Posted in: Disc Reviews by Michael Durr on February 26th, 2008
Dorky romantic comedies have been around forever. Usually there is nothing I can't stand more than some movie telling me how people fall in love when it never happens like that. Like a street walker falling in love with a rich guy or the nerd getting the cheerleader or a dozen people having sex with some girl named Jenna. (well maybe on the last one) Love is mystical and special but it rarely has any set pattern that makes sense. So what would happen when I watched a dorky little New Zealand romantic comedy that featured two people in animal costumes? Hopefully not the norm.
Lily (played by Loren Horsley) is in love with Jarrod (played by Jemaine Clement). She works at a local burger joint (Meaty Boy) asc a cashier. Jarrod comes in everyday at lunch but Lily rarely gets to wait on him since he has a crush on another employee. Opportunity knocks when Jarrod gives Lily an invitation to go to an animal costume party. She decides to go as a shark. There at the party she participates in the "Fight Man" tournament which is a video that vaguely looks like Way of the Warrior (an old 3do fighting game) and Mortal Kombat. Somehow she makes it to the final where she faces Jarrod (dressed as an eagle) in the final challenge. However, she becomes lost in Jarrod's eyes and loses out to him.
Posted in: Disc Reviews by Archive Authors on February 26th, 2008
Guy Pierce fascinates me. He first broke on the scene in a big way in LA Confidential, which just happens to be one of my favorite films. Instead of taking the path of his co-star Russell Crow and chasing the big Hollywood dollar, however, Pierce chose to explore smaller, more interesting fringe films. Sometimes, this decision pays off for him, as was the case in the amazing Memento, or the recent The Proposition. Other times, however, the gamble falls flat, as was the case with The Hard Word. Pierce is consistently excellent, but the films he picks are hit and miss. That's the problem with interesting projects, they either turn into surprise hits, or predictable failures. So the big question is, is First Snow a hit or a miss?
First let's talk about the plot. Guy Pierce plays a salesman whose car breaks down in a remote part of the country, and while he is waiting for repairs, he visits a traveling fortune teller to pass the time. What starts out as a lark turns into a profound experience that alters the course of his life forever. The fortune teller informs him that his life will be over at the first snowfall of the season, and he slowly begins to believe him.
Posted in: Disc Reviews by David Annandale on February 22nd, 2008
Just another working day in Los Angeles. Lexi (Mary McCormack) heads off for the commute, while hubby Brad (Rory Cochrane) stays home. His morning ablutions are interrupted by the news that a series of dirty bombs have just gone off in the city. Stymied in his attempts to reach his wife, Brad retreats home, where he acts on the instructions to seal up the house, as the bombs have released a deadly toxin. When Lexi does return, Brad cannot let her in, as she is contaminated. How's that for a strain on a relationship?
The first act of Right at Your Door is a propulsive exercise in panic. There is a genuinely alarming realism to the depiction of LA under terrorist attack, accomplished through a judicious and restrained use of FX and convincingly freaked-out radio news reports. This section of the film will not only conjure unpleasant memories of 9/11, but will generate a deeply distrubing you-are-there sensation for viewers. Once Lexi returns, the film becomes less about the attack then about the individual responses to it, and the action shifts to the emotional domain. After the frenzy of the first half hour, the second act inevitably feels a bit slower, and one has the impression of the plot marking time until the conclusion can begin. Said conclusion is dark and twisty, and very much in keeping with the bleak zeitgeist the film is tapping into.
Posted in: Disc Reviews by David Annandale on February 22nd, 2008
World War II has just ended, and the recently discharged Robert De Niro hits New York on the prowl for sex. He runs up against WAC Liza Minnelli, and the more she resists his advances, the more determined he becomes. There is more: he is a saxophonist, and she (of course) is a singer). So begins a tempestuous relationship between two artists whose enormous talents and equally enormous personalities mean they can neither live with nor without each other.
The idea of Martin Scorsese taking on the form of the classic musical is so bizarre that it had to happen, and here it is. Scorsese’s conceit is ingenious: all the conventions are there (the meet cute, the songs, the artificial sets and colours), but they collide with the naturalism of the performances and the emotions. A perfect case in point: wandering the streets at night, De Niro sees a sailor and his girl perform a dance together. It is a classic musical moment, but the only sound is that of a train passing. It is a scene of extraordinary beauty, grit, and cinematic truth. And it belongs in an extraordinary film.
Posted in: Disc Reviews by Michael Durr on February 22nd, 2008
Traditionally, I love spoofs. I spent many of my younger days watching movies like Spaceballs, Robin Hood: Men in Tights or Young Frankenstein. More recently, I have actually (for the most part) enjoyed every Scary Movie. So whenever I see a new spoof, I am at least somewhat interested in the movie and have aspirations to see it on disc. Epic Movie scares me a bit because it comes from the same people who did Date Movie. I found Date Movie to be okay at best, but I had a small hope that this would turn out better. Jello shots & Nyquil could not save me from this disaster.
