Posted in: Disc Reviews by Archive Authors on April 3rd, 2008
Will Smith finds himself in a bit of a career quandary if you ask me. Sure, one of the good sides to being as as he is is that he’s quite the popular guy that nobody wants to see get killed. But the popularity has seemed to stymie him a little bit. When he does dramatic work, it’s clear that the push is for him to win an Oscar, like in Ali and The Pursuit of Happyness. So when people look past that intent, even when he might want to do dramatic work, he’s forced to take on slightly darker roles in action films, which I guess serves as his happy medium of branching out while still pleasing the people. I Am Legend is another one of those examples, very similar to another Smith sci-fi film named I, Robot.
I Am Legend is based on the Richard Matheson novel and is loosely inspired by Charlton Heston’s 1971 film The Omega Man. This version is adapted by Akiva Goldsman, who won a Screenplay Oscar for A Beautiful Mind, and directed by Francis Lawrence, whose first feature effort was the supernatural comic book film Constantine. But in case you don’t know much about the film or really had a concern to go see the Smith film, he plays Robert Neville, an Army virologist. Robert was responding to an effort of a virus that ironically was supposed to be a cure for cancer. But instead of ridding the body of cancer, it became a bug that infected humans, turning them into psychopathic, ultraviolent zombies, out to kill any members of the living. Neville continues to work on a cure for the virus, even after it has decimated the world’s population.
Posted in: Disc Reviews by Archive Authors on March 24th, 2008
A decade or so ago, Andrew Niccol’s Gattaca came to a theatre near you. It received a fair amount of critical acclaim, including a few award nods for production design and music, but wasn’t much of a commercial success. Beats me why not, because the film is right up there with the best in the science fiction genre, at least in my book.
Now on a Special Edition DVD from Sony Pictures, Gattaca has another shot at the mass popularity it deserves. But does the special disc treatment add anything to improve its chances?
Posted in: Disc Reviews by Archive Authors on March 19th, 2008
It seems like foodies are everywhere these days. Maybe Emeril is to blame, maybe it's Paula Dean, maybe it's the Food Network as a whole.I have even been sucked in my Anthony Bourdain myself (whose show is ironically also named No Reservations). Wherever there is a trend, there is guaranteed to be a romantic comedy to follow. Enter Aaron Eckhart and Catherine Zeta-Jones. Eckhart has been doing some fantastic work lately, from his work in Thank You for Smoking to lesser known films such as Conversations With Other Women, he is quickly becoming one of the best actors on the scene today.
I have no problems with romantic comedies whatsoever. The problem is that the vast majority of them are just the same film over and over again. A girl who is a cute mess is pursued by a surprisingly understanding man who loves her just the way she is, and the whole thing is wrapped up with some dialog that thinks it is much more clever than it actually is. In this case, the girl is a chef, and the man is her new sous chef. Sure, the not-so-clever is here just as you would expect, but in this film, the serious dialog is no good either. The film is filled with poor imitations of life in a kitchen, not to mention some amazingly bad acting. It is obvious that everybody here phoned it in, which leads me to ask the question of why anybody signed on to do this film at all. In doing some background research, I discovered that Catherine Zeta-Jones worked for exactly one day as a waitress in preparation for her role... as a chef. Believe me, it shows, in the way that an actor who spent one day playing guitar would be completely unconvincing as a musician.
Posted in: Disc Reviews by Archive Authors on March 13th, 2008
I am a sucker for a good biopic. Walk the Line, Ray, Man on the Moon, Cinderella Man… all these films and many more like them feature prominently in my DVD collection. With this release, I am now excited to be able to add this fine film to my collection. Brad Pitt’s James is not the one of fables and adventure books, but one grounded in reality. While charismatic criminals are frequently glorified in these types of films, it is often times hard to remember that in real life these are often times people with severe social problems. The result is a film that is more open and honest than the vast majority of the biopics that have come along in the past decade.
While Brad Pitt is perfectly adequate as Jesse James, this is really Casey Affleck’s movie. I am not naive enough to think that a major Hollywood star is not required to sell a big-budget summer movie, and Brad Pitt is about as big of a box office draw as there is. Once the audience is in the seat, however, there better be a good film to back it up. That’s where Affleck comes in. This is a simply groundbreaking performance that is very worthy of the Academy Award nomination it garnered. Affleck plays the troubled criminal with an amazing honesty that never insults or disrespects the character. It’s simply inspired stuff.
Posted in: Disc Reviews by David Annandale on February 15th, 2008
Barrows, Alaska, is just settling down for a month-long winter’s night. Many of the residents leave for the dark period, but those who remain encounter a series of strange crimes (all the cell phones in town being stolen and melted, for instance). It turns out that the incidents are the work of a man preparing the way for an invasion of vampires. After all, what better hunting ground than a town with no day? Josh Hartnett leads a dwindling band who hunker down and struggle against overwhelming odds.
