Posted in: Disc Reviews by Gino Sassani on June 19th, 2002
Synopsis
Crowe plays John Nash, schizophrenic genius. The film follows him from his grad student days at Princeton, to his revolutionary formulation of game theory, to his later breakdown, and climaxes in his reception of the Nobel Prize in 1994. Though overlong, often burdened by an excessively emphatic score by James Horner, and following all the usual conventions of Hollywood melodrama, the film also offers stunning cinematography by Roger Deakins, uncharacteristically good dialogue by Akiva Golds...an (can this be the same man who inflicted Batman and Robin and Lost In Space on us?), and excellent performances, especially on the part of Crowe, whose evocation of Nash is spooky.
Posted in: Disc Reviews by Gino Sassani on June 13th, 2002
Film
Robert DeNiro has built a tremendous career out of portraying men who are to be feared. Starting with Vito Corleone in The Godfather Part II through Good Fellas, DeNiro has established himself as the Hollywood Don. Analyze This is a brilliant comedy that cashes in on that long body of work. There’s no setup required for us to accept DeNiro as the head of a crime family. What makes the film work on an even higher level is the addition of Billy Crystal and the fact that both powerful actors play against what you would expect. Long-time funny man Crystal plays the straight man to DeNiro’s hilariously stressed don. This is one hell of a funny movie.
Posted in: Disc Reviews by Gino Sassani on May 30th, 2002
Synopsis
Child-like nun Meg Tilly is found one night lying on the floor of her cell, covered in blood, a strangled newborn in her wastebasket. Psychiatrist Jane Fonda is called in to determine whether or not Tilly is fit for trial. Mother Superior Anne Bancroft is convinced that she is not, and does not want skeptical Fonda destroying Tilly's innocence. Meanwhile, Tilly, it seems, cannot remember anything about that night, and certainly denies ever having been pregnant.
Posted in: Disc Reviews by David Annandale on May 25th, 2002
Synopsis
Paul Newman's Frank Galvin has seen better days. Now he's a broken-down, alcoholic ambulance-chaser. But then his last chance arrives in the form of a negligence case being brought against two doctors who gave a young woman the wrong anaesthetic, reducing her to a vegetable. Though Galvin at first is planning to settle out of court, he changes his mind, and the result is a David-and-Goliath courtroom struggle.
Posted in: Disc Reviews by David Annandale on May 8th, 2002
The title catches your eye. A mob film, you suspect. And you’re right. But a mob film from 1968, BEFORE The Godfather defined the genre as we know it today, and the difference is apparent.
Synopsis
Posted in: Disc Reviews by Gino Sassani on May 5th, 2002
This is a rather unique match-up, pairing one star in the twilight of his career (Burt Lancaster) with one entering her prime (Susan Sarandon), and both are given meaty roles.
Synopsis
Posted in: Disc Reviews by Gino Sassani on April 17th, 2002
The case features Drew Barrymore front and centre, but don’t be misled. This is a 1997 effort, and Barrymore’s star was still on the (re)ascension. She has a supporting role in this crime story, yet another smart-aleck tale to come in the wake of Quentin Tarantino.
Synopsis
Posted in: Disc Reviews by David Annandale on April 12th, 2002
Let’s take a little trip down memory lane, shall we? Follow me back to that bygone era known as the eighties. Don Simpson and Jerry Bruckheimer were consolidating their formula for slick, commercial fluff, Harold Faltermeyer’s synthesized scores were inescapable, and Steven Bauer actually rated star billing.
Synopsis
Posted in: Disc Reviews by Gino Sassani on March 17th, 2002
Intro
Writer/director Ron Shelton says, in his commentary, that one of the things that pushed him to make Bull Durham was the sense that nobody did sports movies right. Mission accomplished: here is a film about baseball that can be enthusiastically embraced by those of us who have no interest in, or knowledge of, baseball.
Posted in: Disc Reviews by Gino Sassani on March 11th, 2002
Intro
It is interesting to see a film with such a tiny budget ($500,000) on the MGM label.
