Posted in: Disc Reviews by Archive Authors on January 27th, 2006
When news of a sequel to 1998’s The Mask of Zorro was first announced, I was very excited as I really enjoyed The Mask of Zorro. The film had an interesting story and great acting from Banderas and Hopkins. But as I learned more and more about the sequel, I became extremely worried as neither of the two screenwriters (Ted Elliot or Terry Rossio) were returning. Also, we would be introduced to their cute little child (and EVERYONE knows how much adding little children to sequels can do for a film’s likea...ility). Could The Legend of Zorro take all these usual negatives and make a positive sequel? Unfortunately, the answer is no.
The first big problem with this film is the character of Elena (Catherine Zeta-Jones). Elena, in the first film, was delight. She was funny and Zeta Jones’ performance was a joy. In this film, possibly because Zeta-Jones has blown up since then, it seems like the screenwriters don’t have anything better for Elena to do than nag her husband. This scenario results in Elena becoming the type of wife that says “NO!---YOU still need Zorro!” to her husband. To sum up her role in the film, she wants Zorro to stop ‘Zorroing’ because he is neglecting their only son. She threatens to leave Zorro if he puts the mask back on again. Naturally, Zorro promises not to.
Posted in: Disc Reviews by Archive Authors on January 21st, 2006
Having originally seen Underworld on HBO one summer night, I recall myself finding the film fairly dull and vapid. When I heard of a director’s cut coming out, I thought back to my original viewing of the film Daredevil, which was made that much better via more explanation of plot and the characters. Maybe this could occur for this film. Unfortunately, Underworld is not that much better this time around.
Underworld stars Kate Beckinsale as Death Dealer Selene. We learn, at the be...inning of the film, that there is a ancient blood feud that is occurring between vampies and Lycans (creatures we call werewolves). Unlike the typical werewolves we are use to seeing on screen, these Lycans can change form at will. Cue in the Death Dealers who try to kill off all of these Lycans. Why so much animosity toward the Lycans you may ask? Well, according to Selene, the Lycans are planning something big and this may be in correspondence to the ‘Awakening’. A vampire named Kraven (Shane Brolly) is in charge until the ‘Awakening’. Naturally Kraven doesn’t get along with Selene.
Posted in: Disc Reviews by Archive Authors on January 20th, 2006
Al Pacino is one of those actors who always seems to find himself in those type of roles that bring out the absolute best in him. In his last four films (Insomina, People I Know, Angels in America, and The Merchant of Venice) Pacino has brought the needed tension and power to his performances. Add 2005’s Two For The Money to that ever-growing list of excellent performances.
Pacino plays Walter who runs a sports betting hotline. Matthew McConaughey plays Brandon, the Vega... oddsmakers Walter brings to New York. Walter befriends Brandon and makes him a star by showing him how to act with an unleveled amount of confidence and exuberance. Rene Russo plays Toni, Walter’s wife.
Posted in: Disc Reviews by Archive Authors on January 18th, 2006
Synopsis
Toni Collette and Cameron Diaz are sisters. Collette is the older, sensible one, who has made a career as a lawyer. Diaz is the hard-drinking, terminally selfish party girl. After a series of disasters, which culminate in Diaz sleeping with Collette’s beau, the sisters have a seemingly irreversible falling out. Collette’s life is in ruins, but the pieces are gradually picked up by a co-worker who has loved for from afar for years. Diaz, meanwhile, discovers that she has a grandmother she nev...r knew about (Shirley MacLaine), and heads off to the Florida retirement community. She starts off as a sponge, but gradually begins to mature as a human being.
Posted in: Disc Reviews by Archive Authors on January 17th, 2006
Jodie Foster stars in this film as a propulsion engineer named Kyle Pratt who decides to take her six year old daughter Julia on a transatlantic flight aboard a brand new jumbo jet (which she helped design). Aboard the plane, her daughter goes missing. Naturally she has no clue what is going on as the captain (Sean Bean), nor the sky marshal (Peter Sarsgaard) are of any assistance. Foster calmly looks around the plane for her daughter wondering what has happened to her. We learn more and more facts about the daughte... as the movie progresses, some of which will definitely surprise you. That is what makes this film so overly effective. How it takes a fairly common plot but adds more flare and spark to the plot by having certain areas jump out at us.
Flightplan is being compared to Foster 2002 film Panic Room due to the similar concepts (Woman and a daughter are in peril). However, the problem Foster faces in Flightplan is far more inquisitive and far more interesting. Did her daughter suddenly disappear or was she kidnapping? How could all of this occur on a airplane with tons of passengers? Foster is a usual form in this film. She comes off a resourceful and extremely brave woman. As the plot progresses forward, Foster’s response continues to change as do her overall tactics. She tends to scream out, as would any of us in a similar situation. The director, who I will get to later, seems to know how an audience’s mind work as he constantly has Foster’s character think ahead of what she will do, almost anticipating the next development of the film.
