting a bar, he encounters a strange man who leaves behind a package of fabulouspictures. They could be Max’s salvation. Max is unsure whether or not to claim them as his own,but wh...
Posted in: Disc Reviews by Archive Authors on December 31st, 2003
There have always been directors that have stood out in the public consciousness. Scorsese. Spielberg. Hitchcock. Lynch. These are all directors that have a specific vision. With very few exceptions, if you came across one of their films on television on an average Saturday afternoon, it wouldn't take too long to figure out who the director was. They each have a very unique cinematic style, usually based in dramatic films.
Oddly enough, Rob Reiner also fits into this category. His light comedies all have a ...
