2.40:1 Widescreen (16:9)

"I'm not a bad guy. I just made bad choices. I have a plan." 

Derek Cianfrance doesn't have a lot of movies in the director's chair, but his 2012 The Place Beyond The Pines was a pretty solid film. Since then he's been pretty quiet, and he's finally surfaced once again with the rather off-kilter "based on a true story" crime comic drama Roofman. He's brought Channing Tatum, Kirsten Dunst, and Peter Dinklage along for the ride. It's been something of a sleeper, coming with little advanced buzz and flying under the radar. It was a pretty good hit at the box office, and now Paramount has released the film on UHD-Blu-ray in 4K.

In 2004 when Team America: World Police was released, Trey Parker and Matt Stone were already well established in the film industry as the guys who created South Park. They had even dipped their toes into doing live action films like Orgazmo and BASEketball, but what the industry knew them for was their animated series South Park that began back in 1997 and is still going strong on Comedy Central. The duo isn’t afraid to take chances, whether it’s insulting celebrities  (after all, part of their charm is being equal opportunity offenders) or creating their musical for the stage, The Book of Mormon, so was it a big surprise they’d want to do an action adventure film entirely with puppets? The film is very much a parody of the action films of the 90’s and early 00’s that were produced by Jerry Bruckheimer. In case you are unfamiliar with his name, he produced the mega hits like Top Gun, The Rock, Con-Air, and Pearl Harbor. But what this film was also tapping into was the over-the-top patriotic attitudes that the media projected. I mean, everything needed to be patriotic in a post 9-11 world. Not that there is anything wrong with patriotism, but with the amount of people that were cashing in on it, looking back, well, you can see where it wouldn’t be too hard to parody the country. Then you throw in how many believed our country was getting involved in global issues we had no business being in; well, it’s no surprise where the title “World Police” came from. This film showed that Parker and Stone were not afraid to take some major political swings, but at the same time they wanted people to be able to laugh at the absurdity of it all, because that’s just who they are.  Needless to say, if you are easily offended, this movie is not for you.

Team America is a group of elite fighters who have their secret base hidden within Mount Rushmore, like something you’d see out of some old James Bond film. Spottswoode (voiced by Daran Norris) leads the group and hands out the missions like a hybrid of Mr. Phelps from Mission Impossible and Bosley from Charlie’s Angels. In the opening scene we meet the team, the all-American former quarterback, Joe (voiced by Trey Parker), the martial arts expert, Chris (voiced by Matt Stone), the psychologist, Lisa (voiced by Kristen Miller), the psychic/empath, Sarah (voiced by Masasa Moyo), and then there’s Carson (also voiced by Parker); they’ve come to Paris to stop a terrorist attack … by stopping this really means shoot and kill everyone and destroy the city in the process (you know, like we’re used to seeing superheroes do in every battle they have). In the process, Carson is killed, which leaves an opening on the team.

"The thing that haunts me are all the guys that I couldn't save."

I have to admit I was a little skeptical that Clint Eastwood followed up his directing stint on Jersey Boys as quickly as he did to shoot American Sniper. The former was far from one of his better efforts, and he looked increasingly out of his element by the time it was said and done. He jumped into his preparation for American Sniper almost immediately, and the results could have been ... underwhelming. Instead Eastwood hit his target with the kind of profound impact I don't think I've seen from him since Unforgiven. Unforgiven won a Best Picture award, and deservedly so. American Sniper was nominated, although Eastwood himself was snubbed in the director category. It didn't win, of course, but this is one that most certainly deserves your attention.

By JC.

Cinematically speaking, the name Eli Roth has been synonymous with murder and mayhem. The director is best known for his work in the horror genre, bursting on the scene with 2002’s Cabin Fever and upping the ante with Hostel and Hostel: Part II a few years later. So it was a bit surprising to hear he’d be taking on a remake of Death Wish — the iconic 1974 Charles Bronson revenge flick — until I started thinking about the bloody possibilities. If the Hostel films gained notoriety as prime examples of “torture porn”, then it seems like Roth has graduated to “revenge porn” with this slick and (intentionally) silly re-imagining.

I am not usually into serious zombie movies or television series. I am not a particular fan of The Walking Dead or The Night of the Living Dead.  I do allow exceptions for, say, the Resident Evil series, or perhaps something funny like Shaun of the Dead.  So the first time I saw Paranorman probably about half a dozen years ago, I wasn't expecting much.  Thankfully I did not let my biases creep in, and to be honest, quite enjoyed myself.  So I was very excited when I saw the 4K slide across my desk.  Let's dive in.

This is a feature presentation.  We join a horror movie already in progress.  There are monsters, lost of squishy stuff, and some bloodcurdling screams.  Then the zombie goes munch munch on the brain matter of the blonde heroine.  Rumor was that it was far from satisfying.

"You think we just work at a comic book store for our folks? This is just a cover. We're dedicated to a higher purpose. We're fighters for truth, justice, and the American way."

