Posted in: Disc Reviews by Gino Sassani on March 15th, 2019
Green Book represents an historical milestone for me as a critic. In my decades of reviewing and more decades following films, I have never selected a personal Oscar Best Picture two years in a row. I tend to be somewhat out of touch with the voting members of the Academy or even my fellow SEFCA (Southeastern Film Critics Association) members. But it finally happened. Last year my selection was The Shape Of Water, and it took the top prize. This year I went against the grain of the SEFCA members who chose Roma as the best film, and Green Book meandered to # 7 on their list. Fortunately, the Academy saw it my way for the second consecutive year, and Green Book took home the statue. Spike Lee threw a temper tantrum, and I'll talk about that in my conclusion.
Posted in: Disc Reviews by Brent Lorentson on August 17th, 2018
When it comes to films about man vs. nature, we typically see films where they are defending themselves in the wild where weather and predators are the biggest dangers they have to face. (The Grey and The Revenant are the titles that first come to mind.) In the new release Flora, writer/director Sasha Louis Vukovic is here to show us that there is more to fear than wolves and bears, but how deadly pollen can be. Somewhere I can imagine M. Night Shyamalan is happy to see that someone else has tackled this subject since his disastrous film The Happening made a whimper at the box office years ago. Fortunately for Vukovic, he didn’t make the same mistakes and instead has crafted a film that is perhaps one of the more realistic horror scenarios that has come out in some time.
Posted in: Disc Reviews by Gino Sassani on May 30th, 2018
“Welcome to Jurassic Park.”
With those words begin an adventure that started with the legacy of Willis O’Brien’s The Lost World. You see, dinosaur films are nothing new; they have held our childlike fascination since the industry was born. Jurassic Park was, however, something very new when it thundered into our cineplexes and forever into our imaginations 20 years ago. The marriage of brand new CGI technology with Stan Winston’s superbly detailed animatronics models transports you back 65 million years in time.
Posted in: Disc Reviews by J C on July 23rd, 2013
The 1970s famously produced many of the most daring, diverse and groundbreaking classics in movie history. All-time greats like Scorsese, Spielberg, Polanski, Altman and Lucas either broke out or did some of their most exciting work during the decade. But, even among these titans, Francis Ford Coppola separated himself from the pack. Four films — The Godfather, The Conversation, The Godfather Part II, Apocalypse Now — four undisputed classics. Batting 1.000 during the greatest moviemaking decade of all time earns you a ton of slack. In Coppola’s case, it has gotten him enough slack to make up for the fact that nothing he’s done in subsequent years can touch his ‘70s output.
