1.85:1 Widescreen

Wizards is a Ralph Bakshi production that is a lot more family friendly than some of his other better known works aka Fritz the Cat and the less said about his adaptation of The Lord of The Rings, the better. Wizards does borrow a lot from the Tolkein classic however, in it’s themes of industrialism versus nature as played out in the classic good versus evil story.

The story is set in a post-apocalyptic world where an ancient prophet foretells the coming of twins who will battle and the outcome of the con...lict will determine the fate of the new Earth. As predicted, twin sons are born to the Queen of the Fairies. One son is of human appearance and if full of good (Avatar), where his twin is a mutant and quite evil (Blackwolf). Blackwolf’s misdeeds have him banished from the Fairydom where he swears to get his revenge as he departs. He plans on accomplishing his task by reviving the war machines of old. Avatar is a pacifist and wants nothing to do with war but as his evil brother’s machinations draw Avatar directly into the conflict via assassination attempts, he begins to realize that he cannot escape his destiny.

Apparently inspired by Three Godfathers, the over-sentimental John Ford western from 1948, the "godfathers" here are three homeless Tokyo-ites -- Gin, a former professional bicycle racer; Hana, a transvestite; and Miyuki, a young runaway girl -- living together in Shinjuku, Tokyo. On Christmas Eve, they find a baby, and embark on a journey that takes them all across the city in order to reunite the baby with its parents, while at the same time bringing their own lives closer to their ultimate destinies. Fun, fast-pac...d, and cleverly laced with well-timed humor, the wacky events that ensue have a deep element of humanity that craftily puts into context their entire journey.

From his jump-cuts from extreme facial gestures, to the hilarious "Homo of Tokyo" run cycles of the strong-willed comic-relief Hana, director Satoshi Kon certainly knows how to entertain an audience. But the depth of the characters and the poignancy of the ultimate storyline are what separate Godfathers from the usual Anime fare. A wonderful achievement.

With the release of Spider-Man 2 in late June, it was no surprise that Sony decided to give us an upgrade of the first film. Spider-Man was probably the best superhero film to come along since the original Superman in the late 70’s. Perhaps not as recognizable as Batman or Superman, Spidey is still quite an American icon to the millions of us who grew up during the golden age of comics.

This film is a faithful adaptation. The only real complaint I’ve heard is the tweaking of the origin story. In the comics...it was a radioactive spider, not a genetically altered one, that sank its teeth into Peter Parker. The casting is exceptional with the possible exception of Kirsten Dunst. I can’t put my finger on it, but she is the weak link of the entire picture. Law and Order’s Simmonds is a dead ringer for J.J. Jamison.

Joe Queenan is one of my favorite writers. He is the author of wonderfully amusing essays and books dealing with the subject of film. In his book Confessions of a Cineplex Heckler, he is bold enough to take on the challenge of watching every Merchant Ivory film, back-to-back. At one point late in the narrative, he has this to say:

As I sat there in my reclining chair with my kids lighting matches to my feet, I realized that God had created Merchant and Ivory for only one reason: because otherwise ...he concept of death was too terrifying.