Faithfully transcribing Steve Niles’ graphic novel to the screen, this is an enormous breath of fresh air in a horror market dominated by poor remakes of Asian films and tired franchises. The opening shots are breathtaking in their beauty, simultaneously (and appropriately) echo Nosferatu and John Carpenter’s version of The Thing. Those are the films that are the spiritual forefathers of this one, which melds the atmospheric chill of the latter with the thoroughly horrible vampires of the former. There is nothing glamorous about these vampires. They are completely vicious, ghastly creations, and are thus the first truly frightening vampires to grace theatrical screens in many and many a year. But as unappealing as its monsters are, the film is nonetheless filled with images of beauty as breathtaking as it is terrible. An overhead shot of the town under siege is a perfect example, and demonstrates a real commitment to the art of horror on the part of the filmmakers. If the sense of hopelesness and dread can’t fully be sustained for the length of the film, this is nonetheless one of the most effective and gorgeously crafted horror films in recent memory.
Posted in: Disc Reviews by Archive Authors on December 31st, 2007
In the recent days and weeks since the Lindsay Lohan film I Know Who Killed Me arrived on video, she’s discussed the details behind a car accident in which she may or may not have been under the influence of alcohol. It only seems fitting, since this film is a carwreck of substantial proportions, and we probably have to ask whether or not Michael and Dina’s daughter was on something when she agreed to make the movie.
Written by Jeff Hammond in his first feature film screenplay (big shocker there) and directed by Chris Sivertson (The Lost), Lohan appears as Aubrey Fleming, who is abducted and tortured by a mysterious criminal mind. The next thing Lohan knows, she wakes up in a hospital, without any memory of what’s happened to her except for some telling physical signs, and has no memory of this person named Aubrey. In her mind, she’s Dakota, an exotic dancer and proverbial grown up girl. In Aubrey’s absence, Dakota frequently bumps heads with her parents Daniel (Neal McDonough, Minority Report) and Susan (Julia Ormond, Legends of the Fall) and with boys at school.
Posted in: Disc Reviews by Gino Sassani on December 21st, 2007
The defendant is charged with impersonating a classic movie, Felony murder of 81 minutes of human life, grand larceny (after review of the film’s sales figures this charge has been reduced to petty larceny), and aggravated assault to my intelligence. The court will show that director Victor Garcia did willfully and with malice and forethought create a sequel to an inferior remake of a classic motion picture. The evidence will clearly show that the film lacks any tangible resemblance to the original film and therefore has fraudulently engaged in a plot to lure the original film’s fans to the video store with false promises of quality and entertainment. The evidence will also show that writer William Massa did in fact commit these horrid lines to script, and in collaboration with others masquerading as actors, did inflict harm on this reviewer and several innocent bystanders. These defendants conspired to take money from unsuspecting DVD renters under the guise of entertainment. I present the following:
Posted in: Disc Reviews by David Annandale on December 18th, 2007
TV reporter Jason Behr is the reincarnation of warrior from 500 years ago, charged with protecting a woman (Amanda Brooks, also a reincarnation) whose destiny is to sacrifice herself so that a mystical giant serpent (an Imoogi) can become a dragon. Unfortunately, an evil Imoogi named Buraki wants the power for itself, and summons a giant reptilian army that lays waste to LA in the search for Brooks.
The most elaborate South Korean project ever isn’t a patch on the far superior The Host, but is still a very entertaining monster mash. Though shot in English with an American cast (including Robert Foster as a kind of Obi Wan Kenobi), the hilariously nonsensical dialogue sounds very translated indeed. The plot has very little flow to it, what with our star-crossed lovers fleeing Buraki in one scene, but taking time out for a meeting in a coffee shop in the next. Then there’s the fact that the gigantic Buraki seems to be able to arrive in large urban areas without anyone noticing his 200-metre presence. One can also chuckle at the flashbacks within flashbacks that set up the back story. But a great deal can be forgiven thanks to the copious monster footage. This is a film that delivers on its promises, and once the rampage starts, the action is non-stop. The CGI nature of the beasts may be pretty obvious, but the creatures are also very detailed. As a strange cross-cultural mix of period fantasy and urban monster rampage, this is pretty infectious fun.
Posted in: Disc Reviews by Archive Authors on November 6th, 2007
Stephen King must be solely responsible for an acre of deforestation a year in legal pads and typewriter pages alone. I have heard it said that he writes at least ten pages a day, including holidays. A quick check of IMDB shows that he is credited for writing 106 television or movie stories, at least in part, since "Carrie" in 1976. While no writer - as I well know - can hit a home run every time they put pen to paper, King's "good to crap" ratio is far superior to that of the majority of the novelists working today.
Posted in: Disc Reviews by Archive Authors on October 13th, 2007
"Spidey's back, and better than ever." Good thing, too, because in this third installment in the highly successful comic book-to-film franchise, Spider-Man faces off against a trio of villains: Sandman, the new Goblin and, of course, Venom. Each is a handful on his own. Together, they're Spidey's toughest challenge yet. But he's up to it, so long as he can first overcome his own internal conflict.
Spider-Man 3 hits store shelves October 30, on DVD in both a single-disc widescreen edition and a two-disc special edition, and on a two-disc Blu-ray release. I got my hands on the single disc and put it through its paces. Does the bare-bones DVD hold its own? Read on to find out.
![No Reservations (Combo HD DVD and Standard DVD) [HD DVD] dvd cover art](https://upcomingdiscs.com/ecs_covers/no-reservations-combo-hd-dvd-and-s-large.jpg)
