Posted in: Disc Reviews by Archive Authors on November 17th, 2003
Being a white, middle-class American male, my knowledge of the black struggle with apartheid in South Africa during the latter half of the 20th Century is virtually nil. My exposure to the music that was so instrumental to the success of that movement is even less. With these facts in mind, I was dreading having to review this title, as it is a documentary film covering a subject that I really had very little interest in.
My dread turned to fascination upon sitting down to watch the film, however. This is a... excellent documentary that hits a delicate balance between being informative, entertaining and beautiful. The struggle of the blacks in South Africa is told in a way that helped me to understand the intricacies of the situation in that country far better than anything that I have seen before. The powerful music of the movement is the star of the show here, with text and interview footage used sparingly to fill in the blanks. This fantastic film should be viewed by all Americans, as a reminder of the tragic realities that many people of the world face each day, due to the ignorance and fear of those who are frequently in power.
Posted in: Disc Reviews by David Annandale on November 15th, 2003
Synopsis
Posted in: Disc Reviews by David Annandale on November 10th, 2003
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Posted in: Disc Reviews by Archive Authors on November 4th, 2003
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Nicolas Cage is a fantastic actor. I will be the first to admit that he has had some mistakes (“Face/Off” and “Snake Eyes”, to name a few), but for the most part, his performances are gutsy and honest, with just a hint of cool 60’s Rat Pack style smoldering underneath the surface. My favorite Cage performance came in the fantastic film “Leaving Las Vegas”, where he brought the struggles of a dying alcoholic to life in beautiful and tragic detail.
Posted in: Disc Reviews by Archive Authors on November 2nd, 2003
The Tick was a live action show based on the wildly different super-hero of the same name. He was also featured in an incredibly funny animated series in the early 90’s that also ended way before it’s time. The Tick follows the comedic adventures of a muscular, but dim witted 300 lb powerhouse whose duty is to clean the city of evil-doers while shouting inane phrases such as the always catchy “Spoon!”
When I first heard that they were going to make a live action version of the Tick, I was very skeptical ...- but then I learned that they cast Patrick Warburton (Putty from Seinfeld) as the blue guy and I thought this could work. I was thoroughly impressed after seeing the pilot that they had truthfully captured the off-beat antics that the animated series perfected. Having Ben Edlund (the Tick’s creator) intimately involved in the creation of the series really paid off from the perspective that none of the Tick’s quirky charms were lost in his jump to the small screen; however poor marketing from Fox played a role in its too early demise.
Posted in: Disc Reviews by Gino Sassani on October 31st, 2003
Not since the height of the American Western has there been a film genre where we find ourselves rooting for the bad guys and booing the good guys. Yesterday’s Jesse James and Billy The Kid have become Michael Corleone and Tony Soprano. Add to the mix that The Sopranos have totally revolutionized the face of the television drama. It’s no fluke that this show dominates nearly every Emmy category there is. The cinematography is feature film quality. The cast is high end and the writing is gutsy and tight. Make no mistake about it. Season Four was not the best Sopranos by any measure. Still, even at its weakest, the show delivers what most shows can’t at their best.
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Posted in: Disc Reviews by Archive Authors on October 22nd, 2003
Synopsis
George and all his pals return for this second installment in the George of the Jungle Series…
Posted in: Disc Reviews by Archive Authors on October 19th, 2003
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Posted in: Disc Reviews by Archive Authors on October 19th, 2003
The eighth season of the X-files brought major changes to one of Fox’s strongest running series. And whenever major changes occur there is always a concern about what is going to happen to the integrity of the show. By the end of the 7th season the worries about what David Duchovny was going to do left fans of the show in limbo. Luckily, the creative team behind the X-files (one of the best in television history) was up to the task.
The season opened with the introduction to Agent Fox Mulder’s replace...ent – John Doggett (Robert Patrick – best known as the lethal liquid metal T-1000 from T2). There was an initial great exchange between Scully and Doggett in which she throws a cup of water in Doggett’s face. The writers anticipated that this is exactly what the fans would have wanted to happen (how dare they replace Mulder?). Doggett was a great contrast to Mulder – a complete straight shooter and team player. A very similar premise reminiscent of the first season was replayed with a reversal of roles – Dogget was the skeptic and Scully was the believer. In addition a second addition to the cast occurred early with the appearance of Agent Monica Reyes – a true believer in the purpose of the X-Files with a weird new age feel about her that added some levity to Doggett’s “straight by the book” attitude. Scully was transformed throughout the season as her pregnancy progressed with worries about not only the health of her unborn child but also questions about its genetic make-up. How alien would it be? And what are the implications of its birth?
Posted in: Disc Reviews by David Annandale on October 15th, 2003
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