Posted in: Disc Reviews by Archive Authors on March 24th, 2006
After the transformation of the Harry Potter and The Lord of the Rings books into hugely successful films, it was only a matter of time before someone decided to tackle C.S. Lewis’s famous novels The Chronicles of Narnia. Both of the aforementioned books into movies were excellent because, even though they didn’t include every little detail presented in the novels, fans still embraced the films for what they were. They brought a majority of the presented themes and ideas in the books and showed u... them in a live action manner via the film. Similar to the seven part Harry Potter series, would it be possible for the classic seven part Narnia series to have a successful transformation into film?
Both C.S. Lewis, author of the famed Narnia books, and J.R.R. Tolkien, famed author of the Rings books, were said to have been friends who taught at Oxford at exactly the same time. They both enjoyed smoking pipe, drinking in the same pub, taking Christianity seriously, and writing. Lewis loved Tolkein’s style of writing and the universe he created for the Rings books, but Tolkein never seemed to return the same affection to Lewis’s Narnia books. Many say this is because Tolkein actually created a vast universe for his novels, while Lewis just used his native country as the setting.
Posted in: Disc Reviews by David Annandale on March 23rd, 2006
Synopsis
Above the Zu Mountain range, on floating peaks and the like, live various clans of immortals. They must unite to fight off the attack of a returning enemy: the dreaded demon Insomnia. The united efforts of the clans meet with plenty of problems, including star-crossed lovers, and humans from down below wind up being dragged into the battle, too.
Posted in: Disc Reviews by David Annandale on March 22nd, 2006
Synopsis
Five years after saving New York City from supernatural destruction, the Ghostbusters have fallen on hard times. Bill Murray and Sigourney Weaver have broken up, and he is now the host of a dubious psychic TV show. Dan Aykroyd and Ernie Hudson have been reduced to performing a children’s parties, what with the anti-spook outfit having been sued into non-existence. And so it goes. But then weird goop, powered by New York’s anger, rises from the ground to create havoc anew.
Posted in: Disc Reviews by Archive Authors on March 22nd, 2006
As I see more and more film’s from 2005, I realize that a majority of the best films are those that aren’t huge financial successes. Films like Capote, Munich and now David Cronenberg’s latest film A History of Violence weren't huge successes but have earned praise due to the themes and stories they present. Containing a well crafted story, with interesting characters, A History of Violence is one of those rare films that you see that has a latest impact on you.
As the film <i ...A History of Violence opens up, we met two characters, Leland Jones (Stephen McHattie) and Billy Orser (Greg Byrk) who have just come out of a motel apparently killing the two clerks inside. The film then flashes forward and we meet the Stall Family. Father Tom (Viggo Mortensen) and Wife Edie (Maria Bello) have two children, teenager Jack (Ashton Holmes) and young daughter Sarah (Heidi Hayes). Tom runs a small family diner in Indiana that gets steady business. Edie is a lawyer while son Jack hates gym class and is bullied by Bobby Jordan (Kyle Schmid) and daughter Heidi seems to have nightmares about monsters coming out of her closet. The town is very quiet and everyone looks out for each other as Sheriff Sam Carney (Peter MacNeill) informs us.
Posted in: Disc Reviews by David Annandale on March 21st, 2006
Synopsis
After the mysterious death of his former employer, perpetually shirtless gardener Joe Dallesandro is taken on by the rich and rather twitty Katherine Houghton. He works wonders with her garden, wonders so miraculous, in fact, that the rest of her staff becomes very suspicious. Unfortunately, Houghton is falling more and more deeply under the gardener’s mesmeric spell, and anyone who stands in his way runs into strange botanical fates.
Posted in: Disc Reviews by David Annandale on March 20th, 2006
Synopsis
Set in an imaginary European country on the verge of war, in a vague time period that is approximately Edwardian, this is the story of Sophie, a young girl who encounters Howl, the handsome wizard who lives in a gigantic, clattering contraption of a mobile castle. The interest Howl has in Sophie arouses the angry jealousy of the Witch of the Waste (voiced by Lauren Bacall in the English dub), who curses Sophie with instant old age. Sophie, no longer recognized by Howl, takes up residence in ...is castle and sets about transforming all within, perhaps ultimately freeing Howl of his own curse.