The movie starts out with Lucy (played by Jayma Mays), Edward (played by Kal Penn), Susan (played by Faune Chambers) and Peter (played by Adam Campbell) who find golden tickets inside Willy chocolate bars. Their scenes emulate DaVinci Code, Nacho Libre, Snakes on a Plane, & X-Men. They get to the chocolate factory where they meet Willy (played by Crispin Glover) who shows them inside. He then explains how the four lucky winners are to become parts of his candy. So they start running.
Posted in: Disc Reviews by Michael Durr on February 20th, 2008
Turok is a property that seems to come and go. In the 1950's, it was introduced to lure kids away from the television sets because it had dinosaurs and intriguing stories. It was later updated when it got inserted in the Valiant comic world and rose to sell nearly 2 million copies with its first issue for the universe. In more recent times, Turok has become a series of video games by Acclaim. So it was only natural that an animated dvd would also hit the mix. However, would the character be more representative of its roots or perhaps take on a more futuristic feel akin to the current property portrayed in the video game?
The movie opens up with three native american teenagers are playing in a stream when Catori loses her hair clip. The two male men, Turok and Nashoba decide to go after it and come upon a nasty group of warriors who want to keep the clip and cause harm to the three kids. Turok goes on a berzerker rage, killing all of the warriors and injuring his comrade Nashoba. Afterwards, it is determined that Turok should be exiled from the tribe because he is too dangerous.
Posted in: Disc Reviews by Archive Authors on February 19th, 2008
When MI-5 first hit American shores, Alias was in full swing, and the comparisons were inevitable. After all, both were sy shows set in a post September 11 world, and both were slick, fun thrillers. Fast forward to 2006, however, and the landscape has changed dramatically. Alias is now off the air, having crashed in spectacular fashion, yet MI-5 is still going strong. In fact, the show just seems to keep getting better and better.
I had my concerns when all the key members of the original cast departed one by one, but as the show goes on, I am realizing that the story lines here are much bigger than any one cast can handle. High pressure jobs such as these virtually demand a high rate of turnover, and the actors who come in to play these new characters are always first-rate. While early seasons dealt with your typical spy stories, more recent efforts are starting to tackle much larger issues of governance, such as terrorism and the delicate balance of power that holds a democracy together.
Posted in: Disc Reviews by David Annandale on February 16th, 2008
The neurotic Shannyn Sossamon goes to Paris to visit sister Alecia Moore (aka Pink). The outgoing Moore cajoles her mopey sister to attend a party in the city’s catacombs, where the bones of some six million people are stacked. It doesn’t take long before Sossamon becomes separated from her friends, and is pursued by a maniac through the maze of tunnels.
Other reviewers have commented on the film’s overuse of shaky camerawork, ADD editing and strobe lights. I won’t belabour the point here other than to note that they are absolutely right. That the film is not actually shot in Paris is painfully obvious thanks to the awful French accents of the Romanian extras. The leads are strong enough in their roles, but Sossamon’s character is such a bringdown that she’s hard to sympathize with. The ending manages to be simultaneously idiotic and clever. One senses a great deal of effort to transcend a limited budget, but this is ultimately another case of reach exceeding grasp.
Posted in: Disc Reviews by David Annandale on February 15th, 2008
Barrows, Alaska, is just settling down for a month-long winter’s night. Many of the residents leave for the dark period, but those who remain encounter a series of strange crimes (all the cell phones in town being stolen and melted, for instance). It turns out that the incidents are the work of a man preparing the way for an invasion of vampires. After all, what better hunting ground than a town with no day? Josh Hartnett leads a dwindling band who hunker down and struggle against overwhelming odds.
Faithfully transcribing Steve Niles’ graphic novel to the screen, this is an enormous breath of fresh air in a horror market dominated by poor remakes of Asian films and tired franchises. The opening shots are breathtaking in their beauty, simultaneously (and appropriately) echo Nosferatu and John Carpenter’s version of The Thing. Those are the films that are the spiritual forefathers of this one, which melds the atmospheric chill of the latter with the thoroughly horrible vampires of the former. There is nothing glamorous about these vampires. They are completely vicious, ghastly creations, and are thus the first truly frightening vampires to grace theatrical screens in many and many a year. But as unappealing as its monsters are, the film is nonetheless filled with images of beauty as breathtaking as it is terrible. An overhead shot of the town under siege is a perfect example, and demonstrates a real commitment to the art of horror on the part of the filmmakers. If the sense of hopelesness and dread can’t fully be sustained for the length of the film, this is nonetheless one of the most effective and gorgeously crafted horror films in recent memory.
Posted in: Disc Reviews by Archive Authors on February 13th, 2008
Waitress is a film that could easily be passed-over as a tired, generic chick flick when perusing the DVD section of your favorite retailer. Those that take a chance on this underrated film, however, are in for a real treat. This is a film that has genuine heart, is honest and surprisingly funny.
Keri Russell stars as a down-on-her-luck waitress that makes pies in a small town diner. When she discovers that she is pregnant, she begins to want more than her lowlife husband is giving her. Unfortunately, she seems to find what she is looking for in her Doctor.
