Posted in: Disc Reviews by Archive Authors on September 18th, 2007
Looking for romance? This three-movie collection from MGM likes long walks on the beach, candle-light dinners and formulaic plots. The films have been around a while, but a fresh new look makes this set an attractive option.
As is usually the case for common-theme boxed sets, Romance 101 includes one stinker, one hit and one older gem you probably forgot about years ago. The movies aren't the greatest examples of the genre, but the studio sweetens the deal, offering you three films for the price of one new-release DVD. Hit the jump for a rundown of these three discs.
Posted in: Disc Reviews by David Annandale on September 13th, 2007
The film that arguably more than any other put director Alfonso Cuarón and actor Gael García Bernal on the map, Y Tu Mamá También is a smart, funny, extremely erotic tale of two young friends travelling across Mexico in the company of an older, sexually experienced woman. It’s a great film. But this isn’t the DVD you should watch to appreciate it. In this day and age of a veritable deluge of discs boasting unrated versions of their theatrical release, what, pray tell, is the point of an R rated DVD butchering of a unrated theatrical release? Fully six minutes are missing. The 100 that remain are, of course, excellent, but what is here is not the director’s vision. There is terrible irony in box boasting a blurb that exults in how “unafraid of sexuality” the movie is, when the DVD is clearly terrified. As punishment, I’m cutting the film’s star rating in half, not to reflect on Cuarón’s work, but on what has been done to it. The unrated version is out there, released at the same time as this. Track it down instead.
Audio
Posted in: Disc Reviews by Archive Authors on September 13th, 2007
"Remember when I promised I'd kill you last? I lied."
Time to relieve the glory days. Arguably the finest of Schwarzenegger's over-the-top, muscle-bound 80s action flicks, Commando is finally getting the respect it deserves. This is the perfect example of a movie so bad it's good. Really bad, and really good. Commando has it all: copious one-liners, a ridiculously huge Ah-nold physique, and a body count so high you'll run out of fingers and toes in no time flat.
Posted in: Disc Reviews by Archive Authors on September 12th, 2007
I love horror movies, but lately Hollywood hasn’t done it for me, and Wrong Turn wasn’t an exception. So I wonder how a low budget sequel is going to manage to be better than its phony prequel. But I won’t judge this one until I’ve seen, lets just hope its nothing like The Hills Have Eyes 2, or The Grudge 2, etc.
Wrong Turn 2 takes off shortly after the events of the first film. Right away I’ll let you know that other than the mutant freaks of the first film, this movie has no other links to the first installment, i.e. characters. Slightly off topic, I’ve always thought a movie about a group of reality contestants fooled into thinking they were in a post apocalyptic world could be interesting. This is probably as close as my vision will get to being realized, as it’s about a group of people in a simulated post apocalyptic world who are competing for $100,000. Instead things start getting messed up at the cannibalistic mutants start to show up.
Posted in: Disc Reviews by David Annandale on September 11th, 2007
It’s good taste time once again, as we follow the unfortunate Amber (Grace Johnston) as she falls into the clutches of your usual gang of inbred hillbillies. These psychos have kidnapped a number of women. They then force them to fight to the death, with the idea that the winner will get to carry on the clan’s bloodline. Charming.
Lord knows the backwoods horror film is not, nor should it be expected to be, a bastion of quiet restraint, but we’ve got a pretty unequivocally misogynist premise here, and the execution does little to mitigate it, despite Johnston’s best efforts. The filmmaking is pedestrian, though not incompetent, but this is a cynical, exploitive work that is also derivative and dull.
Posted in: Disc Reviews by Archive Authors on September 6th, 2007
I’ve said in the past and still believe that Josh Hutcherson will be a pretty good adult actor if he chooses to go down that path. I liked his work in Little Manhattan and recently finished watching him in Bridge to Terabithia, but then he comes back and makes films like Firehouse Dog, which seem to flush away a lot of that goodwill in my opinion. He doesn’t try at all and becomes the typical sweet kid, rather than the intellectual who acts larger than his shoes.
