Posted in: Disc Reviews by Archive Authors on December 11th, 2005
Stargate is something of a cult phenomenon among sci-fi buffs. It is so popular, in fact, that it produced not one, but three spin-off TV shows. It is amazing that the big business of the Stargate franchise started with a quirky little film. Now there are some big fans of this movie that will surely have strong words of disagreement for me, but this is really not a very good film. The premise alone is enough to make most moviegoers roll their eyes. An Egyptian historian cracks an ancient code on a strange artifact, and discovers a method by which to travel to the other side of the universe. Accompanied by token military-types, the whole crew jets off to a strange and distant land, where they find an alien slave camp run by an Egyptian god and... oh, what's the point. This is all really just the stuff of a 16-year-old geek writing stories in his parents' basement. The real story here is that, for some completely unexplainable reason, the movie actually kind-of works in an odd action adventure sort of way. If viewers can suspend belief and go into this with low expectations, you might find an exciting flick to fill an afternoon.
For those that wish the story in this action thrill ride made more sense, this disc includes the extended cut of the film, though unfortunately this cut extends the film by only five additional minutes. Still, with a film like this one, every little bit helps.
Posted in: Disc Reviews by Archive Authors on December 8th, 2005
Sometime during the 1990’s, big-budget blockbusters stopped getting by on special effects alone. Even though Independence Day, Godzilla, and Armageddon showed us that ground-breaking special effects don’t translate into quality films, Hollywood kept making them -- and people kept spending their hard-earned money to see them.
Stealth is the newest movie in that mold. Heavy on great visuals and special effects, it fails to deliver any character development, emotion or common sense, result...ng in a lop-sided film. Had Stealth been released 10 years ago, it may have been considered ground-breaking and its shortcomings may have been overlooked. Today it feels old, even though most of the visual technology used in the movie is new, which may explain why it was considered a massive flop in theaters.
Posted in: Disc Reviews by Archive Authors on December 7th, 2005
Scientist Reed Richards (Ioan Gruffudd) wants to study the effects of cosmic rays, but he needs a lot of money to do. After searching for the money practically everywhere, he turns to his old college rival Victor Von Doom (Julian McMahon). Naturally we need to have some type of love triangle going on. Enter Sue Storm (Jessica Alba) and the equation is complete.
Victor needs to make money off of this because he doesn’t seem to have enough despite being a billionaire. He agrees to finance the project only if ...ue goes along with the team. Another part is that Sue’s brother Johnny (Chris Evans) must command the shuttle. The original pilot Ben Grimm (Michael Chiklis) is very annoyed by this. The mission hits a side-note when a blast of cosmic ray hits the shuttle affecting our heroes. Reed can stretch his body to the extreme, Johnny can ignite himself, Sue can make herself invisible and Ben develops super-human rock type strength. Victor, especially with a name like Von Doom, develops some type of metallic power and becomes our main villain. The film attempts to deal with the changes our heroes go through and their attempts to stop Doom.
Posted in: Disc Reviews by Archive Authors on December 7th, 2005
Written by Clayton Self
Batman Begins is a brand new and WAY cooler take on the Dark Knight franchise than anything we’ve seen before. Most importantly, this is NOT a prequel to any of the previous four Batman films. This is a fresh start for the franchise, and it gets done the way it should have been done in the first place. Don’t get me wrong, Burton made two very dark and original films, but let’s face it; Batman Returns sent children bawling out of the theatre, and left parents with a sour taste in their mouth. That mo...ie is the reason Batman Forever and Batman & Robin were so, how do I say this without being mean? Campy. Tragically campy. Needless to say, those films drove the nail through the coffin for that particular story line. But thanks to Christopher Nolan (Memento/Insomnia) we have a new Batman film that puts the dark knight on the silver screen in a very dominating way.
Posted in: Disc Reviews by Archive Authors on December 7th, 2005
Cinderella Man tells the heartwarming true story of heavyweight fighter James J. Braddock, a man thought to be washed-up, who rises from the ranks of the forgotten to rebuild the life and potential he lost somewhere along the way. It's also one of Ron Howard's finest films, and with a body of work which includes Backdraft, A Beautiful Mind, Apollo 13, Far and Away, and Ransom, this is a fine accomplishment. Unfortunately, this film's success never rose to the level anyone ant...cipated, and there's nothing worse than when a well-crafted piece such as this falls victim to bad press -- especially when said bad press has almost nothing to do with the film. Firstly, Cinderella Man suffered from the now famous idiotic outburst of its star Russell Crowe. Secondly, there was the debacle over Howard's portrayal of Max Baer, and how that portrayal affected and offended Baer's still-living son (the former Jethro Bodine of TV's Beverly Hillbillies, and successful film producer). Finally -- and perhaps most important of all -- was the lackluster marketing campaign, which made the film look so dull even I was ready to wait for the video. These three factors added together to cause the film an almost embarrassing performance for all there was to recommend it (two Oscar winners in the starring roles, an Oscar winner behind the camera, another Oscar contender in a supporting role -- Paul Giamatti -- and perhaps one of the most inspirational tales in American history).
