Posted in: Disc Reviews by Michael Durr on May 5th, 2011
The movie to introduce Thor to the motion picture audience is set to open this Friday. Captain America isn’t too far behind that and opens up in July. Most movie goers have also seen one or both of the Iron Man and Hulk films. But all of those characters will soon be assembled into a mighty team called the Avengers. But before that mammoth movie, first we have to get the kiddies involved with a new cartoon series. Enter Avengers: Earth’s Mightiest Heroes.
Iron Man has a problem. The name of this problem: Hydra. Hydra has apparently obtained the much desired Stark technology and is using it against the world including Iron Man and SHIELD (ran by Nick Fury). Before we know it, Tony Stark will come face to face with the Dreadnaughts and Nick Fury will have to take on the Grim Reaper. If Grim Reaper is allowed to take out Nick Fury, then he would be able to free Baron Strucker from the Vault.
Posted in: Disc Reviews by Gino Sassani on May 3rd, 2011
"In the beginning there was darkness. And then bang, giving birth to an endless expanding existence of time, space, and matter. Now, see further than we've ever imagined. Beyond the limits of our existence. In a place we call The Universe."
The History series lasted for five seasons. The show used modern space photography, computer-generated images, and demonstrations along with respected scientists to explore the various aspects of our universe. While more time is spent in our own back yard exploring our solar system, the series did take us to the outer reaches of space, going back about 13 billion years. That's as far as we're able to see. The show was narrated by Erik Thompson. Of course, there is plenty of narration by the scientists.
Posted in: Disc Reviews by Gino Sassani on May 3rd, 2011
Ever since the second National Treasure film came out, there has been speculation that there might really be a Book Of Secrets that is passed down from president to president, perhaps since Washington himself. It is true that each president does traditionally leave a sealed note to his predecessor on the desk in the Oval Office. Still, there is no documentation that a special book exists, but then again there hardly would be, would there?
If you are expecting this special to talk about the existence of such a book, you are in for a disappointment. In fact, the title is quite misleading and obviously intended to take advantage of the film buzz. Instead, this special talks about the kinds of things that might/would be in such a book, if it existed. The show really talks about the office of the presidency and some of the traditions and precautions that are taken for the holder of the office. There's a lot of talk about the security details made for the office. You get a look at the "football", which is the briefcase that follows the president everywhere he goes. It contains emergency protocols and the launch codes for our nuclear arsenal. The episode explores secret societies like the Masons and Skull & Bones which have produced a large number of presidents as well as other powerful positions.
Posted in: Disc Reviews by Michael Durr on May 1st, 2011
Sometimes you walk into a movie simply knowing that you are about to watch a train wreck. I am not talking about Unstoppable or Under Siege 2 (though the latter was arguably a train wreck in its own right) either. It is the kind of movie where you hope there is enough action and some mindless t&a to get you through the ninety minutes. Then maybe at the end of it all, one can forget about it and move on. Let us move on to the dinner course this evening, Blood Out.
It is just another day in Anytown, USA (this movie was filmed in Baton Rouge, Louisiana but you would never know it). Drugs are all over the streets and the sides break down between those who deal the dope and those who try to deal the justice. On a bust, Sergeant Michael Savion (played by Luke Goss) chases after a drug dealer and lays him out with two bullets to the back. But unfortunately before he falls dead, the thug shoots a little girl beside him, killing her instantly. Michael blames himself as he goes back to the station.
