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"In the beginning was the word, and the Word was with God, and the Word was God. I am He. He was in the beginning with God. All things were made through Him, and without Him, was made nothing that has been made. In Him was life, and the life was the light of man. And the light shines on in the darkness, and the darkness grasped it not. The greatest story ever told..."

Every spring around the time of Easter you could count on several annual films to make their way to televisions across the country for special family presentations. For Easter you had The Greatest Story Ever Told and King Of Kings. For Passover there was always The Ten Commandments. And so it is an appropriate time to see all three of these films make their way unto high definition and Blu-ray for the very first time. We've already reported on the excellent release of The Ten Commandments and King Of Kings. Our review of The Greatest Story Ever Told concludes this Holy Trinity of movies to review.

Highway to Heaven was a television series that ran from 1984-1989.  Jonathan Smith (Michael Landon) is an angel on a mission from God or “the boss”.  After quickly finding employment as a handyman, Smith teams up with the ex-cop Mark Gordon (Victor French) to solve problems and help people with their everyday struggles.  This series has plenty of sentimentality, spirituality, nostalgia, and unintentional comedy.  As a newcomer to the series, I found myself unable to look away. 

Michael Landon has an undeniable charisma.  I am too young to have seen Bonanza or Little House on the Prairie. However, from watching this series I found myself struck by his screen presence. The camera remains fixed on his face during the majority of scenes and audiences are drawn in.  Highway to Heaven is constantly delivering a message; the show looks at the human condition and questions why we operate the way we do. The delivery can sometimes be implausible.  For example, during a physical altercation, Smith begins quoting scripture to the wrong doers.  This blatant attempt at focusing on religion as the message can easily turn viewers off.  However, within the realm of this show, audiences are able to give it some leeway. 

In the 1980’s, I grew up watching a lot of sitcom family shows as I am sure a lot of kids my age did. Somewhere in my late teens and twenties, I ran away from sitcoms and straight in to cartoons and wrestling. (you thought I was going to say reality shows didn’t you?) But before that happened, I probably saw every last one of those crazy family sitcoms. Including Growing Pains. So when I received Growing Pains Season 2 to review, I knew I didn’t need season one and could dive right in. (

It is Season Two for the Seaver clan. Jason Seaver (played by Alan Thicke) is still operating his practice from the home while Maggie Seaver (played by Joanna Kerns)is exploring a career in journalism. With Jason at home, he is able to spend time with the three kids. The youngest, Ben (played by Jeremy Miller ) is going through middle school.

(What follows is my cohort Gino Sassani's review, as it was written for the Blu Ray release of this same film. I have only added changes for the Video and Audio sections as DVD is naturally different than Blu Ray).

The Picture Of Dorian Gray was actually Oscar Wilde’s only full-length novel. It was quite a controversial subject when it first arrived on the scene in 1890, but not because of the horror element. The book is often sexually explicit and contains more than a flirtation with homosexuality. The main themes have survived, but much of the work itself has been forgotten. We know the work almost exclusively from the classic film from 1945 where Hurd Hatfield played the title character. The more notable members of that cast included Peter Lawford, Donna Reed, and Angela Lansbury. That film downplayed the debauchery elements and focused on the one element that appears to remain strongest in our collective memories, that of the picture aging instead of the man. It’s that deal with the devil that most of us think about when we hear the name Dorian Gray, or Dick Clark for that matter.

Dicky Eklund was the pride of Lowell, Massachusetts. While he constantly reminds the neighbourhood of his glorious fight against Sugar Ray Leonard, he has descended into a crack addiction that is breaking his family apart, and hindering the training of his up-and-coming brother, Mickey. As Micky inches closer to big opportunities in the fighting world, he must also battle the demons his family place upon him.

Part sports movie, and part character drama, this film's story is the sort of underdog tale that will be familiar to Rocky fans, and being a boxing film, it is readily susceptible to being compared to that series. If I may start with a focus on the sports movie angle, it diverges from the Rocky series most obviously by having less focus on the training (no big musical montages here) and the 'big' fights. Another divergence involving the fights this film has, one that is even more important to me,is a difference in how the actual fights were choreographed. I have never cared for the simplistic trading of head-shots, with little blocking, in the Rocky films. The Fighter has blood and blocking the way a true fight would have. The camera quality changes to something hand held looking when inside the ring with Micky and Dicky, and there are frequent flashes to the real life fight of Eklund vs Leonard, both of which help to make it seem like Mark Walhberg (who plays Mickey) is in an actual bout.

By the early part of World War II, the Soviet Union’s ultra-harsh prison system was already an established key to Josef Stalin’s paranoid dictatorship. Hundreds of concentration camps, called gulags, kept criminals and innocents alike trapped behind barbed wire, without edible food or minimal medical care. The most miserable gulags were the notorious Siberian compounds, stuck in such hostile sub-arctic territory that an attempt to escape was considered just another form of suicide.

