2.40:1 Widescreen (16:9)

One of the best signs that a film is a disaster is when the movie's own star can't seem to stop telling the world just how terrible it really is. Mickey Rourke at first had nice things to say about the film and particularly Megan Fox, calling her the best young actress he knew. Later he backtracked and qualified the statement about Fox. But his rantings about the film Passion Play have not been softened at all. He calls the film "Terrible" and a "Train wreck" while trying to assure us that he still loves director Mitch Glazer. We'd ask Mickey himself to write the review for the film here at Upcomingdiscs, but we tend to try and remain family friendly,

"What I do requires a certain mindset. I do assignments, designated targets. Some jobs need to look like accidents. Others must cast suspicion on someone else. A select few need to send a clear message. Pulling a trigger is easy. The best jobs are the ones nobody even knows you were there."

Arthur Bishop (Stratham) is an accomplished mechanic. But you don't want to bring your Toyota to him, unless you intend to use the car to get rid of a pesky spouse.

Imagine that ‘40s tough-guy detective Philip Marlowe tangled with a billionaire mad scientist, along with the usual quota of thugs, strippers and sarcastic cops. Now suppose that writer Erik Jendresen and director Tony Krantz decided – perhaps over a meal of magic mushrooms and moonshine – to hire a fancy-pants cinematographer, rewrite author Raymond Chandler, and offer up what they obviously hoped would make them film-noir Fellinis for the new century.

I've long held the belief that the folks at Pixar are really just children who have refused to grow up. That doesn't mean that they don't have to deal with the realities that adulthood thrust upon each of us. I'm sure they have families and are responsible citizens and parents. They consistently make movies, that while there is certainly appeal for children, are obviously intended for adults, adults like them, who have decided to never grow up. If you ever required proof of that concept, The Incredibles should prove the point quite nicely.

"We all know the story. Virginal girl, pure and sweet, trapped in the body of a swan. She desires freedom, but only true love can break the spell. Her wish is nearly granted in the form of a prince, but before he can declare his love, her lustful twin, the Black Swan, tricks and seduces him. Devastated, the White Swan leaps off a cliff, killing herself, and in death finds freedom."

Darren Aronofsky made a huge name for himself with The Wrestler.

"And it came to pass in these days that a decree went out from Caesar Augustus that all the world should be taxed. And all went to be taxed, everyone into his own city. So it was that Joseph, a carpenter, went up from Galilee unto Bethlehem to be taxed with his wife, Mary who was with Holy Child."

Every spring around the time of Easter you could count on several annual films to make their way to televisions across the country for special family presentations. For Easter you had The Greatest Story Ever Told and King Of Kings.

A newspaper article infuriates the White House, which retaliates with all its political might to discredit the story, crush its author and cover up its own internal corruption. Sound familiar, like maybe All the President’s Men? If that’s among your favorite docudramas, then make room on the shelf for Fair Game, a real-life paranoid trip that unfolds across continents but finds its emotional center in a quiet suburban home.

All eyes are on Angelina Jolie; okay, so that's not much of a surprise, is it? But, I'm talking about the opening scenes of Jolie's partnership with Johnny Depp in the remake of the French spy thriller Anthony Zimmer, retitled for the American audience, The Tourist. Her character Elise is attracting a lot of attention from men hidden away in vans with surveillance equipment trained on her every move and from every angle. No, it's not the paparazzi this time. Elise is being followed because the intelligence community believes she will lead them to their real target, an elusive master criminal named Alex.

The home video release of Hereafter, like its Asian box office release, is the victim of bad timing. The movie has been pulled from theaters in Japan since the tragic events that have struck that country in recent weeks. It's unfortunate that the movie opens with one of the most realistic depictions of a tsunami that I've ever seen. The ultra-realism will be an emotional pang for anyone who shares the sadness of the current disaster. The film has suddenly been criticized for its graphic portrayal, but that kind of statement bears the mark of the worse kind of insincerity

Underwater tremors open up a cave that has been sealed off from the rest of Lake Victoria for millions of years, unleashing a ravenous school of giant piranha. Making short work of a cameoing Richard Dreyfuss (in his Matt Hooper clothes), the fish descend on a resort town in the middle of Spring Break celebrations and so, naturally, the financially-minded authorities Won't Close The Beaches.