Posted in: Disc Reviews by Gino Sassani on August 19th, 2009
You know, I was watching this episode of the popular Showtime series Dexter the other night. There was this murder victim who had taken off work early to go and see a romantic comedy with his girlfriend. He ended up getting his head bashed in and dead. Is it saying something about my own bias that the first thing that came to my mind was that it was a lucky thing he got his skull caved in before he had to go to the romantic comedy? Romantic comedies. Chick flicks. Date movies. Whatever it is that you want to call them, ladies, they are the stuff of nightmares for your significant others.
Posted in: Disc Reviews by Gino Sassani on August 19th, 2009
I think it started with the writers’ strike and somehow got out of control on this series. None of these sets represent actual seasons, which is why the releases are called chapters. The first two chapters represent the times before and after the strike from the show’s first year. I kind of understand how that might work out. What I don’t quite get is why it is now continuing. This chapter includes the first episode of the second season and stops with the tenth, even though the season actually included 22 episodes, all of them aired before the release of the DVD’s.
Posted in: Disc Reviews by Gino Sassani on August 19th, 2009
Mention Toho to anybody who has ever seen a movie and one thing universally comes to mind: Godzilla. Everybody’s favorite monster run amuck was the brainchild of Japan’s Toho Studios and has made them somewhat of an icon in the industry. It’s appropriate, then, for Toho to be featured in any series called Icons of Science Fiction. However, don’t look for the big lizard with radioactive breath in this 3 disc, 3 film collection from the legendary studio. Instead you’ll find two lesser known titles and one of Godzilla’s eventual playmates. These two films go back to the late 1950’s when Toho was still a fledging operation and Godzilla had not yet reached the cult status he was shortly to achieve.
Posted in: Disc Reviews by Gino Sassani on August 18th, 2009
Eli Stone is a typical corporate lawyer. He admits to being totally self-involved and greedy, that is until he begins to see and hear things that aren’t really there… or are they? These visions appear to be connected with events unfolding in Stone’s life and seem to be leading him toward a mission of sorts. It could be helping a mother whose child was stricken by a harmful vaccine or helping a convict fight prison abuse. In the pilot, Stone discovers that he has a brain aneurism, which might account for the vivid visions he is experiencing. His mentor, Dr. Chen, has another idea. He believes that Stone is being recruited by God
Posted in: Disc Reviews by Gino Sassani on August 18th, 2009
The mutiny on the Bounty is one of those stories that carries with it the adventurous dreams and ambitions of a young child. It’s the smells and sounds of the high seas. The intrigue of a mutiny and the charismatic stature of an imposing captain, the image of sailor’s worst nightmares. Aye, Matey. There’s nothing like it. (We interrupt this review because apparently Gino has been reviewing the wrong film. Please accept our apologies for the misinformation – ed.)
Posted in: Disc Reviews by Michael Durr on August 17th, 2009
Pixar & Dreamworks have been monsters at the game of big budget film animation for quite sometime now. Many of us have enjoyed Shrek, Toy Story and countless others. Even their duds aren’t half bad. But there was bound to come a time when others need to share in the spotlight. In 2007, Filmax Animation, a Spanish company decided to release a film about a Donkey who has aspirations of being more than just another as... Sorry kids, I lost my place. It’s a film about a donkey who wants to be a horse, of course of course.
Posted in: Disc Reviews by Gino Sassani on August 13th, 2009
The cast and crew of I Love You, Man constantly refer to the film as a “bromance”. I’m not exactly sure what they mean by that, but I was actually pretty pleased with the clever turn on the typically droll romantic comedy. Maybe someone’s finally come up with a romantic comedy that actually can appeal to men. Whatever you call it, I Love You, Man is a bit of a refreshing take on today’s innuendo comedy. Writer/director John Hamburg has turned a pretty inane idea into a rather funny little comedy that just might be the compromise between a chick flick and something we won’t have to squirm in our seats just to make our dates happy.
Posted in: Disc Reviews by Gino Sassani on August 13th, 2009
Chris Rock has been one of those comedians that either hits a home run or strikes completely out. I’ve seen quite a bit of his stand-up and found I loved it or hated it. He’s not afraid to play the race card. Hell, Chris plays the whole dang deck at times, and Everybody Hates Chris is no different. The comedy is based, loosely I’m sure, on the young adolescent life of Chris Rock. It’s a black comedy that will bring back memories of those 1970’s shows we all watched as kids. Like Good Times and even Sanford And Son, the show is loaded with stereotypes. All of the white characters are bumbling fools who are often played as racists themselves.
Posted in: Disc Reviews by Gino Sassani on August 13th, 2009
Jack Webb invented the modern television police procedural with the creation of Dragnet, first as a radio play and eventually as a successful television series. The series told the tale of a pair of L.A. detectives. There wasn’t any flair or action sequences. No car chases and no gun fights. When Jack Webb turned his attention to the patrol officer, he realized that some of that formula would have to change. But he wouldn’t tweak it very much. There was the occasional gunfire, but it was rare and was never the focus of any given story. Instead Webb concentrated on the actual procedures and duties of the everyday patrol officers,
Posted in: Disc Reviews by Gino Sassani on August 13th, 2009
From the very beginning writer/director Matt Aselton wants to make a statement with his first film, Gigantic. The tiny title letters belying the largesse of the title itself right away appears to be telling you that the film will go against any expectations. It’s a brave independent piece of cinema that exhibits ton of promise and potential that is never fully woven together coherently enough to satisfy even the most art house of audiences.