Posted in: Disc Reviews by Archive Authors on January 14th, 2006
Synopsis
The unfortunate part for me is that movies like this, and before that, Sling Blade, were only in arthouse theaters that are in downtown Washington, DC, and I really have a problem with driving 25-30 miles to pay $10 for 2 hours of joy, and possibly that same amount of time spent in traffic trying to get in and out of DC. If you want to call it laziness, I'll admit to that also, but I think my first excuse holds a lot more weight. It's gotten better lately, but there's still some work to be d...ne. Several years ago, there was a muted, but powerful push for a G-Rated film directed by David Lynch (yes, of Blue Velvet and Twin Peaks fame) to receive Oscar nominations, and the film defined the "has universal critical support but no one saw it" catchphrase. When this was available to rent, I did so, and found myself feeling good and happy, something a David Lynch film isn't supposed to do I thought. David Lynch films make you say, "What the hell did I just see?"
Posted in: Disc Reviews by Archive Authors on January 9th, 2006
I think that the studio knew they had a problem with Godsend before it was released in theaters. Sometimes a film can look like a great idea on paper, but the final product is just a mess. The thing is, after the studio has invested millions in a bad property, they have to try to recoup the money somehow. In the case of Godsend, the strategy was to put a well made trailer for the property on every Lions Gate DVD product for months and months. In this way, the studio hoped to build up enough word-of-mouth through minimal promotion to have a big opening weekend; big enough to make back some of the film's budget before the word got out about how bad the thing was.
The plot sounds great. A married couple (Greg Kinnear and Rebecca Romijn-Stamos) have a wonderful son, but he is tragically killed when he is eight years old. Enter Robert De Niro as a doctor who has had a miracle breakthrough in the field of cloning. After some convincing, the three parties enter into an agreement to clone the couples deceased son. The boy is a perfect duplicate of the original until he reaches the age of eight, at which the original child died. That's when the crazy comes out.
Posted in: Disc Reviews by Archive Authors on January 8th, 2006
It seems that every action movie that is being released out of Hollywood nowadays always has to feature out of this world stunts that no real human could ever do. Now this is not necessarily bad if the action is done in correspondence to the film in a skillful manner. When the original Transporter was released onto DVD, it quickly gained a reputation through many action fans that caused the film’s sales to skyrocket. The sales skyrocketed so high that Twentieth Century Fox quickly greenlit the sequel to a film...they had no interest in making a sequel to after the rather poor theatrical performance.
Quickly recapping the first film for those of you have not seen it. The Transporter starred actor Jason Statham (Cellular) as Frank Martin a.k.a The Transporter, a man who would transport anything at a price. He had three rules if you wanted to hire him. 1. Never change the deal. 2. No Names. 3. Never look in the package. Martin is hired to deliver a large duffel bag. The bag tends to complain and squirm. The bag contains a Chinese woman named Lai. Martin cuts a hole in the tape over her mouth, thus violating his third rule of never looking in the bag. What occurs next is a movie that tends to have too much action at some point that it brings the film to a near dead standstill.
Posted in: Disc Reviews by Archive Authors on January 7th, 2006
Synopsis
I think the only thing I remember about Ronin initially was that Robert DeNiro (Heat) was involved in some scandal involving a French "house of ill-repute" or something along those lines. But when Ronin was released, people quickly forgot about that mess, as what came from it was an action film that put a little more effort into the characters than other action films. But that’s not to say the action scenes were neglected; the car chase scenes that negotiate through winding French cou...try roads, and through city sidestreets so narrow you couldn’t open either car door to get out of the car, are some of the most nail biting in recent memory. Based on J.D. Zeik’s story and rewritten by Richard Weisz, a.k.a. David Mamet, Ronin’s introduction is a title card about a Japanese samurai without a master, who are mission-less assassins. As a US operative named Sam, DeNiro is introduced almost immediately to the group, who include Frenchman Vincent (Jean Reno, Leon), the Russian, Gregor (Stellan Skarsgard, Dogville) and the Brit, Spence (Sean Bean, Lord of the Rings). Their liaison between their employer and them is the Irish lass Deirdre (Natascha McElhone, Solaris), and their object is a briefcase whose contents are mysterious.
Posted in: Disc Reviews by Archive Authors on January 7th, 2006
The Bad Sleep Well reminded me a lot of The Godfather. Both films begin with a large wedding, where the story behind the wedding is more fascinating than the event itself. Both films are also about corruption, what it means to be loyal, and what happens if you do favors for the wrong people. The Bad Sleep Well is particularly meaningful to our modern society, as instead of the subject of the film being gangsters, the focus is on the new heavies on the block... corrupt corporate heads. In the wake of the scandals at Tyco, Worldcom, Enron and others, this 1963 film carries new weight for American audiences.
Kurosowa was famous for his samurai films, and this modern film still carries some of those same themes. The Lords have moved from the countryside to the boardroom, but the pressure to perform and protect the organization at all costs remains. Those warriors in the support roles are compelled to defend the actions of the corporation even with their own lives, if it comes to that. This film is part film noir, part corporate drama, and yes, part samurai film.
