Posted in: Disc Reviews by Gino Sassani on December 1st, 2002
Men in Black was a landmark film that almost came out of nowhere. Tom Baker’s standard setting makeup effects combined with the Lethal Weapon-like chemistry between Will Smith and Tommy Lee Jones made it one of the best simple entertainment films in recent memory. The problem with a sequel is you aren’t going to sneak up on an innocent audience. Expectations are high and this film does not meet those high expectations. With that said, however, it really is an entertaining film. All the great elements from the original film are here: Frank the Pug is much more involved, Tony Shalhoub’s Jeebs is still loosing his head over the MIB, and The Practice’s Lara Flynn Boyle is a far more attractive bad guy … eh girl ... eh something.
Posted in: Disc Reviews by Gino Sassani on November 27th, 2002
Synopsis
Stacy Keach is a boxer in serious decline, now working odd jobs and hooking up withneurotic alcoholic Susan Tyrrell. He runs into Jeff Bridges, a young man who might have a futureas a boxer (emphasis on “might”). These are all downtrodden losers in an ugly California town.Fat City is definitely not for everyone. It is well put together, and the performances are great, butthe pace is very slow, and not very much happens.
Audio
The sound is mono, and ...
Posted in: Disc Reviews by Gino Sassani on November 24th, 2002
Synopsis
Carolyn McDuffy (Christina Ricci) appears to have it all. She is the most dynamic memberof her sorority. She’s dating the most popular boy on campus. Her unspeakably shallow life isperfect. The sorority does some charity work with challenged athletes, and Ricci is paired up withPumpkin (Hank Harris). She is at first disgusted, then fascinated, and then... Life, of course, goesspinning wildly out of control. Though the trailer suggests this might be another gross-outcomedy, ...
Posted in: Disc Reviews by Gino Sassani on November 24th, 2002
Synopsis
Psychologist Mia is caught up in a web of erotic danger thanks to Tammy, whose husbandgets killed in the opening scene, and who is no doubt not as innocent as she appears to be. Bigyawn. And hasn’t anyone noticed that “Trois 2” is a singularly stupid sounding title? Why not“Trois 2: Uno”?
Audio
Film aside, the sound quality is pretty damn good, with an excellent music mix, and a prettysolid environment creation, with sound effects noticeably present...
Posted in: Disc Reviews by Gino Sassani on November 24th, 2002
Synopsis
Can’t afford Jim Carrey? Then hire Dave Sheridan, who will do his best impersonation of thebig star. As Frank McKlusky, Sheridan plays a young man so traumatized by his daredevilfather’s disastrous stunt that he has become psychotic about safety precautions (a neurosisencouraged by mother Dolly Parton). McKlusky’s dad (Randy Quaid) was denied medicalinsurance due to a crooked legal firm, who now, many years later, are up to no good again.McKlusky investigates, and the hilar...
Posted in: Disc Reviews by David Annandale on November 13th, 2002
Synopsis
Kieran Culkin and Emile Hirsch are best friends in a Catholic junior high. They are goingthrough the usual adolescent throes, but with a few twists. Hirsch’s budding romance with JenaMalone is complicated by a rather dark secret of hers. As well, their pranks, whose target is theirnemesis Sister Assumpta (Jodie Foster), are spectacularly elaborate, not to mention dangerous.Hirsch’s hopes and fears also take the form of a cartoon (produced by Spawn creator ToddMcFarlane). Th...
Posted in: Disc Reviews by Gino Sassani on November 13th, 2002
Synopsis
Dylan McDermott is a struggling writer in LA (cue de rigueur pseudo-profundities about thesoulless evil of Hollywood, many provided by ice-bitch agent Sharon Stone). He sets himself upin a house where murders took place, and starts work on a book about the murders. He rents aroom to Tom Sizemore, Norman Bates-ish in his shyness and fastidiousness. Guess that meanshe’s bad news, right? The plot asks rather too much good faith on our part, and so suspense iscrushed by falling...
Posted in: Disc Reviews by David Annandale on November 11th, 2002
Few films have had the impact of the original Exorcist. William Peter Blatty’s original book was a phenomenal hit. The film’s intense imagery and in your face brutality was all the more disturbing coming from a young teenage Linda Blair. What makes this film effective, however, is the subtle touches: The quick flash demonic faces, the eeriest backward language of the demon, and the haunting moans that culminate in one of the truly scariest films ever made. This release restores footage, long legendary, but not seen by a movie audience. I remember seeing pictures of Linda Blair’s “spider crawl” in Famous Monsters of Filmland in the 70’s. To call this film a classic would be stating the obvious.
Posted in: Disc Reviews by Gino Sassani on October 31st, 2002
Synopsis
Zero Mostel is a down-on-his-luck play producer. Gene Wilder is a neurotic accountant.Together they cook up a scheme to raise a million dollars (from old ladies) to produce a playguaranteed to flop (and thus they keep the money.) The play they choose is a little romp called“Springtime for Hitler.” This being a Mel Brooks film, the humour ain’t subtle, and Brooks doesrun some sequences into the ground (he never has known when to quit). But there is a lot oftremendously funny...
Posted in: Disc Reviews by Gino Sassani on October 22nd, 2002
Synopsis
The Djinn (John Novak) is unwittingly released by Tara Spencer Nairn. Adopting the identityof one of her friends, the Djinn insinuates himself into her life. If she makes three wishes, hisentire race will be unleashed upon the earth. The tricky thing is, her last wish is that she couldlove him for himself. Oops. How is the Djinn supposed to grant a wish that only she can grant?He certainly has an odd way of courting her. Very, very, very low-budget stuff, mildly divertingfo...