One such frozen hell is the starting point for The Way Back, a visually breathtaking but icily uninspiring adventure saga from director Peter Weir. Based on a best seller that was sold as non-fiction but later revealed to be largely the author’s invention, it’s long on scenery and short on suspense. That’s because we are told at the start that it’s about escapees who slogged some 4,000 miles through Siberia and Mongolia to freedom in India.

Boxing has never been a particularly popular sport for me to watch. The boxing world has always seemed to be one of lies and politics. But on the other hand, I will watch with interest any movie that has boxing as a major subject. Rocky, Raging Bull, heck The Great White Hype are all fine examples of exciting boxing movies. That is why when I received Knockout with Steve Austin, my interest was peaked a little to say the least. Let us see how it goes.

Matthew Miller (played by Daniel Magder) chews his nails and doesn’t like the fact that he is in the middle of nowhere (Tacoma, Washington). His mother, Christine (played by Janet Kidder) gets after him for his nail biting and tells him that he had to drop out of private school and go to public school because times are tight. She does it in a rather melodramatic manner and it is no wonder that Matthew didn’t just punch out her lights right there. That would have been a boxing movie to be proud of.

There are usually two schools of thought when it comes to judging sequels. One tends to be very harsh on the proceedings expecting it to surpass the original (which it hardly ever does) in all aspects of film-making. The other still expects a good film but realizes that this sort of thing is usually financially driven and just hopes for something that can favorable stand against the original. I happen to be in the later crowd. But, I certainly found myself inching towards the former when I received the blu-ray package to review Ip Man 2, Legend of the Grandmaster. Let's go inside, shall we?

Ip Man (played Donnie Yen)has escaped from Foshan and has made way with his family to the Hong Kong of the 1950's. His wife, Cheung Wing-Sing (played by Lynn Hung) is pregnant with her second child. However, the family is barely making ends meet. Cheung can't work much and Ip Man's martial arts school isn't going as well as planned. They can hardly cover rent and school fees for their son, Ip Chun (played by Li Chak).

The Green River Killer was responsible for the deaths and disappearance of dozens of young girls during the 1980s. This two part miniseries, originally airing on the Lifetime network, chronicles the two decade long investigation made by Sheriff David Reichart.

Spread out over two episodes. The mystery plot can wear a bit thin at points and start to resemble a watered down TV police drama, but credit must be given for how the director recreated both the era it took place in, as well as the sense of sickening frustration the police felt for having spent so many years chasing one person. The grim realization these investigators have is that the only way they can gather more useful evidence is by having more bodies emerge in their search. The higher the body count, the greater their chances are that the killer will leave behind a piece of evidence they can use, taking into consideration that this was a time before our modern understanding and use of DNA evidence (a point that become the linchpin to the eventual apprehension the title of the film promises).

I've long held the belief that the folks at Pixar are really just children who have refused to grow up. That doesn't mean that they don't have to deal with the realities that adulthood thrust upon each of us. I'm sure they have families and are responsible citizens and parents. They consistently make movies, that while there is certainly appeal for children, are obviously intended for adults, adults like them, who have decided to never grow up. If you ever required proof of that concept, The Incredibles should prove the point quite nicely. Brad Bird and his team weren't writing about superheroes. They decided to do a movie about themselves. Finally out in high-definition Blu-ray the team now calls all of us like-minded souls to join the fold. This Blu-ray serves as our membership card and absolutely grants all of the privileges of membership right from your most comfortable home theatre seat. Count me in.

Bob Parr (Nelson) has a secret identity. He's in reality Mr. Incredible. He is a superhero who has dedicated his life to fighting crime. He has super strength and other abilities. He's not the only one. There is his best friend Lucius (Jackson) better known as the cool hero Frozone. There's also Helen (Hunter) who protects the city as Elastigirl. She has the same powers that The Fantastic Four's Mr. Fantastic has to stretch her body. Bob and Helen get married and join their superpowers with two super kids. Dash (Fox) has super speed and Violet (Vowell) has the abilities of The Fantastic Four's Susan Storm. She can become invisible and create powerful force fields. Unfortunately, the world has had enough of masked heroes. Lawsuits cause the heroes to turn in their capes, and they are put into a sort of witness protection program where they must swear off crime fighting. That's been hard for Bob and Lucius who do a little rescue work on the side while their wives think they're out bowling. It's a good thing, too. A new super-villain has emerged, and now it will be up to the Parr family to save the world from Syndrome (Lee), a one-time stalker fan who has decided to get revenge on the hero who once spurned his advances to join him.