Posted in: Disc Reviews by Archive Authors on September 14th, 2006
Synopsis
James Marsden plays Tommy, who broke away from his mob-connected family to join the marines. Something goes wrong during the Gulf War, and he lands in the brig. He’s given a second chance by the authorities if he heads back to his old neighbourhood undercover. As he heads back to hook up with his slow brother and violent cousin (Giovanni Ribisi), we also get flashbacks to their youth in these families.
Posted in: Disc Reviews by Archive Authors on September 13th, 2006
Seabiscuit tells the true tale of three men and one legendary racehorse. The story takes place right after the Great Depression has hit leaving many feeling the after effects. John Pollard (Tobey Maguire) is a young man who wants nothing more than to race his horse. Tom Smith (Chris Cooper) is his ‘horse whisper’ in that he seems to be able to communicate with his horses. Charles Howard (Jeff Bridges) is your standard businessman at this time, completely broke. Looking for a way to get out of his hole, he dec...des to band together with these other two men after a horse named Seabiscuit gives them the idea of a lifetime. Take this relatively unknown horse to the to the extreme top. Seems rather unlikely right? If you’ve ever read the history books, you’ll know the outcome of the story and hence the film at hand.
What makes a film like this high enjoyable (more so then I expected) is not only the characters but also the story which tugs at the heart strings. This was a time when everyone was, well, depressed and didn’t know what to do. A story about three unknown men and a horse is not only moving and inspirational, but also a sign of what anyone can really do if they have faith in themselves and those around them. Consider the film is definition of the ‘American Dream’, as the film’s main message tells us that events like this can occur.
Posted in: Disc Reviews by Archive Authors on September 12th, 2006
Mix two parts hip-hop artists, two parts Oscar-winning actors, one part TV actor, and one part bad actor, and what do you get? The stars of Edison Force, that’s what. Now just because I specify one as a bad actor doesn’t let the others off the hook. Of course, Kevin Spacey and Morgan Freeman are going to be tolerable. They’re phenomenal at their craft. Even the TV actor (Dylan McDermott) does a worthy job of bringing menace to his role as primary leg-breaker. But when it comes to poor performances, Cary ...lwes, L.L. Cool J, and Justin Timberlake have the market cornered. It’s unfortunate the film hangs its hopes and dreams on the abilities of the latter two.
Every L.L. Cool J character comes across as a bulked-up sissy, because the actor tries way too hard to walk the line between sensitivity and men-wearing-dresses. Normally, he falls over to the wrong side of that line. Edison Force is no exception. As for Timberlake, he sounds like a lisping chipmunk every time he opens his mouth. When these two guys are forced to carry an action film, get ready for metro-sexuality at its finest. While some girls will find these men extremely pleasing to the eye, the target audience will probably laugh this one out of their players.
Posted in: Disc Reviews by Archive Authors on September 11th, 2006
Sahara tells the story of Dirk Pitt (Matthew McConaughey) and his buddy Al Giordino (Steve Zahn) as they travel to a country called Mali in search for what the locals call “The Ship of Death”. This “Ship of Death” is a lost Civil War ship named the CSS Texas that has a huge cargo of what was thought to be gold. Once there, Dirk and his buddy run into Doctor Eva Rojas (Penelope Cruz) who’s about to be executed for muddling in business that is, well, none of her business.
This “business” turns out to ...e rather huge, with ruler General Kazim (Lennie James) wanting to rid the ocean of all of its life. He figures that he will accomplish this by releasing this virus into the water system and, as it flows downstream, it will eventually reach the ocean. Why exactly Kazim wants to do this involves a standard for films such as this… for money. Dirk, Steve, and Doctor Rojas must investigate this disease and decide why it is not only infecting the water system, but causing a vast amount of pollution to the area and its surroundings. Add in a few explosions, chase scenes, and a pretty cool ending battle sequence and there you have Sahara
Posted in: Disc Reviews by Archive Authors on September 9th, 2006
The 2003 remake of The Italian Job is about five men named Charlie Croker (Marc Wahlberg), Handsome Rob (Jason Statham), Lyle (Seth Green), Steve (Edward Norton), and Left Ear (Mos Def) who are all part of a group that pull off elaborate heists. The leader of the pack, John Bridger (Donald Sutherland), has decided he wants to quit the game presumably to spend more time with his daughter Stella (Charlize Theron). The only thing is that he wants to commit one last going-away theft so that he can not only secure ...is spot in the hall of fame, but also secure his retirement. The job in question revolves around the city of Venice, Italy and a heck of a lot of gold (Try $35 Million). The plan goes off without many problems but what occurs next is somewhat of a shocker and helps to outline the rest of the film.
The first obvious comparison that this film had to deal with was the comparison with the film Ocean’s Eleven. While not as star-packed or explosive as that film, The Italian Job does a fine job at telling a somewhat ordinary story in a manner that makes the film interesting and charming at the same time. While Ocean’s Eleven had the star-punching power of George Clooney, Matt Damon, and Julia Roberts to name a few, The Italian Job rather focuses on stars not as huge, but most that rival the stars of Eleven in terms of quality of acting (don’t get me wrong, Damon and Clooney are fine actors). With the likes of Edward Norton, ‘Marky’ Mark Whalberg, Charlize Theron, Donald Sutherland, Seth Green, and the funny Jason Statham, the film’s characters make the film enjoyable mainly because these actors turn their roles into characters you’ll hate (Norton), characters you’ll laugh at (Green), and character’s you’ll laugh with (Statham).
Posted in: Disc Reviews by Archive Authors on September 8th, 2006
Poseidon doesn’t waste any time getting to the action so I won’t waste any time with an introduction to this review. Yes, it’s a remake of the 1972 film, The Poseidon Adventure. Yes, it is chock full of convenient cardboard characters (a former Navy man, a fireman, a nurse, etc...). But we don’t watch movies like Poseidon for character exposition, do we?
