DVD

There was a new Cowboy in Dallas, and he wasn’t throwing touchdown passes. But Walker was almost gone before he could really get started. After just four episodes, the show’s production company suffered financial collapse and the show was rescued at the last minute by CBS Productions, who would continue to run the show for its nearly decade-long run. For nine years Norris brought us the ultimate Texas Ranger in a formula cops and robbers show.

Family Ties is likely remembered most as the series that launched the career of Michael J. Fox. There’s no question that he owes a great debt to Alex Keaton. It’s almost a bit awkward now to watch him as this young, extremely conservative teenager after Fox has spent so much of his life as a liberal poster boy in the last couple of elections. Politics aside, it’s hard not to credit his performances in Family Ties and the Back To The Future films for launching him into a well deserved lucrative career.

The original Bachelor's Party was produced roughly 25 years ago in the 80's. Drugs, Sex, Tom Hanks and a donkey with a taste for belly dancing and cocaine all highlighted this cult favorite film that actually did very well for it's time and genre. However, 2008 decided to release a sequel to this movie. Naturally, they could not get Tom Hanks to even do a cameo since he's busy doing important films that involve him walking around an airport or naming inanimate objects "Wilson". However, throw in some hot comics and even hotter females with some solid writing and you might just have a really fun and racucous time.

The web has a way of delivering some of the most interesting material. Flash animation in particular can produce some very funny shorts. Furthermore, these shorts are unedited and can be downloaded by millions of people on a whim. These viral episodes can be played over and over again, with little care to the quality or the content. But what happens when they take that idea and decide to make into a feature length film? In this case, proof that people will download anything.

It'll be interesting when man travels past the moon to far away places in outer space. The science of it will be reason enough for the rest of the world's population to pay attention, but I want to find out, more than anything, if every deep space crew in real life runs into the same problems that they do in the movies.

In Sunshine, a movie by director Danny Boyle, I thought that the deep space crew in the film would be relatively free of space movie cliches. This just didn't seem like one of those movies. But I'll be damned if at the end of the movie Cillian Murphy wasn't racing panicked through the corridor of his space ship, determined to detonate a nuclear bomb before a clock reached zero.

Early on, it's easy to tell that Mr. Brooks doesn't take itself seriously.

At least I hope it didn't.

What starts off as an intriguing look into a seemingly normal man's life and his addiction to killing people, Mr. Brooks quickly spirals down the drain into a movie that tries to do too much and ends up doing too little.

The Aristocats has the distinction of being the very last animated project that was greenlit by Walt Disney himself before his passing. The film reveals all of the classic elements that Walt believed a good animation project should contain. He went to the famous Sherman Brothers to provide sing-a-longable songs and utilized the best voice talents in the Disney arsenal. While the animation is not quite as good as some of the other films made during this animation golden age, it still met the high standard Walt Disney had already established.

Ever find yourself shuffling around your local video store, eyes glazed over at all of typical genre fare studios churn out year after year, longing for something different? You could head over to the independent/festival section for relief, but it might mean straying farther from your usual tastes than you’d like. Enter The Brave One, an intelligent thriller that takes the usual revenge tale and rearranges its DNA. It offers the unusual perspective of director Neil Jordan (The Good Thief) and Jodie Foster’s finest performance since The Silence of the Lambs.

OK. Listen up. My name’s Athena and I’m a 12 year old Siberian Husky living in Florida. When I heard Gino say he needed a break and some down time, I decided to pitch in. It turns out that pulling a speaker from the shelf was not the kind of “break” he was talking about, and maybe not what he meant by “down” time either, now that I think about it. So, in between the “bad dogs” and those funny little words that come out whenever I get creative, I was able to figure out what he was really talking about.

Sarah Caine (Lisa Pepper) is a newspaper columnist whose career is in a rough patch – her work lacks inspiration, and she is barely syndicated anymore (only two newspapers still carry her). But perhaps her muse is soon to be revived. Her Amish sister dies, leaving her children in Sarah’s care. Cue the culture shock as Sarah travels from the Big Smoke (well... Portland, anyway) to the Amish community, and then again as the children come back with her.