Posted in: Disc Reviews by Archive Authors on July 17th, 2004
I am sure that many consumers have noticed the disturbing trend taking place in DVD land with regard to the same movie being released in multiple versions. This practice, commonly referred to in the industry as “multiple bites at the apple”, is a cheap way for studios to persuade consumers to buy movies that they already own over and over again, since each new release offers some sort of extra upgrade from the previous versions. Even those of us in the DVD community sometimes get burned on this type of thing, as ther... is not always a way to tell if we should purchase a product when it is new, or wait for a few years, in the hopes that a better version will come along. Adding to the frustration is the fact that on some occasions, versions are so different that consumers actually want to own multiple versions of a film. This is the case with the Lord of the Rings films, as the extended editions are quite different from their theatrical counterparts. Arguably, the upcoming Kill Bill releases will merit this kind of double purchasing as well.
Das Boot is also one of those films that has fallen victim to the practice of multiple releases. Originally, the film was released in a standard American theatrical version. It became such a hit with movie buffs, however, that an extended Director’s Cut was issued as well. Following this release, a separate Superbit edition of the Director’s Cut hit the shelves. All versions sold well, and the legend of Wolfgang Peterson’s epic film about a German submarine crew during World War II continued to grow. As more and more people saw this film, word started to circulate about the existence of a massive five-hour version of the film. Being a town that never misses a chance to make a buck, Hollywood listened to the ramblings, and in 2004, the complete epic was finally released on DVD.
Posted in: Disc Reviews by David Annandale on July 14th, 2004
Synopsis
Posted in: Disc Reviews by Archive Authors on July 12th, 2004
There is an interesting trend that seems to be going on in Hollywood right now. Contrary to the record of history, sequels are starting to turn out better, not worse, than their original productions. X2 was better than X-Men, Spidey 2 was better than the first, and each installment in the The Lord of the Rings trilogy built upon the previous episode to an eventual Best Picture climax. I am thrilled that this is the case, since there are more sequels being made now than ever before.
...p>The trend seems to work better with dramas and action films than it does with comedies, though. For every Kill Bill Vol. 2 out there, there seem to be six or seven The Whole Ten Yards’. Understandably, it was with some trepidation that I approached my viewing of Barbershop 2. Thankfully, when it come to this comedy, the positive trend continues. I have no problems saying that this film was better than the first one in just about every way. Obviously, the budget was bigger, which allowed for expanded sets and a larger cast. Apparently it allowed for even funnier writers this time around as well, as the jokes come at a fast and furious pace.
Posted in: Disc Reviews by Gino Sassani on July 9th, 2004
In the greatest tradition of 1950’s producers like William Castle comes The Lost Skeleton of Cadavra. Castle fans will appreciate the “Filmed in Skeletovision” gag on the cover art. This is a wonderful send-up of the 1950’s science fiction genre. Most of the acting is deliberately over the top and the gags are often too obvious… but this is funny stuff. The music cues are dead on. Fans of Mystery Science Fiction Theatre 3000 will also find this film entertaining to the extreme. Andrew Parks steals the show wit... his portrayal of alien Kro-Bar. His facial expressions alone are worth watching this film.
Synopsis
Posted in: Disc Reviews by David Annandale on July 6th, 2004
Synopsis
Posted in: Disc Reviews by Gino Sassani on July 3rd, 2004
What we have here is a messy British independent film that takes most of its cues from the Agatha Christy 10 Little Indians formula. The film fails to provide enough setup or character development to ensure we give a crap about any of these people or what happens to them. As the dull actors and their equally dull counterparts disappear, I found myself looking forward to losing another one. Most of these chaps are complete unknowns. Only Paris Hilton’s name rang any bells. The producers were quite aware of this dilemm..., so they gave Hilton top billing and front and center on the cover art. The only problem is she’s just as bad an actress as these others. She also plays one of the shortest roles of the film. This is a complete yawner.
Synopsis
Posted in: Disc Reviews by Archive Authors on July 2nd, 2004
I usually meet discs that contain a movie that I have never previously heard of with a groan. I figure the chances are that if I missed it in theaters, and I have never seen a preview for it, or seen it mentioned on a chat board, there’s probably a good reason. These were my exact feelings on the day that 3-Way arrived on my doorstep. These feelings were further confirmed upon insertion of the disc, when I was greeted by trailers for such classic films as Cruel intentions 2 and 3, and Wild Thi...gs 2.
It was with an apprehensive heart that I finally pushed the “play” button on my remote. “At least it’s only 88 minutes long,” I told myself. Imagine my utter shock when the film actually tuned out to be entertaining! Now, it’s certainly not a great film by any stretch of the imagination, but it sure is a load of fun. In fact, it is fun in very much the same way that the original Wild Things was fun. There is lots of sex, lots of crime, and everybody double-crosses everybody else; all of which is portrayed by a cast of semi-popular actors.
Posted in: Disc Reviews by David Annandale on June 29th, 2004
Synopsis
May 1968. Paris is about to explode. Moving at the periphery of events that made whathappened at the same time in the States look like a mild-mannered debate are our threecharacters. American student Michael Pitt is a film buff, religiously attending the screenings atthe Cinémathèque Française. When that institution is closed (an event that helps ignite thepolitical powderkeg), Pitt falls in with two fellow buffs: twin siblings Eva Green and LouisGarrel. When the twins’ parents lea...e the apartment for a month, Pitt is invited to stay, and whatfollows is a claustrophobic series of sex games. The trio rarely venture outside, are only vaguelyconscious of what is going on out there, but sooner or later the real world will come crashingthrough into their retreat.
Posted in: Disc Reviews by Gino Sassani on June 27th, 2004
The USA Network series The Dead Zone is based very loosely on the early Stephen King novel or the film with Martin Sheen. Johnny still goes into a coma and comes out with psychic abilities. He even meets the infamous Senate candidate destined to destroy the world. The original tale and this surprising series ends there. This show is more about Johnny using his abilities for good whenever he can. One of the best episodes of the series, “Zion”, actually shows us why this show has varied from the original story. ...e find out that it was meeting Bruce, a physical therapist who was not in the original story, that kept him from the self-destructive path King had outlined for him.
Anthony Michael-Hall’s performance is one that has to grow on you. I have to admit I was a little put off the first couple of episodes from season one. Something about his portrayal does tend to rope you in. These episodes are light years ahead of anything from Season One.
Posted in: Disc Reviews by Gino Sassani on June 25th, 2004
The 1970s was a fertile time for feminist movements. This film was amazingly cited by both sides of the argument, never seeming to please either. Feminists considered the film to be a slap in the face of the “modern woman”. It was accused of undermining years of progress to the age-old stereotypes of a woman’s place. At the same time anti-feminists citied it as a mockery of what were considered wholesome American values. It’s strange that a film that was never intended to be part of these controversies couldn’t seem ...o please either side. The film quickly disappeared from the box office and was deemed an early failure. That was until frequent television showing gained a cult following that exists today. To many of us this is simply a quaint blend of science fiction and horror elements to produce a better than average low budget film.
What is extremely disappointing about this disc is it is actually just a re-release of the 2000 Anchor Bay edition. Not only are there no improvements, but the extras are exactly the same.
