Posted in: Disc Reviews by Gino Sassani on October 25th, 2006
Wasn’t it just yesterday that The Fast and the Furious raced across our theatre and soon after took the checkered flag on DVD in our own living rooms? I guess not, because Fast and the Furious: Tokyo Drift is upon us, and it’s the third and least imaginative of the franchise. Unfortunately, none of the previous films’ characters return for this third outing. I don’t count the clever little cameo that serves as the film’s coda. Gone are also the cool American muscle cars that gave the franchise its edge. The souped ...p autos this time around don’t stand out beyond the bright paint jobs. Lucas Black is quite one dimensional as a teen who has been busted one too many times street racing. He’s forced to move to Japan where his father is stationed, where he pretty much takes up where he left off. This time around the film concentrates its energy on a driving style apparently popularized in Tokyo called drifting. Hence the name. Drifting is the ability to make sharp turns by basically sliding sideways. Boy, that can’t be easy on the tires.The trouble is, the maneuver is pretty boring to watch. It might better please the figure skating crowd, but not the hard core NOS driven racing nuts that seek out these films. The only character worth caring about is Twinkie (Bow Wow), the fish out of water ghetto kid on the streets of Tokyo. The love interest this time around is a gangster girlfriend, Neela (Kelley) but she shows about as much emotion as the cars. And it’s the cars where this thing quickly runs out of gas.
Video
Posted in: Disc Reviews by Archive Authors on October 25th, 2006
It’s been a decade since Brian De Palma’s Mission: Impossible hit theatres to box office success, established a new blockbuster franchise and added ‘action hero’ to Tom Cruise’s résumé. In 2000, John Woo’s highly stylized follow-up raised the franchise to new box office heights. This year, the long-awaited third installment arrived amidst controversy about Tom Cruise’s crazy off-screen antics.
M:i:III’s U.S. box office take suffered from the public backlash to its headliner’s whacky rants and questionable actions. Too bad about Tom Cruise being a kook, because J. J. Abrams’ top-notch action flick deserved better. I saw this one on the big screen, and I recall moments when I actually gripped the arm rests and held my breath. If that’s not the mark of a great summer blockbuster, I don’t know what is.
Posted in: Disc Reviews by Archive Authors on October 24th, 2006
When the idea came to remake Willy Wonka and the Chocolate Factory, many wondered why would this need to be done? What in the world could be accomplished that Willy hadn’t previously done? Naturally that never stops Hollywood from making a film now does it? Thankfully, Warner Brothers decided to hire a feasible director in the visionary Tim Burton to helm this remake. Having made such previous visual masterpieces including The Nightmare Before Christmas, audiences knew they were in for quite the ...reat when the film would come out. However, when the film came out, I kept on hearing that the film was very odd and almost too scary. Johnny Deep’s portrayal of Wonka was odd and confusing to audience. Still, this didn’t stop the film from making some extreme bank at the box office. Having never seen the film, I figured I’d give it a shot on the newly released HD-DVD version.
While the original Wonka focused on a more cheerful story, this version tells of a story 15 years before where Wonka, one day, simply closed his factory, laying off all of his employees in the process. One of the employees happened to be Grandpa Joe (David Kelly), grandpa to Charlie (Freddie Highmore). Grandpa revives old memories and let’s us know that Wonka was a delightful man who simply loved his business and all his workers provided everything he could for them. Charlie asks his grandpa how could chocolate still be being made if all the workers went home? That is one of the mysteries of the factory, a place Grandpa Joe wishes he could see one more time. Well, as many of you know, this is the part of the film where Wonka’s Oompa-Loompa’s go out into the night posting signs about a contest Wonka is holding. He has placed five golden tickets inside five of his chocolate bars. The five lucky souls he can obtain these tickets will win a tour of the factory lead by Wonka himself with one of the five winning a special prize. As we all know, Charlie does obtain the last ticket, but not without some suspense (particularly the candy bar sequence his parents get him for his birthday).