Posted in: Disc Reviews by Archive Authors on March 19th, 2006
Synopsis
Sometimes Disney will release a film that provides feelings of nostalgia to a lot of people. And other times they release shows onto DVD that make me realize just how old I am. When Disney’s Goof Troop was released onto DVD, my wife said the most horrible thing I’ve heard her say so far: “I used to watch that show growing up.” Keeping in mind that Goof Troop aired from 1992-1993, that statement probably says more about her than it does me, it still didn’t make me feel good. For God’s...sake, I was of drinking age when this aired!
Posted in: Disc Reviews by Archive Authors on March 19th, 2006
Synopsis
The world greatest rock band’s story about the rise to power, born from Satan, and ready to rock the world, may not be as accurate as one would perceive. As Jack Black and Kyle Gass (Jables and KG to those in the know), Tenacious D received a small run of episodes during the HBO series Mr. Show in 1999 that resulted in good word of mouth for the pair. It was only until last year, when the long-awaited first album finally dropped, that the world discovered just how good they were. And the alb...m is a very good indoctrination for new fans, and for longtime fans of the D, some of what they had seen was presented on the album in a surprising, but pleasant arrangement, featuring guest appearances by the Foo Fighters’ Dave Grohl and produced by The Dust Brothers.
Posted in: Disc Reviews by Archive Authors on March 19th, 2006
The genre of Thrillers and Suspense are usually categorized by types of films that the viewer watches and then wonders what they just watched. Films like Memento and The Machinist are prime examples of this. Both films, after many viewings, are excellent films solely because they require that the viewer think of each scene with careful scrutiny making note of each and everything on the screen. Both films end with the type of ending that doesn’t necessarily satisfy on the first viewing, but ultimately sa...isfies after many viewings. Add the film Stay to this list of films.
Henry Lethem (Ryan Gosling) is an art student at a university who plays to kill himself in three days, that is unless his psychiatrist Sam Foster (Ewan McGregor) can figure him out to stop his plan. Foster soon learns that Lethem is starting to hear voices, voices that are telling him to do things. But the enjoyment for Foster doesn’t end here as Lethem starts experiencing horrifying visions of pain. Lethem seems to be able to see the future at least as he knows everything that is going to occur a bit before it does. When Foster asks if they’ll meet again when Lethem informs him that he’ll kill himself, he declares “Yeah, there’s still three more days’. While the concept of seeing into the future before your ‘death’ is nothing new, I always find it to be interesting how every movie plays this angle out.
Posted in: Disc Reviews by Archive Authors on March 17th, 2006
Anthology films are a good training ground for young filmmakers to flex their muscles and really get creative. However, with Eros, the three filmmakers have already been around the block a time or two, and on the surface, that could be considered a good thing. But when you consider what Michaelangelo Antonioni, Steven Soderbergh, and Kar-Wai Wong, are already capable of, these shorts seem a bit of a letdown. The best segment is Soderbergh’s “Equilibrium,” with its symbolic stylistic effects and wry sense of hu...or. It was the only one of these vignettes, which seemed neither cliché (“The Hand” – Kar-Wai) nor pointless (“The Dangerous Thread of Things” – Antonioni). In “Equilibrium,” Robert Downey Jr. plays a man caught up in an ambiguous dream world, who explains his situation to an eccentric psychiatrist (Alan Arkin). Arkin’s psychiatrist is a capable man, but he often uses his patients’ discussion time to do other less constructive things (i.e. stare out the window with binoculars, fly paper airplanes to the street below, etc.). The whole time, he is equally capable of dispensing advice and helping his patients get to the root of their issues. There are three color schemes in this segment (black-and-white; all blue, natural), all of which add artistic flare by making each portion a genre in and of itself. And in the blue portion (Downey’s recurring dream), the camera bobs slowly from side to side, giving an off-equilibrium effect, which is contrasted in the other two portions.
In “The Hand,” Kar-Wai proves himself a quality director, while the story of fading love and devotion rekindled for one final farewell lacks the intrigue of similar – and better executed – works. However, the performances by the two lead stars are solid. Unfortunately, even that perk is missing from the uninspired Antonioni contribution. “The Dangerous Thread of Things,” meanders about with all the importance of a porno (but without the excessive sex and nudity those, who might find such fare entertaining, are interested in seeing). It’s not a flattering introduction to the works of the great Italian director. As for storytelling, I’m not sure he even attempted to dabble in it here. Stick with Blow-Up, if you want a primer on Antonioni.
