DVD

Nature’s Grave looks like it could have been a made for television movie for The Animal Planet or one of those learning channels. If they were ever thinking of branching out a bit into the nature gone mad type of show, wait a minute. They already have. This one attempts to be a thriller/horror film but doesn’t ever come close to either definition. The wild animals never amount to anything more than an attacking bird or a dead manatee. I’m not sure what a fan of this movie was looking for when he or she came here, but I suspect whatever it was, it was very hard not to be disappointed.

Peter (Caviezel) and Carla (Karvan) are married couple who get on each other’s nerves most of the time. Peter imagines that a long weekend of camping might be just the ticket to get their relationship back on solid footing. He buys about 10 grand of equipment, which only gets his unhappy wife even more angry at him. They pile into the car and head for a remote stretch of beach. In the middle of the night they have trouble finding the place, and if that shouldn’t have been enough to get them to a comfy hotel at least for the night, the sudden attacks by nature should have done the trick. The animal mishaps escalate, and before long they couple aren’t worried so much about their marriage surviving. They have to try and survive with their lives intact.

The Super Friends as a cartoon show had a long and sketchy past. It started out in the 1970’s and ran in nearly a dozen different incantations and over a hundred episodes until 1986 when it was put down for the last time. In the 1983-84 season, the series had been cancelled officially for a second time. This was due to the fact that they did not wish to compete with the syndication run of the original episodes that was already on air. Hence, the new episodes were dropped and didn’t appear until many years later. Here, the people at WB have compiled these 8 episodes (24 shorts) into a 2-disc set and dubbed them the “Lost Episodes.”

As mentioned, there are twenty-four shorts for this lost season of Super Friends. They run the gambit of subjects, villains, and heroes. In episodes such as “The Krypton Syndrome”, Superman is thrown into a time warp and has to deal with the impending doom of his home planet: Krypton. However, the decision he makes leads to some rather disturbing consequences.

After an opening, fragmentary montage of a traffic accident, we encounter Melvin Devereux (John Savage), standing in front of his father's grave, making a few cynical remarks apparently in the wake of dad's funeral. Then, after a strange conversation with a mysterious woman (Sandi Schultz), Devereux begins to make his way home. But his route is blocked by one obstacle after another, and his journey becomes ever longer and ever more frustrating as he drives down the empty roads of the Louisiana countryside. He is then plagued by a hearse, which will not let him overtake, and that turns up wherever he goes. Soon he becomes obsessed with catching the hearse, after seeing his name on the coffin inside.

Dr. Stephen Arrowsmith is a haughty scientist who sees himself above such petty concerns as ethics. He has married his wife Muriel (Barbara Steele) for her money, and when he catches her in the arms of one of the servants (Rik Battaglia), he tortures and kills them both, cuts out their hearts, and uses their blood to create an elixir of youth for the maid/co-conspirator Solange (Helga Liné). He then marries the psychologically fragile Jenny (Steele again, now blonde), Muriel's heiress, planning to drive her insane and take control of the his dead wife's fortune. Sure enough, Jenny starts seeing things, but the ghosts she is seeing are real.

Cult Epics continues its love affair with director Tinto Brass, and here once again delves into one of his early works. For my money, for all that his later erotica is handsomely shot and produced, what I'm seeing of his 1960s output (so far Deadly Sweet and this) is far more interesting. If 1967's Deadly Sweet was demented, it at least followed a semi-recognizable mystery plot. The Howl (1969), on the other hand, defies description. It is basically a surreal picaresque, as a young woman (Tina Aumont) flees her wedding with a stranger (Luigi Proietti) who gives her a come-hither look. Already, this sounds far more sensible than the film really is. The couple race from one lunatic encounter to the next: a resort hotel apparently designed by Sade; a naked, cannibalistic philosopher and his family, and on we go.

This film is rooted in the activism of the Poor People's Economic Human Rights Campaign. Within the film are the stories of several Philadelphia residents, told in sporadic vignettes that are loosely tied together by a mysterious flier that is being handed out in the neighbourhood. While some characters cross into other's stories they mainly stay separated until the very final scene which reveals that the flier was out promote a rally on behalf of the aforementioned Campaign.

“Now this might be the room of any small boy, but it happens to belong to a boy named Christopher Robin, and like most small boys, Christopher Robin had toy animals to play with. And together they had many remarkable adventures in an enchanted place called The Hundred Acre Wood. But out of all of his animal friends, Christopher Robin’s very best friend was a bear called Winnie The Pooh.”

“Oh Bother”A.A. Milne was quite an eclectic writer. He wrote murder mysteries that even appeared on Alfred Hitchcock Presents. From that fertile mind would also come a place known as the Hundred Acre Wood. In that select place some of literature’s finest characters had the greatest adventures any boy could imagine. And adventures are certainly no fun on your own. Young Christopher Robin was joined by Piglet, Tigger, Owl, Rabbit, Eeyore, and, of course, Winnie-The-Pooh. Who didn’t fall in love with that silly old bear… Winnie-The-Pooh. OK, so maybe Dahmer or Bundy might have been exceptions. Still, anyone growing up in the last 30-40 years who isn’t a psychopath has had a love affair with Winnie-The-Pooh, all stuffed with fluff.

Daisato (director/co-writer Hitosi Matumoto) is having his daily life filmed by a TV crew. This life is pretty depressing. He doesn't make much money, his wife has left him, and his neighbours hate him. His job isn't exactly low-stress, either: he is Big Man Japan, a hereditary job that involves defending Japan against monster attacks. So whenever he gets the call, he has to run to the nearest power plant, get himself zapped until he grows into a 50-foot giant, and do battle with various bizarre creatures (one looks like a plucked chicken with a huge eyeball/penis appendage). But though he does his best, his ratings are down, his show is broadcast in the dead hours of the morning, his agent appears to be taking advantage of him, and there's a new monster in town that mops the floor with him on their first encounter.

This is a 6-part series presented by the Discovery Channel, documenting the different devices created so that America could reach the moon by a deadline that then US president Kennedy had promised the nation.

The story originally seems to set itself up to be that of redemption for a young man who is fresh out of jail. While this story is around, there seems to be parallel stories that arise as subplot but soon race alongside the original tale like proverbial track horses (and horses also just so happen to be the nexus for said plots). Just as one seems to buck into the lead, another comes along to grab the focus.