In the 1980's The Two Corey's became somewhat of a Hollywood fad and worked well to bring the teens out to the movies. They did eight films together, and it all started with The Lost Boys. The guys' paths had crossed several times, with both being up for some of the same parts. But it wasn't until this film that they actually met, became friends, and started a trend. Unfortunately, times would not go well for either Corey. The life would take its toll, and Corey Haim died at a too-young 38 in 2010. Corey Feldman would not do much better. His own experience with sexual abuse in the industry bought him a hard time getting roles for a while, as the industry wasn't too happy that he was opening up these Hollywood closets. He turned it into a cause and has worked to help others in that same situation. He was literally a decade or so ahead of his time. Today these accusations are taken much more seriously, and he's been more than vindicated over the years. But it all began with The Lost Boys, a film that made vampires more fun and kid-friendly. Now Warner Brothers has brought it out in UHD Blu-ray in full glory 4K.

Most people want to do the right thing.  It's usually far easier in your private life to do the right thing than it is, say, in a job environment where you have people constantly breathing down your neck.  They are far more interested in the company's pocketbook or their image to society than what is right and wrong.  Therefore, it often leads to a lot of decisions (especially those in places of power) that from a surface appear questionable.  It's even worse when that company or organization is in the public eye every moment of the day.  Today, we look at a film where an ex-cop has retreated to the mountains in search of a simpler life away from the grey choices of the police force.  All based on trying to do the right thing.  Let's take a look.

Charlie Waldo (played by Charlie Hunnam) stretches in the woods and sits in silence meditating on his life.  Meanwhile we get some ecological narration about the future state of the planet and how awful the United States is at preserving it.  (Trust me, kids, China is much, much worse.)  After a brief morning, Charlie goes right back to meditating.  He also washes his clothes the old fashioned way.  All of the sudden he is greeted by a beeping horn of a car.

Besides the fact that it stars Leonardo DiCaprio and that it’s essentially a white collar gloss on Goodfellas, you’d be forgiven for thinking somebody other than Martin Scorsese directed The Wolf of Wall Street. I don’t mean to suggest Scorsese has lost his masterful touch or his passion for filmmaking, both of which were on display as recently as two years ago in the wonderful Hugo. It’s more that after spending the better part of the 21st century making strong, serious dramas, I didn’t necessarily expect Scorsese to make his funniest, loosest and most audacious picture in decades.

“I want you to deal with your problems by becoming rich.”

"My name is Lt. Aldo Raine, and I'm putting together a special team, and I need me eight soldiers. Eight Jewish-American soldiers. Now, y'all might've heard rumors about the armada happening soon. Well, we'll be leaving a little earlier. We're gonna be dropped into France, dressed as civilians. And once we're in enemy territory, as a bushwhackin' guerrilla army, we're gonna be doin' one thing and one thing only ... killin' Nazis. We will be cruel to the German, and through our cruelty they will know who we are. And they will find the evidence of our cruelty in the disemboweled, dismembered, and disfigured bodies of their brothers we leave behind us. And the German won't be able to help themselves but to imagine the cruelty their brothers endured at our hands, and our boot heels, and the edge of our knives. And the Germans will be sickened by us, and the German will talk about us, and the German will fear us. And when the German closes their eyes at night and they're tortured by their subconscious for the evil they have done, it will be with thoughts of us they are tortured with. Sound good?"

All right, so I’m a bit late to the party on this one, but I wanted to toss in my two bits anyway.

So it’s back to the one that started them all with this review. Coming hot on the heels of a film set to reboot the franchise comes the re-release of the first live-action film adaptation of the popular Hasbro property starring Channing Tatum, Marlon Wayans, Rachel Nichols, and Dennis Quaid. I remember loving the film back when it initial debuted, but now seeing it through the scope of age and wisdom, I can recognize that the film was only decent in comparison to the rave review I’d probably would have given it years earlier. That is not to designed to be a dig, because there are aspects of the film that I still to this day truly enjoyed, but it is very clear that story development was second to the action, as I watched again. Not to mention, not much was done in the way of character backstory and development, especially if you are someone with no familiarity with these characters prior to the watching of this film. The franchise appears to be addressing that now with the recent origin story release of one of the franchises’ most popular characters, but rectifying that now does nothing for this adaptation.

As I stated earlier, the film is not a complete lost cause, because there are aspects of the film that really shone, particularly Marlon Wayans’ performance. Now when I initially heard about his inclusion, I was a skeptic, because I knew him only as the over-the-top member of the Wayans family, but now I know him as Ripcord, the G.I. Joe team’s HALO (High Altitude Low  Opening) Jumper. A natural comedian, Wayans brings that element to his performance, giving balance to Tatum’s more serious performance. In the film, Ripcord is Duke’s (Tatum) best friend and partner. True Wayans is the film’s comic relief, but he also brings in the romance element of the film with his constant and shameless pursuit of Rachel Nichols’ Scarlett. This too brings some comic relief, but there is also some genuine chemistry between Nichols and Wayans, which I feel really improved the overall quality of the film. In fact of the two romantic angles portrayed in the film, I must say that this was my favorite.