1.85:1 Widescreen

Maybe you're wondering why there's a movie starring Zach Braff (Scrubs) and Jason Bateman (Arrested Development) that you never heard about. That's what I was doing when I first received this disc. I'm a big fan of Braff, and a moderate fan of Bateman, so why was I not in the know on The Ex?

I'll tell you why. The Ex had only a limited North American release in late 2006, and under a different title: Fast Track. It bombed. Then it disappeared for all but a handful of foreign markets, before washing ashore in DVD-land.

Every office has one. Peggy Spade (Shannon) is that co-worker who always seems to be up. You know the kind. Always smiling even when there are a lot of crappy things going on around her, she walks through life oblivious to it all. Now don’t get me wrong. These people do have their uses and can often relieve the stress of a particularly bad day. I mean, don’t you feel a little better after just a minute or two of putting your hands around their throat and squeezing just a little? Alas, I digress. What is the source of Peggy’s blissful nature? It’s none other than Pencil, her faithful pet dog. Pencil is her emotional center, leaving her quite awkward around most humans. Unfortunately for Peggy, Pencil gets out one night and into a bag of a “toxic poison” (Isn’t that redundant.) Quicker than you can say Michael Vick, Pencil is gone. When Pencil goes to that doggy pound in the sky, Peggy becomes depressed that is until she meets Valentine, a German shepherd with a maladjusted personality of his own. She also begins to relate to the man who introduces her to Valentine as well as a PETA-like pro-animal movement. Peggy becomes a radical, and it nearly destroys her life.

If you come to the film expecting a cozy little dog film you can cuddle up with, you will be disappointed. Having a stubborn Siberian Husky myself, I am almost always suckered into pretty much any film that has dogs in it. I even converted my wife. A long standing cat person, she fell in love with the puppy dog eyes of a pointer mix. That should tell you that I am predisposed to like most dog films. I wish I could tell you I liked Year Of The Dog.

Every so often, a remake comes along that does the original proud. David Cronenberg’s The Fly is one. Philip Kaufman’s reworking of Don Siegel’s 1955 classic is another. For the three people out there who aren’t familiar with the plot, pods from outer space are replacing people with soulless duplicates. Donald Sutherland is the health inspector whose friend (Brooke Adams) is one of the early people to believe that someone close to her is no longer who he appears to be. Before long, Sutherland, Adams, Jeff Goldblum and Veronica Cartwright are running for their lives.

The story of perfect paranoia is infinitely flexible, adapting itself perfectly to the tenor of the times (assuming, of course, the filmmakers are halfway competent). Kaufman’s film distinguishes itself from its predecessor by playing on our worst fears concerning big city anonymity and alienation, and by introducing the infamous pod scream, which leads to one of the most chilling final frames in film history.

Are We Done Yet? That's not just the title of this film, it's a form of the question you'll be asking repeatedly during the film's runtime, until you eventually reach a climax of desperation and cry out for all to hear, "For the love all that is good and pure in this world, when will it end?" Not soon enough, my friend. Not soon enough.

Should you find yourself watching this torturously stupid sequel to 2005's Are We There Yet?, all I can say is, you should have known better. While opinions about movies are subjective, this one's a special case that allows me to say with 100% confidence: if you liked Are We Done Yet? you deserve a big ol' smack upside the head.

In the day and age of sequels being thrown at us like lies from the media, the idea of a sequel surpassing its predecessor rarely occurs. I can only think of a few films that have achieved such a title. Titles like Aliens, The Bourne Supremacy and the recent comedy sequel Meet the Fockers are perfect examples, the latter which is actually funny and charming instead of being cruel and rather mean like the first.

As we all know in Meet the Parents, Greg Focker (Ben Stiller) asked his girlfriend Pam (Tea Leoni) to marry him, which she accepted. Only it wasn’t as open and shut as this. See first Greg had to ask the permission of Pam’s father Jack (Robert De Niro) for his daughter’s hand. Jack, an ex-CIA specialist, basically tried to torture Greg into not wanting to marry Pam by ridiculing him in front of others and digging up every little secret he could. And let’s not even bring in the other completely childish and rude family members who act like jerks. Anyhow, Jack finally comes to the realization that if Greg loves his daughter so much, he can marry her. But now there comes a dilemma. Just like Greg had to meet Pam’s parents, it would only be polite for Jack and company to meet Greg’s parents. The only problem here is that Greg’s parents, well, are a bit odd.

There are often stories about burn patients who lose part of their face or leave their other body parts horribly disfigured. It is sad and unfortunate. But what if you had horrible chemical and fire burns and had to take refuge in warehouses and underground? You had the strength of ten men, but could create a mask that you could use to duplicate your enemies or be the man you used to be? However, that face only lasted 99 minutes. This is the story of Darkman. A trilogy of movies that developed a cult following for its subject matter and campy presentation. Part action, part sci-fi, part thriller. But a great time as long as you left your brain at the door.

The first film directed by Sam Raimi (Spiderman, Evil Dead) features Liam Neeson as Dr. Peyton Westlake, a brilliant scientist on the verge of finding the solution to liquid skin cells or synthetic skin. This in time would help burn patients or disfigurements replace unwanted and dead skin tissue. The problem is he can only make it last for 99 minutes. One day his lab gets ransacked by a group of thugs led by Robert G. Durant (played by Larry Drake) who are in search of a memorandum. Peyton is horribly burned in the fire and presumed dead when his body can't be found in the explosion. He later resurfaces as a John Doe burn victim who is given a radical new treatment that cuts off his nerve impulses. He breaks out of the hospital and retreats to a condemned warehouse. He then goes back to the wreckage of his lab and tries to salvage his work. Using what is left of his work and vigilante money that is collected from thieves and bad guys that he fights he attempts to recreate faces of his enemies so that he may take revenge on the Durant crime syndicate. He also attempts to get back in touch with his girlfriend (played by Frances McDormand) by putting on his face and spending time with her. However, he realizes he can only put on the charade for so long and continually he descends back to the darkness as Darkman. He prevails over Durant, but the pain and suffering he endures from day to day stays with him.