Posted in: Disc Reviews by Gino Sassani on April 30th, 2011
When you want to get the most bang for your buck in a low-budget 1980's slasher film, you could do a lot worse than The Dorm That Dripped Blood. It's an elusive film that has never really enjoyed much of any kind of wide release even in the video market. It was really nothing more than a student film put together as a thesis for UCLA students Stephen Carpenter and Jeffrey Obrow. Like most student films, the piece utilizes locations on the UCLA campus and makes use of local talent both in front of the camera and behind. But this movie doesn't look like any student film you've ever seen before. With almost no budget, the team managed to make a film that was remarkably professional in the way it looked. The cinematography showed style that usually takes years or decades to develop. There's none of the usual amateur mistakes, and you'd be hard pressed to find it not worthy of the rest of the films coming out of that genre and that time. The film went through various name changes and has been seen in many forms over the years. You might know it as The Prank or Death Dorm. Whatever you might call it, I call it one of the best slasher films that you probably never heard of.
The story is simple. There are no complicated set-ups. There's no convoluted back story or supernatural urban legend to kick things off. Don't worry about getting to know the characters very well. It doesn't matter. They're merely killer fodder, and we'll get to know them about as well as we need.
Posted in: Disc Reviews by William O'Donnell on April 29th, 2011
Craig, played by Keor Gilchrist, is facing a lot of stress in his sixteenth year on this planet and he becomes convinced that he wants to kill himself and checks himself into a psych ward. During his mandatory 5 day trial stay he undergoes a less-than common journey of self-discovery with the aid of his fellow patients.
What could have easily been a very contrived teen comedy turns out to be a refreshing coming-of-age tale that does not need to pander to the audience with an over-abundance of lowbrow humour and/or romance drama. Mind you, it is not that this film is lacking in either of those departments completely as we do get a couple naughty jokes snuck in, and our protagonist does find himself in a “girl trouble” dilemma that motivated his self-institutionalizing. Thankfully the focus continuously draws back to Craig and his attempts to heal, making him the ever present nucleus of the film for interesting character subplots to float around him.
Posted in: Disc Reviews by Michael Durr on April 27th, 2011
Hi there, true believers. Take a walk with me today as we go inside the world of super humans. Humans that have powers far beyond average homo-sapiens. Can you control electricity or perhaps possess the strength of several men? Whether you answer yes or whether your eyes go ablaze in wonderment, you might just be interested in Stan Lee’s Superhumans. Season one awaits, let us proceed.
Stan Lee besides being a personal hero of mine is the creator of Marvel Comics. He has created such amazing heroes as Spider-Man, the Fantastic Four, and the Incredible Hulk. But Stan doesn’t think that these super-heroes exist only in the pages of a comic book or on a movie screen. He knows that there are living human beings out there in the world today that possess super natural powers.
Posted in: Disc Reviews by Archive Authors on April 27th, 2011
In 1954 several canisters of film were found in a German archive, simply entitled “Das Ghetto”. Inside were reels of film shot in the Warsaw ghetto in 1942, mere months before the zone was shut down and the people sent off to death camps. For years this footage was considered an important historical document, as its raw footage chronicled day-to-day life in the ghetto and was unlike any footage existing at that time.
Some forty-five years later, however, another reel was found that shed new light on the veracity of the original footage.This new reel contained what appeared to be outtakes from the other reels and clearly showed that much of the original footage had been carefully staged.
Posted in: Disc Reviews by Gino Sassani on April 27th, 2011
I’ve been a fan of South Park ever since a friend introduced me to the internet Christmas card that started it all. It was Santa versus Jesus and these short potty-mouthed kids that somehow wormed their way under your skin. Pretty soon I was downloading the episodes and watching them on my computer. For some reason I can’t quite explain, I’ve very rarely watched an episode on Comedy Central. By the time things were getting tighter and riskier downloading the shorts, the single disc, 4-episode DVDs began to arrive in stores. So my South Park viewing moved from the PC to the DVD player. In a short time season sets began to arrive, and I looked forward to them with much anticipation, still watching it infrequently on television. After all, who needs the commercials and those silly network bugs that distract you on the screen? The series itself evolved in that time. The show was once achieved through a stop-motion process using construction paper cutouts. The animation was crude. After the Christmas card, the characters were significantly redesigned. They had a very evil look on that short. The first couple of episodes brought us an evolution toward the characters we know and love today. After a while the animation went to a computer process. The look remained the same, but gone were the paper cuts and stop-motion photography. As the show progressed there were less and less bleeps. It’s not that the language got any tamer. Standards got a little looser. Finally the bleeps would disappear from at least the DVD releases. And now South Park has crossed another milestone. Welcome to Blu-ray and high definition, South Park.