At one time, James Braddock was a contender. He had the world on a string, a woman who loved him, and several adoring children. But somewhere along the way -- an injury here, a few decision losses there -- his career and his world took a nosedive. After injuring his hand and coasting through a boring fight, he loses his boxing license, and consequently, his meal ticket. At one point, the sky was the limit. But now, left to a dark and desperate world, he struggles to keep the heat on during a brutally encroaching New York winter. He's forced to send his children away just to save their lives from the harsh weather. And at his lowest point, he succumbs to the very thing he stands against -- welfare. After finding himself all but forced to sign up for social assistance, he becomes determined to turn it all around. All he needs is the opportunity, which comes in a supposedly one-time shot against a top heavyweight contender. No one expects Braddock to win, but when he does, it sets in motion a chain of events, which position him into a very real chance for a shot at the deadly world heavyweight champion Max Baer, who was responsible for the deaths of more than one man in his storied career. Whether Braddock becomes one of those victims, I will leave for the uninitiated to discover. But the enjoyment of Cinderella Man depends not on winning or losing, but on the inspiration of Braddock's overwhelming comeback. He rose from the proverbial canvas at the same time as a nation did, and it's not entirely implausible that he lended a hand -- however small -- in getting this country back on its feet.
Posted in: Disc Reviews by Archive Authors on November 28th, 2005
Baseball, basketball, football... boat racing. While it’s not one of the premiere sports in America, the people of Madison, Indiana sure loved boat racing during the summer of 1971. As the town of Madison was dealing with layoffs and closures, the people looked to Jim McCormick (Jim Caviezel) and their boat, the Miss Madison, to be their saving grace.
Although it’s framed as a coming of age story, seen through the eyes of McCormick’s son, Mike (Jake Lloyd), Madison is a sports film through and throu...h. While it doesn’t come close to reaching the level of greatness that true story sports films like Eight Men Out, Hoosiers, and Rudy reached - Madison does occasionally score a moment or two of success, especially during the final race scene. Plus, the actors are professional, for the most part, and Bindley doesn’t get too fancy with the racing scenes.
Posted in: Disc Reviews by Archive Authors on November 28th, 2005
Synopsis
The film begins with the gunfight at the OK corral, making this something of a sequel to director John Sturges’ earlier film that ended with that famous battle. Here we see the aftermath, as the vengeful Ike Clanton (Robert Ryan, doing the Robert Ryan Villain thing) arranges for the shooting of the brothers of Wyatt Earp (James Garner). When legal means of redress prove fruitless, Earp progressively becomes more and more of a vigilante in his quest for vengeance, just as his best friend and ...oted gunslinger Doc Holliday (Jason Robards) becomes more concerned with the law.
Posted in: Disc Reviews by Archive Authors on November 24th, 2005
John and Jane Smith are a seemingly happy couple. They live a pretty normal but almost mundane existence of shared meals, kissed farewells and chats about the color of their curtains. They even go to therapy together, purportedly to iron out their differences. It turns out, however, that they have a lot more in common than they both realize. You see, they both have secret lives—they are both assassins. We're not talking some street-punks you might hire in a bar, or leather coat wearing mafia hit-men, they are the bes... at their game. Armed to the teeth with the latest military equipment, they swoop into high risk situations, execute their targets with professionalism and glide out using gadgets that would make Bond jealous. Of course they don't know what each other truly do for a living, lying and pretending on a daily basis and always staying one step ahead of being caught until one day they meet on an operation and suddenly—understandably—everything changes. Cue lots of matrimonial gunplay, fisticuffs and general banter as the fight their way to a stalemate before deciding what they are going to do from then on. Needless to say the respective agencies that employ them are none too happy about the situation that they are in and require each one to kill the other. Will they be able to survive and—more importantly—save their marriage?
Mr. and Mrs. Smith is a romantic comedy action vehicle which weighs heavily on the final element to keep audiences gripped. Many of movies over the years have adopted a similarly strange mix to lighten an otherwise potentially serious subject and make the proceedings more appealing for a wider audience, but with debatable results. The trouble is, if you go for a Last Action Hero-style near-spoof, you risk losing all sense of dramatic tension and potentially all interest that the audiences might have in the film.
Posted in: Disc Reviews by Archive Authors on November 24th, 2005
John and Jane Smith are a seemingly happy couple. They live a pretty normal but almost mundane existence of shared meals, kissed farewells and chats about the color of their curtains. They even go to therapy together, purportedly to iron out their differences. It turns out, however, that they have a lot more in common than they both realize. You see, they both have secret lives—they are both assassins. We're not talking some street-punks you might hire in a bar, or leather coat wearing mafia hit-men, they are the bes... at their game. Armed to the teeth with the latest military equipment, they swoop into high risk situations, execute their targets with professionalism and glide out using gadgets that would make Bond jealous. Of course they don't know what each other truly do for a living, lying and pretending on a daily basis and always staying one step ahead of being caught until one day they meet on an operation and suddenly—understandably—everything changes. Cue lots of matrimonial gunplay, fisticuffs and general banter as the fight their way to a stalemate before deciding what they are going to do from then on. Needless to say the respective agencies that employ them are none too happy about the situation that they are in and require each one to kill the other. Will they be able to survive and—more importantly—save their marriage?
Mr. and Mrs. Smith is a romantic comedy action vehicle which weighs heavily on the final element to keep audiences gripped. Many of movies over the years have adopted a similarly strange mix to lighten an otherwise potentially serious subject and make the proceedings more appealing for a wider audience, but with debatable results. The trouble is, if you go for a Last Action Hero-style near-spoof, you risk losing all sense of dramatic tension and potentially all interest that the audiences might have in the film.
Posted in: Disc Reviews by Archive Authors on November 23rd, 2005
Written by Clayton Self
Alien vs. Predator had mixed reviews upon its initial release in theatres. Fox studios demanded a PG-13 rating (to gain a wider audience) and two weeks before the release, cuts were made to reduce the amount of human blood onscreen, and a few moments of character moments. This new, un-rated edition restores some of those cut scenes, adding just over 8 minutes of previously unseen footage.
