Posted in: Disc Reviews by Archive Authors on May 14th, 2007
Released earlier this year to a successful box office run, Ghost Rider is yet another Marvel character making his way to the big screen. There’s something about these comic movies that have everyone all psyched these days, all of them performing admirably in the theatre and selling just as well upon DVD release. For me, there are only a couple of these Marvel films that I actually think were well done and in good contrast compared to their comic book counterparts. In fact I’m probably the only person on this c...ntinent to despise the Spiderman movies. So I wait in anticipation, is another Marvel franchise about to be ruined, or can director Mark Steven Johnson pull off a good one.
A Ghost Rider is a bounty hunter for Mephisto (Satan) (Peter Fonda), and for as long as time can tell, the devil has had a Ghost Rider. In the days of the Old West, a Ghost Rider was too retrieve the souls of an entire town, but the souls proving to be too powerful to be in the hands of Mephisto, the Ghost Rider outran the devil and hid the contracts. 150 Years later Mephisto is back and he wants the contracts. Fooling a young Johnny Blaze into trading his soul for his father being cured of cancer and then later having him killed anyways, he is doomed to one day face the curse of the Ghost Rider.
Posted in: Disc Reviews by Archive Authors on May 11th, 2007
Synopsis
I love the brothers named Warner. If it were up to me, I would settle down and marry them, and keep my marriage to my wife. Warner does more to proactively suit the needs of the DVD fan than any other studio out there. And by putting out a version of The Road Warrior with some extras to trump the crappy barebones release, I'm putting the offer of marriage out there now for the world (and the wife) to see.
Posted in: Disc Reviews by Archive Authors on May 8th, 2007
In the past, I have not enjoyed this types of movie. Save the Last Dance, You Got Served, Step Up and even Drumline are all comparable to Stomp the Yard. So it goes without saying that this isn’t one of my more anticipated movies of the year. But I’m throwing all pre-conceived notions out the window, and am hoping that Stomp the Yard will take a turn away from the clichéd norm.
I don’t even know how I would classify this movie – romance, drama, musical? Regardless o... its genre, it has all those aspects included. Personally I would call this movie a comedy, not because it was funny, but because it was a joke. I’ll try not to be too harsh about this, but this movie was extremely melodramatic. I can’t believe how repetitive movies are getting these days; I’ve seen this formula been done to death. The overcoming of tragedy, just to be thrown into the face of adversity once again, only to be uplifted again leaving the whole audience inspired. This movie was bad, ridiculous even. The one thing I respected and even enjoyed about the movie was a few of the dance sequences, which were extremely complicated and impressive. In fact the only reason why I give this movie any marks at all is because of this choreography, which was entertaining to watch.
Posted in: Disc Reviews by Archive Authors on May 5th, 2007
Catch and Release is appropriately dubbed as a chick flick. Written by Susannah Grant, who also makes her directorial debut, is responsible for the screenwriting of some rather dismal movies in the past, including Ever After, Erin Brockovich, and 28 Days. Although I hint at a dislike for romantic comedies, I'll have you know that in the past I have enjoyed several, and am going into this completely unbiased.
The movie starts off on a sad note, Grey (Jennifer Garner) a grieving a...most widow mourns the death of her fiancé Grady. Originally they were to be married on that day, but due to an accident on a fishing trip, Grady was killed. Dealing with the loss in her own way, Grey sits in a bathtub where she can be alone with her thoughts. Before long, Grady's friend Fritz (Timothy Olyphant) bursts in and seduces a waitress. Waiting until the woman leaves, Grey reveals herself and tells Fritz she never understood why Grady was his friend.
Posted in: Disc Reviews by Archive Authors on May 5th, 2007
Grace (Sophia Bush) and Jim (Zachary Knighton) are your average college students. They love each other and with the arrival of Spring Break, they want nothing more than to spend a week down in Mexico with their friends. Leaving their campus, everything is progressing smoothly until they nearly run over a man who simply wants a ride to the nearest motel. They speed off thinking they obviously shouldn’t pick up any stranger, especially in the pouring rain. Once they arrive at the nearest gas station, they’re shocked to...find out that the same man they didn’t pick up has just arrived at the gas station after receiving a ride. Now comes the fun part. The man asks Jim for a ride and, for some reason, Jim can’t refuse. Enter your midnight psycho who calls himself John Ryder (Sean Bean) who decides to torture these folks and you have yourself a decent remake of the 1986 classic.
As I just mentioned, this film is a remake of the 1986 film of the same name by Rutger Hauer. This film was clever and downright horrifying. You had the similar psycho killer who simply wanted to play a few mind games with our two lead characters. But where the 1986 film had a few twists and actual real horror that felt, well, real, this 2007 remake lacks everything that made the original so good.
Posted in: Disc Reviews by Archive Authors on April 5th, 2007
This winner of the Oscar for best animated feature of 2006 is one fantastic movie.