I often have trouble believing that South Park has been around for as long as it has. It’s not just the passing of 14 years, but the sheer brilliance in the face of an increasingly politically correct society. It’s like watching old episodes of All In The Family. Who believes that Archie Bunker would have any chance of survival in the 21st century? It’s no wonder that Norman Lear has become involved in the series. It’s the last remaining vestige of a once great freedom to be ridiculous and offend. Eric Cartman’s a lot worse than Archie ever was. We always knew that, in his heart, Archie had a soul. Cartman’s a psychopath without a conscience, and in a civilized society we would be terrified of the existence of such a demon spawn…except he’s just so dang funny. Trey Parker and Matt Stone have been walking a tightrope for over 13 years now, and it just doesn’t get old. One of the reasons the show doesn’t grow stale is their ability to make such a quick turnaround on current events. Because the show takes literally days to write and produce, they are quite often always the first to address an issue. They had an election-night episode on literally the next day in last season. That means the ideas stay as fresh as the headlines. Finally, you have to credit the expanding universe of good characters. The core group of Cartman, Stan, Kyle, and Kenny were great for a lot of years. But, watching this 14th season you have to admire how much Butters has infused himself into that core. We also have such great semi-regulars as Timmy, Jimmy, and Token. These characters allow the stories to expand in ways the core group could not. I’ve honestly come to think of Butters as one of the core now.
Posted in: Disc Reviews by Gino Sassani on April 25th, 2011
Every year when the Academy Awards have been given out, I look over the winners in each category, and more often than not I scratch my head at the ultimate winners. I find myself wondering if they saw the same movie I saw. I start to ponder if there might be an alternate-universe version of these movies that somehow find themselves in the hands of the Academy jury. Sure, once in a while they get it right. Films like The Godfather, Gladiator and Unforgiven manage to fight off the competition and claim their earned statues. Most times, however, I find that a trend of political correctness enters the picture more than the quality of the films or actors themselves. It's the only way I can explain Sean Penn taking a statue over Mickey Rourke a couple years back. Films and actors are rewarded to showing the proper political philosophy. So, when I heard that The King's Speech won the award this year, I began to fear the same circumstances had once again prevailed. I hadn't seen the film, but the subject matter appeared to qualify. I considered it another undeserved Oscar given to an ambitious Hollywood crowd brown nose. Then I saw the film through this Fox Blu-ray release. It might not happen often, at least no more that a dozen times a day, but boy was I wrong about The King's Speech. This really was one of the best films not only of this last year but in quite a long time.
The Duke of York (Firth) has a serious speech impediment. He stammers, which isn't the most confidence-inspiring trait for a member of the royal family to have. In the past the problem likely would not have become an issue. But the invention of radio has made it essential for the members of the royal family to speak to the nation and the world. With the help of his extremely devoted wife Elizabeth (Carter), he has seen all manner of specialists both of sound scientific principle and the whack-job varieties. Nothing works. Elizabeth hears of an unconventional therapist who has a rather impressive track record. When she visits Lionel Logue (Rush) for the first time under an assumed name, she finds him a bit arrogant and unwilling to bend his rules, even for the Duke of York. Still, they decide to give the man a try. At first it appears as though this was merely another in a long string of failed attempts to help the Duke. He leaves as frustrated as he had ever been. It didn't help that the obstinate man insisted on calling him by the too-familiar name of Bertie, reserved only for close family. He treated the Duke like a child. The Duke exited holding a record made of an attempt to speak with blaring music in his ears. He decided he didn't need to hear the recording and suffer the usual humiliation.
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