Written by Mike Werb (Curious George) and Claire-Dee Lim and directed by Todd Holland (whose main director claims were directing fair shares of episodes for the shows Malcolm in the Middle and The Larry Sanders Show), the film centers around Rexxx, with three x’s, who is apparently a 21st century version of Benji, Old Yeller, or any other movie dog you’d like to slot in. During a stunt for his latest film, Rexxx accidentally falls from an airplane and lands in a truck full of tomatoes, so he doesn’t die of course. The movie would have to be called something other than Firehouse Dog if that were the case. But he does manage to get to New York, where Shane (Hutcherson) finds him and wants initially to get rid of him, before he finds out what the dog can do, despite the objections of his father (Bruce Greenwood, The Sweet Hereafter). But he grows to become part of the family more and more.
Posted in: Disc Reviews by Archive Authors on September 6th, 2007
(Supplemental material portions of this review are culled from Gino Sassani's review of said film in the Blu-ray format, so enjoy or read elsewhere.)
I've always enjoyed Hitchcock's Rear Window, and I've gotta say I was more than a little disgusted when I saw that it was going to be remade and modernized, with no less than Shia fricken' LaBeouf in the main role. Oddly enough, LaBeouf carries the role pretty well.
Posted in: Disc Reviews by Archive Authors on September 6th, 2007
(You’re going to have to forgive me, I’m pulling ample portions of this review from my earlier Divimax review of Dawn, with some exceptions of course.)
Anchor Bay, holding all (or most) of the keys in George Romero’s zombie film trilogy put out a copy of this film now before overloading us we on the remake, done in grainy, handheld 28 Days Later style by director Zack Snyder of 300 lore. A stopgap one disc version was released, followed by this huge-arse four disc version that we’re viewing now.
Posted in: Disc Reviews by David Annandale on September 5th, 2007
In hellish vision of a near future (?) LA, Marty Malt (Judd Nelson) is an incompetent garbage man who moonlights as an even worse comedian (his jokes aren’t funny, and he is half-crippled by stage fright). His only friend is the manipulative Gus (Bill Paxton). When Marty starts to grow a third arm out of his back, he loses his girlfriend (Lara Flynn Boyle) but attracts the attention of sleazy showbiz types Wayne Newton and Rob Lowe.
The film’s influences are pretty apparent. Imagine the love child of Repo Man and How to Get Ahead in Advertising, as midwifed by early John Waters and David Lynch. Heck, the bar where Marty performs, along with its patrons, seem to have been imported from Café Flesh. Such a mixture could well spell cult movie, and something of the kind seems to have happened with The Dark Backward, but the mixture is a little too forced for my liking, and the performances are all pitched at one note (Paxton’s note being almost off the scale). Interestingly bizarre and gross, but somehow too familiar despite its wild stabs at freakish originality.
Posted in: Disc Reviews by Archive Authors on August 31st, 2007
I don’t care what anyone thinks, A Night at the Roxbury is awesome. Back when Will Ferrell and Chris Kattan would do the skits on Saturday Night Live I loved it, and when the movie came out I pumped. This was back when I was barley a teenager and for me, this one has still got it. The hard part is explaining why this movie is so funny to me and its cult following. It has no real story, character development, etc. But still it manages to keep me laughing, time and time again. I’ll get more into that later, for those of you who haven’t seen A Night at the Roxbury I’ll play it out for you.
It doesn’t really get much simpler than this; Doug (Chris Kattan, Corky Romano) and Steve (Will Ferrell, Blades of Glory) Butabi (Are they brothers? No…. Yes!) love the nightlife, and aspire to be club owners. The only thing is they can’t ever get into any clubs despite there flashy threads and their dad’s BMW. Until one night a chance accident with Richard Grieco (21 Jump Street) leads them into the doors of the infamous Roxbury. Here they meet the clubs owner Benny Zadir (Chazz Palminteri, Running Scared) and hit it off with him and some club girls. The girls of course think they have money, and spend the night with them at Zadir’s house party. The Butabi’s pitch an idea for a club to Mr.Zadir that he loves, but apparently the next morning his assistant Dooey (Colin Quinn, Saturday Night Live) says that wasn’t the first time he picked up some losers and dumped them the next day. Everything seems to be falling apart for the Butabi brothers, can they get it together? Wow that makes this movie sound a whole lot more dramatic than it is.
