Posted in: Disc Reviews by David Annandale on July 29th, 2008
Severin continues their serious play to be the go-to company for Eurosleaze with this, one of Joe D’Amato’s better efforts. We first meet Papaya (Melissa Chimenti) as she luxuriates on the beach, makes love with a fellow in a cabana – and then orally castrates him, whereupon she walks away as two minions torch the cabana. Fantasy Island, this ain’t. The action then shifts to Sara (Sirpa Lane of The Beast fame), a journalist we first see revelling in a cock fight. She hooks up with Vincent (Maurice Poli), a nuclear power executive with whom she has had a casual fling before. The two of them are drawn into Papaya’s web of sex and blood ritual. She is, in fact, part of a political group fighting back against the power company’s expropriations and pollution by any means necessary.
Posted in: Disc Reviews by Gino Sassani on July 26th, 2008
Welcome to Gino’s school of film art. Today I’m going to teach you how to make a modern art film. You know the kind. The type of film that no one really likes, but a lot of folks pretend to like because they think it makes them look cool. Just think how cool you’ll look when you can make one of those pretentious pieces of crap and watch phony critics go on and on about how brilliant it was. Meanwhile you laugh your behind off and cash in on the phony baloney.
Posted in: Disc Reviews by David Annandale on July 25th, 2008
This BBC mini-series has the unenviable task of winning over audiences very likely familiar with Ang Lee and Emma Thompson’s excellent theatrical adaptation of the Jane Austen novel. And the opening scene might very alarm many a viewer: the rather steamy seduction on display does not, at first blush, seem to fit in to the comedy of manners one is expecting. The post-credit sequence is also rather more gothically melodramatic than one might anticipate (or hope for).
Posted in: Disc Reviews by Gino Sassani on July 23rd, 2008
Think of it as Coach meets Newhart. That’s about the best way I know how to describe this somewhat quirky sitcom from CBS. It was mostly intended as a television project for its star, Burt Reynolds. The character would echo Reynolds’ own life somewhat. His character, Wood Newton, was a running back who had moderate success, just as Reynolds himself had. In the show he retired to his rural hometown of Evening Shade.
Posted in: Disc Reviews by Gino Sassani on July 23rd, 2008
It should not have come as such a surprise to me what Stop-Loss really is. It presents itself as this generation’s Deer Hunter, but it’s actually just another mindless film that, once stripped down to its essentials, is intended only to further a blatant political agenda. I keep hearing that the film is intended to honor our troops, but it presents all of them as mentally messed up idiots who are a hair away from committing crime sprees akin to Natural Born Killers.
Posted in: Disc Reviews by Archive Authors on July 21st, 2008
According to Wikipedia, Bruges is the capital of Belgium and home to the college of Europe. Much of the architecture from the 12th and 13th centuries is in good shape and preserved fairly well. The Church of Our Lady is one of the tallest brick buildings in the world. The Basilica of the Holy Blood purports to be a church that houses some blood from Christ. It also serves as the backdrop for a couple of hitmen who have to find comfort in the town for awhile in the film set in Bruges, called In Bruges.
Posted in: Disc Reviews by Michael Durr on July 19th, 2008
To be bloody honest, I was never a huge fan of Speed Racer. Actually I spent most half hours watching the cartoon (in college) poking fun at it and wondering how many drinking games could be compiled by just analyzing various components. It was a serious cartoon with some brief comedic relief that did not come off as funny, what was funny was all of the seriousness of driving the Mach 5 and figuring out who this Racer X character was (it was Speed's Older Brother, sorry if I spoiled it). Anyhow, it's 2008. Speed Racer has experienced a resurgence including a movie and a new cartoon series. The movie hasn't done very well but many times the cartoon can be the saving grace. It was supposed to follow a new Speed, with a mysterious past. Ooooo, well as long as no Chim-Chim or Spritle is around, we'll be okay.
Posted in: Disc Reviews by Michael Durr on July 19th, 2008
The movies of National Lampoon haven't always had the best track record. On on the good side, we have Christmas Vacation, Van Wilder or European Vacation (Chevy Chase is gold after all). On the bad side we have movies like Senior Trip, Dorm Daze, or Dorm Daze 2 (Wretchedness has sequels?) But every once in a while, you can take a bad movie and suddenly realize that you are holding something that is worse than any National Lampoon movie to date (I don't care what anybody says but Loaded Weapon wasn't half bad). A movie so bad, that even Jonathan Winters or Diedrich Bader could not save it.
Posted in: Disc Reviews by David Annandale on July 16th, 2008
If it's Wednesday, that must mean another batch of SpongeBob cartoons. The lead-off here is the is title episode, a 22-minute piece that recounts the adventures of SpongeBuck SquarePants, our hero's 19th-Century ancestor. The rest of the episodes are an eclectic bunch, and the thematic consistency is less than that of some other collections (there is a vague adventure link that runs through several of the stories). At any rate, the silliness is just as engaging and bizarre as ever, and there are plenty of quick absurdist sight gags to keep you chuckling.
Posted in: Disc Reviews by David Annandale on July 15th, 2008
Some years back, I reviewed Elite's Millennium Edition of the NOTLD. That was certainly the most definitive edition at that time. So now we have another deluxe edition. How does it stack up? Before we get to that, a few (largely unnecessary) words about the film. There's a blurb on the box that calls this “the most influential horror film since Psycho,” and there is a great deal of truth to that. As has been pointed out before, the film single-handedly transformed the mythology of the zombie, changing the monster from mindless slave to flesh-eating ghoul. I can't think of any other instance where a mythology was changed so completely and with such finality.