Poseidon is a rip-roaring 90 minutes of intensity and even delivers some gory goods. Yes, I said gory. I know Poseidon...is a PG-13 movie, but it is chock full of carnage. It's also very exhausting. I haven’t had a movie leave me feeling beaten down in a long time, if ever. Does that make Poseidon an excellent movie? No. But it’s 100% effective for a disaster film – and deserved a better fate at the box office.
Posted in: Disc Reviews by Archive Authors on September 3rd, 2006
The Bone Collector tells the story of a man named Lincoln Rhyme (Denzel Washington) who has been confined to his Manhattan bed after being injured on his job by a falling beam. Lincoln has since become a Quadriplegic who simply wants to kill himself, and his nurse (Queen Latifah) is planning on assisting him in his suicide. As he is planning this, Lincoln learns of a serial killer who has been abducting random people, throwing them in a taxi and proceeding to torture them in extremely gruesome manners. Lincoln...recruits detective Amelia Donaghy (Angelina Jolie), who is one of the first officers on the scene of a horrible murder. The murder scene features a man buried in gravel only showing a hand with each finger showing a different forensic clue. This scene shows that this killer is quite a different type of killer, one who leaves little hints and clues almost painting a canvas with the person he just killed.
The serial killer genre was really brought to a new level via 1991’s The Silence of the Lambs in regards to the power of the story, direction, score, and acting. The Bone Collector doesn’t really bring anything new to the table, which is not necessarily a bad thing. The Bone Collector adopts what is normal about serial killer films, such as standard plot ideas, characters and situations. This does tend to make the film lose a lot of replay value, but The Bone Collector is not as bad as one may think mainly because of the actors involved. For some reason I always find myself enjoying Denzel Washington’s performances, regardless if what he’s performing in is rather weak. He always seems to bring a higher level of skill and quality to his films. Relatively unknown at this point, Angelina Jolie definitely had the makings of a star. Granted since this film she’s had some weaker roles in films like Tomb Radier, but she still manages to do what she can with a film. I found it interesting how Washington, who was a bigger star at this time, spends the entire film kind of on the sidelines with Jolie doing a majority of the acting. I wonder if Director Philip Noyce realized early on that Jolie was going to be a big star eventually. Did he want to showcase something he already knew? Enough on this though.
Posted in: Disc Reviews by Archive Authors on August 31st, 2006
Johnny Depp continues to work hard in both good films and bad. While I didn’t care for this outing, I’m not sure I would call it a bad film… just one that didn’t connect with any of my tastes. Fans of Mr. 21 Jump Street will delight in yet another strong performance. He has the skill and talent to be remembered as one of the true greats. His performance in The Libertine does nothing to diminish that. But at the same time, there’s something dreadfully boring about films like these. Something not even Depp’s un...istakable craft can overcome.
Who the hell told writers and actors that films about them are so enthralling people will want to see them play the same characters in the same situations over and over again? It seems artsy folk are much more fascinated with themselves than John Q. Public, or any other moviegoer, could, or should, be. The weaknesses of The Libertine aspire to present them selves as the film’s strengths, and I, for one, am not buying. The plot is the same eccentricity finding redemption “on his own terms” theme that plays out in a lot of these films. Nothing much to say except that Depp plays an eccentric playwright, who insults King Charles II (John Malkovich) with a bawdy play that humiliates him in front of a group of French aristocrats. The stunt gets the playwright exiled, a punishment which seems more befitting than death to such a man, as he can no longer connect with his audience. Boredom ensues. The end.
Posted in: Disc Reviews by Archive Authors on August 29th, 2006
Director Tony Scott’s thriller Spy Game pairs up Robert Redford and Brad Pitt for a second time – Redford previously directed Pitt in A River Runs Through It. Redford plays Nathan Muir, a man who is a on the brink of retirement from the CIA. As he is cleaning out his office, Muir is told that fellow CIA Agent Tom Bishop (Pitt) has broken into a Chinese prison simply to rescue the woman he loves. Doesn’t sound too bad, does it? It turns out that the CIA thinks that the Chinese are going to try to extra...t as much information from Bishop as possible (read information as secrets). Muir has to scramble and see if he can get Bishop out in less than 24 hours before Bishop is scheduled for execution.
Tony Scott, the director of Crimson Tide and Enemy at the State, is just as skillful here as he has been in his past efforts. While the ideas presented in Spy Game are nothing groundbreaking, Scott adds another level of credibility to the film with his interesting twist of direction. Released theatrically in 2001 following a number of box-office disasters (such as Pearl Harbor), Scott’s stylistic thriller was a welcome addition to the November frame. Both lead actors, Redford (who always seem to be on his ‘A’ game no matter what film he stars in) and Pitt (overly-publicized but a great actor despite the hatred some have for him), deliver fine performances.
Posted in: Disc Reviews by Archive Authors on August 25th, 2006
Synopsis
Marilyn Monroe was THE blonde bombshell. Jayne Mansfield was the cartoon version of Monroe, bombshell become sex bomb, with proportions so improbable she could give Barbie an inferiority complex. Her cartoon figure makes it appropriate that two of the movies here are directed by a specialist in cartoons: Frank Tashlin. In fact, this set might almost be more appropriately called the Frank Tashlin Collection.
![Seabiscuit [HD DVD] dvd cover art](https://upcomingdiscs.com/ecs_covers/seabiscuit-hd-dvd-large.jpg)
![Spy Game [HD DVD] dvd cover art](https://upcomingdiscs.com/ecs_covers/spy-game-hd-dvd-large.jpg)