Posted in: Disc Reviews by Archive Authors on October 24th, 2006
When the idea came to remake Willy Wonka and the Chocolate Factory, many wondered why would this need to be done? What in the world could be accomplished that Willy hadn’t previously done? Naturally that never stops Hollywood from making a film now does it? Thankfully, Warner Brothers decided to hire a feasible director in the visionary Tim Burton to helm this remake. Having made such previous visual masterpieces including The Nightmare Before Christmas, audiences knew they were in for quite the ...reat when the film would come out. However, when the film came out, I kept on hearing that the film was very odd and almost too scary. Johnny Deep’s portrayal of Wonka was odd and confusing to audience. Still, this didn’t stop the film from making some extreme bank at the box office. Having never seen the film, I figured I’d give it a shot on the newly released HD-DVD version.
While the original Wonka focused on a more cheerful story, this version tells of a story 15 years before where Wonka, one day, simply closed his factory, laying off all of his employees in the process. One of the employees happened to be Grandpa Joe (David Kelly), grandpa to Charlie (Freddie Highmore). Grandpa revives old memories and let’s us know that Wonka was a delightful man who simply loved his business and all his workers provided everything he could for them. Charlie asks his grandpa how could chocolate still be being made if all the workers went home? That is one of the mysteries of the factory, a place Grandpa Joe wishes he could see one more time. Well, as many of you know, this is the part of the film where Wonka’s Oompa-Loompa’s go out into the night posting signs about a contest Wonka is holding. He has placed five golden tickets inside five of his chocolate bars. The five lucky souls he can obtain these tickets will win a tour of the factory lead by Wonka himself with one of the five winning a special prize. As we all know, Charlie does obtain the last ticket, but not without some suspense (particularly the candy bar sequence his parents get him for his birthday).
Posted in: Disc Reviews by Gino Sassani on October 20th, 2006
This could have been a pretty good film. I just don’t know. The advance material and the jacket suggest this is a “gripping thriller” with timely themes of terrorism and war. As soon as the film opens, it becomes immediately obvious that something entirely different is at work here. A news report suggests that a tyrant is showing his compassion and generosity when he commutes the sentence of a prisoner about to go to the guillotine. What does he commute the sentence to? Death by hanging. What a guy. I think my mood...was determined at that point. With the evident conflict, I begin to wonder just what the intent really was. Is this a satire? Do they really think this is “gripping” stuff? It’s hard to believe that the satirical nature of this script could be accidental. The entire film presents us with awkwardly comedic elements mixed with rather brutal images of death and torture. So what the heck is this film after all?
The film opens with an explanation that this undisclosed nation has been ruled by a brutal tyrant for many years. Upon the man’s suspicious death, his inept son, affectionately called Jr., takes over. The trouble is Jr. is worse than his father and is far more concerned with making bad action films than actually running the country. Campaign ads remark that you should “re-elect President for life and Things Will Be OK”. An underground revolutionary leader has been in prison for over ten years. He uses the time to write quaint words of wisdom on the walls of his cell in excrement while enticing his guard to his political beliefs. What follows is an expected coup followed by yet another brutal dictatorship. As the soldier wisely remarks, “Before the revelation it was man exploiting man; after the revelation it has reversed”. It is in this second act that the film attempts to jettison its comedic style and be the serious effort it claimed to be. More brutal images assault us at every turn, but by now it’s too late..
Posted in: Disc Reviews by Archive Authors on October 18th, 2006
Synopsis
Michael Caine plays Nicholas Urfe, a self-centred, cynical Englishman who arrives on the Greek island of Phraxos to take a teaching post. He meets Maurice Conchis (Anthony Quinn), a mysterious individual who ensnares Urfe in a complex, psychologically violent mind game, where Urfe is increasingly unable to distinguish truth from lies, reality from illusion.
Posted in: Disc Reviews by Archive Authors on October 18th, 2006
Japanese horror films are all the rage these days, with the originals hitting DVD in the States, and the remakes showing up in the theaters. Therefore, it stands to reason that even Criterion would get in on the trend, offering up a film from famed director Nobuo Nakagawa, widely regarded as the father of the Japanese horror film.
Jigoku is both strange and fascinating. The film tells the story of two friends that are involved in a hot-and-run accident. While one of the young men is cool, calm and collected, the other is wracked with guilt over their actions. While the family of the murdered man begins to close in on the guilty parties, strange things begin to happen to the man with a conscience.