Happy Feet is the story of Mumble, a teenager who - thanks to his daddy dropping him early on in life - is mildly physically challenged. You see, Mumble can't sing like other Americans - he can only dance. As a result, he has never fit in with his people. When he accidentally crosses the border into Mexico, his disability and greater height over the small, energetic Mexicans earn him a sort of respect. With his newfoun... friends, the teen heads back to the U.S. to trick the girl he loves into believing he's no longer challenged, Cyrano De Bergerac-style. While she admits she'd be happy if it were true, she quickly exposes his lie. Fortunately, Mumble owns up to it and goes back to being himself, with gusto.
Posted in: Disc Reviews by Archive Authors on April 3rd, 2007
Edward Wilson (Matt Damon) believes in all that America stands for and will do whatever he must to protect what his country stands for. As one of the founder members of the CIA in 1939, Wilson is also one of the most trusted members of this group of secrecy. When the idea that a mole may be working within the CIA is found, Wilson is told to find out which member is the mole. The path Wilson must take to discover this mole will lead him to question not only the CIA as a group, but also his personal life.
The biggest enjoyment out of this film is that it demands that you pay attention to every little detail present on the screen. As Wilson struggles to balance his personal life with his life of secrecy inside the C.I.A., we experience a story about a man who tries to uncover the ultimate secrecy inside a group of secrets. De Niro, having only directed The Bronx Tale before this, shows that his craft in the directing chair has improved (no one really needs to question his acting talents though). Most of the characters he presents (with the exception of his role, Baldwin�s role and some of the more minor roles) felt in place, adding to the tenseness of the story as it unfolded before our eyes.
Posted in: Disc Reviews by Archive Authors on March 2nd, 2007
Posted in Disc Reviews by Joshua Noyes
Two guys who were used to drinking beer for fun suddenly become fierce competitors in the “Beer Drinking Olympics” in Germany. Todd Wolfhouse (Erik Stolhanske) and his brother Jan (Paul Soter) are from a German-American family but have never visited the Old Country until their grandfather dies and they fly to Germany to scatter his ashes. Todd and Jan arrive during the annual Oktoberfest celebration and accidentally discover a secret competition, "Beerfest," in which the world's leading beer guzzlers determine who ca... handle the most brew during several days of heated drinking games. Todd and Jan are no lightweights when it comes to downing brew and offer to compete, but the German branch of the family, the Von Wolfhausens, hesitate at their desire to enter the contest and inform them no mere Americans stand a chance winning the Beerfest honors. Determined to prove Americans can drink beer with the best of them, Todd and Jan bring their drinking buddies to Germany to defend America;s honor and prove to their German relatives that they too can drink as well as anybody.
Posted in: Disc Reviews by Archive Authors on February 27th, 2007
The return of the historical epic hit Hollywood hard in 2005/2006. Troy, Kingdom of Heaven, King Arthur and the two Colin Farrell vehicles, The New World and Alexander, all hit theaters pretty close to each other... and all flopped. The basic complaint was the same about all these films; they were too long, the pace was too slow and they were hard to follow. As much as these huge pictures cost, the studios quickly looked to the DVD cash cow to try to recoup some of the production co...ts. The first to hit was King Arthur, which was released in the theatrical PG-13 format (full screen only), and the director's preferred extended unrated cut (presented in widescreen). Antione Fuqua's fighting with the studio over the final cut of the film was widely known, so it was nice to get to see the director's original, more violent, vision. Audiences were pleased too, as this new cut was widely regarded as superior to the original.
A very similar thing happened with Ridley Scott's Kingdom of Heaven. The theatrical release was regarded as average, as it was on DVD. When Scott re-cut the film and released it as a four-disc special edition, however, consumers and critics went wild, declaring this new extended cut far superior to the original theatrical version. In fact, this new vision was named the DVD of the year last year by many critics. Scott has since said that this new cut represented more of his original vision for the story, but that the studio feared that it was far too long for theater audiences. (Remember, these are the same audiences who had complained that the film was too long to begin with, proving that filmmakers' would be best served creating their films on their own terms, without the input of the general public.)
Posted in: Disc Reviews by Archive Authors on February 10th, 2007
The Departed, a basic remake of the Hong Kong film Internal Affairs, tells the story of Boston mob boss Frank Costello (Jack Nicholson) and his ruling ways of the streets. An early scene in the film shows Costello recruiting a young boy inside a convenience store (where he naturally picks up his commission promising to keep his men out of the neighborhood). The film soon flashes forward to a semi-present day where we meet a man named Colin Sullivan (Matt Damon). Turns out that this is the child Frank recruited in the previous scene. Luckily for Costello, Sullivan has just joined the prestigious Massachusetts State Police. His ultimate role is to make sure the cops never get to Costello. Now we know why the Department thinks Costello is so "clever" and can "always anticipate their every move".
We soon meet another character named Billy Costigan (Leonardo Dicaprio), a man who wants nothing more than to be a cop. Costigan is interviewed by two detectives named Dignam (Mark Whalberg) and Oliver Queenan (Martin Sheen) who ultimately decide that Costigan has to go undercover as a mole joining the ranks of Costello's mob group. Costigan's ultimate goal is to find out which man Costello has working as a mole in the State Police. The rest of the film follows convincing sequence after sequence as each group tries to undercover each other's mole all while trying to keep their act up.
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