1.78:1 Widescreen

I can't help it. Whenever I see David Boreanaz I can't stop seeing the brooding vampire Angel. It's not really his fault. This character couldn't be farther from the Angel character, but that's what I see. It's also true that Bones, now entering its sixth season, has been around longer than Angel. It's also very likely that he now has fans that aren't even aware of that previous character. It has been quite a few years. I'm usually better at letting go of a character once the show has ended and the actor has moved on. But there it is. Agent Booth ends up doing something silly, and it throws me for a bit of a loop. It's probably a testament to how good an actor Boreanaz actually is, that he's ingrained himself so fully in my brain. And, I haven't watched near as many episodes of Bones, to transfer that identification. But it's Bones that's here now, and based on its current popularity, it's likely to be here for a while longer yet.

Dr. Temperance Brennan, or Bones (Deschanel) is the world's leading bone specialist. She works in Washington, D.C. for the famous Jeffersonian (I assume it's intended to be the Smithsonian). Her talents have proven themselves very helpful in solving crimes where skeletal remains are all that there is to go on from the victim. Her FBI agent/liaison is Seeley Booth (Boreanaz). Together they have an uneasy relationship that grows into a kind of friendship. The problem is that Bones doesn't have a ton of social skills. She relies on Booth to guide their social interactions. More on that later. The lab is run by Dr. Camille Saroyan (Taylor) who has become a bit of a guiding mother to the team. Dr. Hodges (Thyne) is the trace-elements expert and tries very hard to be cool and hip. He's generally the opposite of Bones. He says pretty much what comes into his head and is a bit of a science-fiction geek. Angela (Conlin) is an artist who uses her skills to reconstruct facial details from the skulls. She also works on enhancing images and restructuring evidence. She's a bit of a romantic and has probably slept with every male in the lab. Dr. Sweets (Daley) is a young FBI agent and psychologist. He profiles victims and suspects as well as serves as a counselor to the team. He's a bit over-eager at times, looking up to Booth as a mentor, of sorts. The lab also has a few interns that show up from week to week, likely depending on actor availability.

“Now this might be the room of any small boy, but it happens to belong to a boy named Christopher Robin, and like most small boys, Christopher Robin had toy animals to play with. And together they had many remarkable adventures in an enchanted place called The Hundred Acre Wood. But out of all of his animal friends, Christopher Robin’s very best friend was a bear called Winnie The Pooh.”

“Oh Bother”A.A. Milne was quite an eclectic writer. He wrote murder mysteries that even appeared on Alfred Hitchcock Presents. From that fertile mind would also come a place known as the Hundred Acre Wood. In that select place some of literature’s finest characters had the greatest adventures any boy could imagine. And adventures are certainly no fun on your own. Young Christopher Robin was joined by Piglet, Tigger, Owl, Rabbit, Eeyore, and, of course, Winnie-The-Pooh. Who didn’t fall in love with that silly old bear… Winnie-The-Pooh. OK, so maybe Dahmer or Bundy might have been exceptions. Still, anyone growing up in the last 30-40 years who isn’t a psychopath has had a love affair with Winnie-The-Pooh, all stuffed with fluff.

"Contestants are experienced marksmen operating on a closed course. Do not attempt this at home."

"We are pioneers and trailblazers. We fight for freedom. We transform our dreams into the truth. Our struggles will become a nation."

I was really looking forward to this release. From the moment I was made aware that it was going to be arriving here for review, I made a mental note to put it at the top of my viewing list. Fact is, I'm a history junkie, particularly American history. I taught the subject in AP and honors classes along with American Government and Law for over seven years. The History Channel is also one of my favorite places on the dial. There are many thought-provoking and informative shows to be found there to help you explore almost every aspect of history. I truly expected this to be one of those milestone releases. Unfortunately, it isn't.

“For what it’s worth, I read your first book. I'm not Jewish, but I liked it.”

