Posted in: Disc Reviews by Gino Sassani on January 2nd, 2003
Synopsis
Posted in: Disc Reviews by Gino Sassani on December 30th, 2002
Synopsis
Posted in: Disc Reviews by Gino Sassani on December 21st, 2002
Al Pacino started his career with The Godfather, but Serpico went a long way to introducing filmgoers to the raw talent he still possesses. Based on the true story of an officer’s lone fight against corruption in the New York City PD, Serpico is gritty and almost documentary-like in style. Sydney Lumet’s stylized direction would create a template that countless future cop films continue to emulate. A credit to Lumet’s ability to spot talent rests in the fact that this was considered largely a cast of unknowns. Many of the players went on to become household names: Judd Hirsch, Emmett Walsh, F. Murray Abraham, not to mention Pacino himself.
Synopsis
Posted in: Disc Reviews by Archive Authors on November 26th, 2002
This movie stunned me in its completely unexpected excellence. Its unrecognized title, cast of minors, typical B-movie premise, and sponsorship by the government of Luxembourg all suggested a weak slasher film to follow. Like Ginger Snaps before it, however, Dog Soldiers is a new brand of monster movie that blends subtle talent with creative plots, superb directorship, spectacular camera work, and over the top action to take viewers completely by surprise.
Before I continue, here’s the synopsis:...a group of British soldiers training in Scotland fall in the sights of a group of hunting werewolves. Violence and chaos ensue.
Posted in: Disc Reviews by Archive Authors on November 22nd, 2002
Written by Dan Bradley
Ever since Dragonslayer lit up the screen, I've been waiting for a comparable dragon movie to come along. There have been a few between then and now, most recently the lighthearted Dragonheart, but none have come close to capturing the style and mood of Dragonslayer. Finally a dark depiction of the mythical beasts has returned to ravage audiences and scorch anything in sight, although it could have been a lot better.
Posted in: Disc Reviews by Gino Sassani on November 21st, 2002
The Greeks are well known for their complex and compelling mythology. Writers like Homer have for millennia defined the literary world of mythology. I challenge anyone to debate that J.R.R. Tolkien has filled that role for the 20th century and beyond. The foreword to The Fellowship of the Ring begins by saying: “The tale grew in the telling until it became a history…” I entered the theatre for a midnight showing of this ambitious film with very high expectations. Truth be told, it was not possible that those expectations could be met. But in the magical world of Middle Earth, almost anything is possible. This film might very well have exceeded my wildest desires. Maybe Peter Jackson had similar reference points as I did growing up, but it is uncanny how much the film looks like I have envisioned it since I was 10 years old. The Fellowship of the Ring is every bit the masterpiece as the source material. Bring on The Two Towers.
Audio
Posted in: Disc Reviews by Archive Authors on November 14th, 2002
Artisan has come through with a well-executed 10 Year Anniversary Edition of Glengarry GlenRoss. Well-executed, yes. Exceptional, no. The highlights of this set are definitely the DTS audio track and the new Widescreen transfer. Both are so exceptional as to make this set a “must purchase” for any fans of this movie or its cast. Beyond these two features, there is nothing particularly compelling about this set, however. Special features contain no standouts, and the second disc is largely the filler of a widescreen t...ansfer.
I approached this release without having seen the movie previously and was somewhat disappointed, given the media acclamation. Screenplays adapted from plays generally result in movies that hammer the watcher over the head with whatever message the movie is trying to communicate over and over and over again. Such is the case with Glengarry GlenRoss, and it quickly grew boring. David Mamet is undoubtedly a genius writer, but as we all know, that doesn’t necessarily translate into an enjoyable cinematic experience. Here’s my thought: In a play, the director, playwright, and cast have little to work with beyond dialog and some set design. In a movie, the director has full run of setting, special effects, weather, etc. As such, if the director doesn’t tone down the screenplay, allegory and heavy handed morality while perhaps subtly communicated on stage become a chore to watch on screen. In GgGR, the continual darkness, rain, and borderline pedantic dialog were all a bit too much for my taste.
Posted in: Disc Reviews by Gino Sassani on November 11th, 2002
Synopsis