Posted in: Disc Reviews by Archive Authors on October 15th, 2006
After numerous horrible, horrible Batman films (Batman and Robin and Batman Returns are my least favorite), the Batman film’s have finally returned to a place where someone can be proud to have seen and proud to own to this film. Director Christopher Nolan (probably mostly known for Memento) was chosen to helm this latest Batman film while actor Christian Bale (American Psycho, The Machinist) was chosen to portay Mr. Bruce Wayne.
The film mostly follows how ...ruce became Batman. As the film begins we learn how Bruce’s parents were killed, what happened to Bruce to cause his initial fear of bats and how he trained to become Batman. After the death of his parents, something Bruce blames himself for, Bruce continues his life never really feeling like himself. During his early twenties, Bruce decided to head overseas where he gets caught up in a kind of theft ring, which results in his arrest. Turns out that he was stealing from his own company. Once in jail, Bruce decides to stand up to a few guards basically eliminating them quickly. He’s thrown into a cell where he meets Henri Ducard (Schindler’s List’s Liam Neeson). It’s here that Bruce learns the art of stealth and fighting. This gains the eventual attention of a man named Ra’s Al Ghul (The Last Samurai’s Ken Watanabe in a short, but fabulous performance). Bruce eventually returns home and becomes Batman.
Posted in: Disc Reviews by Gino Sassani on October 11th, 2006
The third entry into the X-Men franchise turned out quite a bit better than I expected. Early script turmoils were only overshadowed by cast problems. It seemed the bottom fell out when Bryan Singer decided to take on The Man of Steel instead of X3. Enter Brett Ratner, best known for the Rush Hour films. Give the man credit for overcoming a ton of problems to deliver a pretty good thrill ride film. Ratner adapted quickly to the f/x driven world of X-Men and managed to fashion a rather compelling tale. The idea of a...“cure” for mutancy is likely the best plot element in the franchise. Ratner was smart enough to not tinker much with the formula already established by Singer. The problem is, he played it entirely too safe. The story has the potential for a hell of an emotional tale which it never quite delivers. Don’t get me wrong. I enjoyed the film a lot, and I have nothing against these amusement rides, but I couldn’t shake the feeling that this film wanted to be something more than it was. In the greatest traditions of shows like Star Trek, there was a powerful message to be mined here. Instead, it sat there more like a clever plot device, which it certainly was. Ratner did a fine job of dealing with so many characters all wanting their own moments to shine. Hugh Jackman still steals the show as Wolverine, but this time Berry’s Storm and particularly Famke Janssen have meaty roles, if not too much dialogue. The real cast surprise has to be Kelsey Grammer. Who could have guessed that barfly Frasier would make such a fine Beast? Patrick Stewart’s death scene was visually stunning but a bit of a letdown. (Stay tuned after the credits for more on this situation.) The Golden Gate Bridge sequence is a very impressive display. Finally, I expected to see more humor coming from Ratner. The fact is, I guess I expected that there would be too much humor. Perhaps he tried too hard not to create X3:Rush Hour.
For the most part this will be the last X-Men film for at least a little while. A Wolverine project will most certainly be the next related film. There is talk of a young Magneto film. I wouldn’t expect to see Berry return to the franchise, as she was not exceptionally happy with her role. When the X-Men do return, I would expect to see more time spent on different mutants. The three films do work well together as a satisfying trilogy. Any future films will likely take a fresh approach to the franchise.
Posted in: Disc Reviews by Archive Authors on October 10th, 2006
Synopsis
In the soulless wasteland of the San Fernando Valley, feeling-her-oats teen Evan Rachel Wood meets cowboy (or something) Edward Norton at a filling station. Despite the creepy age difference, friendship becomes romance, but Wood’s father (David Morse) is understandably less than keen about the relationship. He orders an end to it. Neither of the lovers is happy with that, and the situation is all the more explosive since Norton is far from being right in the head.
![Charlie & the Chocolate Factory [HD DVD] dvd cover art](https://upcomingdiscs.com/ecs_covers/charlie-the-chocolate-factory-hd-dvd-large.jpg)
![Batman Begins [HD DVD] dvd cover art](https://upcomingdiscs.com/ecs_covers/batman-begins-hd-dvd-large.jpg)