Erin Brockovich tells a story based on a true series of event. Erin (Julie Roberts in her Oscar winning role) has a tough life. She’s a single mother of three kids, her two ex-husbands left her not supporting her or her children, she can’t seem to find any work due to her lack of education, and she has $16 in her bank account. Life seems to be continuing on a downward spiral for Erin. Things start looking up when she is practically handed a job by her defense lawyer Ed Marsy (Albert Finney). It’s here that Erin stumbles upon a case involving PG&E, a $28 billion company that had been disposing a chemical into the local water supply of a nearby town called Hinkley, California.

Erin and Ed soon find themselves in a lot more than they ever probably bargained for when this case turns more ugly as each minute passes.

There must be very few people out there who haven’t seen Taxi Driver or at the very least muttered the words, “you talking to me?” Regardless, this thirty year old film is easily a classic, and still on the top of many critics lists. It marked the blooming of an epic and ongoing relationship between Robert DeNiro and Martin Scorsese, the spawn of Jodie Foster’s career and arguably Harvey Keitel’s as well. At any rate Taxi Driver managed to receive four Academy award nominations as well as gaining a huge cult following. I don’t think it’s a surprise that I’ve already seen and love this movie, but how does the newly released DVD pan out?

Travis Bickle (Robert DeNiro, Heat) is an ex-marine who had recently fought in the Vietnam War. He has since developed several psychological disabilities as showcased throughout the movie including insomnia, obsession, and depression. He works as a nighttime taxi driver and spends his sleepless days in pornography movie theatres or watching presidential aide Betsy (Cybill Shepherd, Alice). He finally garners the courage to approach Betsy and ask her on a date, initially she in intrigued by Travis, but after he takes her on a date to a pornographic film she ditches him and takes a cab home. This acts as a catalyst for Travis’ depression and increasingly paranoid and delusional behavior. He begins having vigilante fantasies and acquires several handguns. One night a 12 year prostitute named Iris (Jodie Foster, Silence of the Lambs) jumps in to his cab trying to escape a beating from her pimp. Travis has a moment of realization about the decaying world around him. From here he begins toying with the notion of killing Senator Charles Palatine and Iris’ pimp (Harvey Keitel, Reservoir Dogs).

In the United States, we tend to take for granted; influences. In the case of movies, we take certain film styles for granted. We just figure that they always existed. Doesn't really matter where they came from, we just know we like that style of movie; over and over and over again. Enter Hard Boiled, a 1992 film directed by John Woo. This featured Chow Yun-Fat as Tequila, a hard nosed cop who is on a quest to derail an arms smuggling ring that has both cops and innocent civilians dead in its wake. The movie also featured Tony Leung as Alan, an undercover cop who is in deep cover as a Triad hitman who tries desperately to keep his sanity and protect his true identity. But what set Hard Boiled apart from other films and that was duplicated time and time again was over the top action and no-nonsense gunplay. In the first five minutes alone with the teahouse scene, you see more dead bodies fly across the screen than most action movies deliver in a couple of hours. But it wasn't just dead bodies, you can rent George Romero Dead movies if you want to see lifeless bodies. It was the style, you had the imagery of three guns emptying from the bottom of a birdcage, Tequila jumping in the air and killing two gangsters with a gun in each hand; and sliding down a staircase with such grace. This would continue in other scenes where similar heroics would come into play. For over two hours, your breath would escape you and somehow return by the final bell.

Hard Boiled was a film that made no apologies and has only amassed popularity as time goes on. The term cult classic would be more of an insult to the film as it has gone beyond that premise. In addition to two fine leading roles, the film included many popular supporting roles; primarily on the villains' side. Anthony Wong played the devious Johnny Wong, a character that had no morals and whose only real mission was to control the arms smuggling ring of China and get all the money in the process. Phillip Kwok (also known as Cheung Jue-Luh) played the role of Mad Dog (or One-Eye), the action counterpart to Wong's character as he enforced what Johnny didn't want to dirty his hands on. These characters developed a chemistry that produced memorable dialog with and without words. This was especially true when it came to the characters of Tequila and Alan once they get on-screen together. It was a flow of actions and reactions that had you enthralled for every last phrase that was used. The film's only negative would be the scenes where they decide to spend an inordinate amount of time surrounding getting the infants to safety. Once you dive into the extras on Disc Two, you start understanding that the babies actually were to be the main plot point or original concept of the film. So as a result they contributed to a major scene. The movie is still a masterpiece even with that small discordance with its amazing action and a hard running story that lead to be an influence of many future Asian and American action movies.

(Non-format specific portions of this review are culled from my review of said film, so enjoy or read elsewhere.)

In watching Being John Malkovich again recently, for the first time in awhile, the thing I was struck by is how unique it is (duh!). It doesn’t try too hard at being different, to the point that it’s going to suck, everything is matter of fact, and it’s hilarious. Its characters are flawed, but we feel for some of them a great deal. It’s funny, it’s touching, it’s dramatic, it works on many levels.