In the spirit of disclosure, the first time I tried watching Bored to Death, I gave up early in the first season. The title described the experience of this viewer. Jason Schwartzman has never really clicked with me. His schtick always seemed a little too precious and self-aware for my tastes.  Pressure from friends who insisted the show got better in the second half of the season got me back. I did find myself falling into sync with the stoner-noir rhythm of the series and laughing out loud at writer/creator/inspiration Jonathan Ames’ absurdist humor by the final third of the first season.

It’s willing suspension of disbelief time, folks, as this reality show chronicles the soap-operatic lives of a group of young lesbians. Cari and Kacy want a baby – will they find the appropriate sperm donor? Romi and Kelsey are are having trouble with their sex life. Whitney is having all sorts of girl trouble, while Sajdah (whose name oddly does not end with “y” or “i”) is seeking her first relationship.

And on and on and on we go. Can eyes glaze and roll at the same time? You’ll find out before too many minutes of this season have passed. Who the hell is this show aimed at? The flashes of nudity and coupling, not to mention the box cover art and uniformly attractive cast (I’m sorry, subjects) smack of catering to male fantasies, but is that audience going to sit through the oversharing psychodramas? Is anyone? (Apparently, I guess, since this is the second season.) Years ago, there was a moment in House where the titular doctor announces that he’s off to his office “to watch The L Word with the sound off.” I keep thinking of that line in connection with this show. It feels like nothing more than comic fodder for another program’s punchlines.

There are some things in life I will never be able to relate to. Famous sports athlete, sorry missed out on that boat when I walked off the baseball team in high school. President of the United States, I need more than the votes of my wife and parents. But there are other things on a smaller scale I can’t relate to either. Like children. I will never how it is to have my own children. While I have certainly accepted this fact and I am okay with it, sometimes movies come along with themes that are foreign to me. Enter Beautiful Boy.

We open up to some home videos at the beach. A family can be seen in what would be their last vacation together before the son would eventually go off to college. We slowly pan in to Sam (played by Kyle Gallner) who is reading his essay to a very disinterested class. Dejected, Sam finishes and sits back down. Life is difficult at the new college and Sam is finding it hard to adapt.

“I'm just a hard working man trying to get by.”

HBO has a way of making series that feature cities like one of the major characters, and How to Make it in America showcases New York City. Not the NYC of Sex and the City, which was all uptown preppie, How to Make it in America takes it to the streets. Not since Woody Allen have the boroughs been so lovingly represented. Much like the hustle of the NYC, How to Make it in America crackles with street-savvy vigor and style.

"This is not the opening of a TV show. This is real life."

If you had to describe the fourth season of Chuck in one word it would be Mother. This season Chuck learns that his mother was also a spy and that she didn't really just abandon her family. She went deep undercover and now may or may not be one of the bad guys. It helps that Momma is played by genera favorite Linda Hamilton who makes some sweet references to her earlier works on Terminator and Beauty And The Beast. The man she went undercover to get was Alexei Volkoff, played by one of my favorite and incredibly underrated James Bonds, Timothy Dalton. This is the story that really dominates the season, but there are some other events of note to be found:

Just look at the title, A Horrible Way To Die, and I'll bet you pretty much know what you're in for. You could very well be expecting a gore-fest that borders on the torture-porn genre, and you might be preparing yourself for some imaginative and bloody kills. Looking at the title you'd have every reason to believe that's what you were going to get. You might expect it, but that's not really what you're going to get. The title is quite misleading, in fact. Yes, it's a horror tale about a brutal serial killer. No, it's not the kind of film that lingers on mutilated victims or covers the surroundings in blood and guts. Instead, this is a surprisingly good tension boiler with tons of atmosphere and a few clever twists and turns. Your disappointment could turn into a rather pleasant surprise if you give this one a chance.

There are two stories going on here that are heading toward a climactic collision. The first involves incarcerated serial killer Garrick Turrell (Bowen). He's about to be released for bad behavior. Okay, so "released" isn't quite the word I was looking for. He kills a few guards and manages to escape. He attempts to change his appearance, but he can't quite shake the habit of killing people. Habit is exactly the word I'm looking for here. Garrick doesn't appear to kill in some passionate rage. He's actually quite polite and even-tempered, for the most part, except for the ....you know... killing part. He's working his way back home and leaving bodies along the way.