DVD

Remember Aquaman? You know, that guy who lived underwater and fought people who would dump hazardous waste in the ocean or people with big helmets named the Black Manta. No, not Charlie the Tuna. Let's try this description. He's King of Atlantis and has giant muscles and was a very popular super hero. Namor, the Sub-Mariner? *sigh* He's the one who sat behind the desk feeding the Justice League information cause simply he had nothing else better to do. Oh Aquaman, quite right.

In the vein of Underworld, here is another tale of warring supernatural societies. In this case, both sides are werewolves (the “skinwalkers” of the title). The good guys seek to protect a 13-year-old boy who represents a cure for lycanthropy. The bad guys, who like turning into monsters, want to kill him to protect themselves. The weapons of choice in this battle? Fangs, you guess. Nuh-uh. Guns.

Severin unleashes three more entries from Italy’s long-running sexploitation saga, and the result is another fascinating collection. The quality of the movies themselves up and down, but the good stuff is very good, and the collective result is something that is completely fascinating. Exploitation fans should be over the moon.

Back in 2001 shortly after the release of the first Shrek I happened to be at a convention with Anne Francis of Forbidden Planet and Honey West fame. She had just taken a young one, I believe it was her nephew, to see the animated blockbuster. To say she was unhappy is an understatement. She was incredibly offended by the toilet humor and had some rather unflattering things to say about pretty much every aspect of the film. Here we are two films later, and I’d have to tell Anne that not much has changed. By my count the film never runs more than 9 minutes without a joke based on feces, farts, or butts.

Prepare to take a journey behind the curtain, with the all-access pass that is Show Business: The Road to Broadway, a documentary chronicling the fates of four musicals that beat the odds to reach theatre's "big show."

That's the premise for Show Business, and it certainly does get behind the scenes with Wicked, Avenue Q, Taboo and Caroline, Or Change, showing how they made it to Broadway, and then how they vied for the big prize: the Tony Award for Best Musical. Hardcore musical fans may not learn anything new here, but the average viewer will likely be enlighted considerably. At the same time, theatre buffs will likely be much more excited than most viewers about seeing stuff like rehearsal footage and interviews with show creators.

A remake of writer/director John Waters' 1988 cult hit, Hairspray is an exhuberant movie musical that builds off the smash-hit Broadway production to recreate the excitement on film for a new generation. Whether it's bigger and better than previous iterations, I can't say, because this DVD release marks my first Hairspray experience. What I can say is if Waters' original and the Broadway show are even half as good, they're definitely worth your time.

If that doesn't convince you, this Hairspray also presents John Travolta as an obese, middle-aged woman — a transformation that required plenty of make-up and, more importantly, allowed Travolta to finally reveal his true self for all to see.

A remake of writer/director John Waters' 1988 cult hit, Hairspray is an exhuberant movie musical that builds off the smash-hit Broadway production to recreate the excitement on film for a new generation. Whether it's bigger and better than previous iterations, I can't say, because this DVD release marks my first Hairspray experience. What I can say is if Waters' original and the Broadway show are even half as good, they're definitely worth your time.

If that doesn't convince you, this Hairspray also presents John Travolta as an obese, middle-aged woman — a transformation that required plenty of make-up and, more importantly, allowed Travolta to finally reveal his true self for all to see.

James West (Conrad) was a Union Army vet. He’s the kind of act first think about it later kind of guy. Artemus Gordon (Ross) was a typical con man. He could create the most convincing disguises and was also a master of sleight of hand. Together they worked for the Secret Service in the days of the western frontier. The two of them were the prototype of the future spy. They would use incredible inventions and Bond-like gadgets along with their own skills at trickery to investigate major Federal crimes, often plots against the United States. Think of James Bond in the Wild West.

This collection of SpongeBob cartoons has a distinct musical theme, underlined by the main offering, “Atlantis SquarePantis,” a 2-part episode that just aired. SpongeBob and friends travel to Atlantis on a song-powered bus (but of course!) and witness the many marvels of the lost city. Their tour guide is Lord Royal Highness (voiced by David Bowie). The action is cheerfully episodic, and many of the song sequences are very funny (one highlight being Sandy’s ditty which occurs with the cast transported into a 1991 video game). The other shorts are pretty fun, too, with the highlight being “Sing a Song of Patrick,” wherein the starfish writes his own pop tune, with hilariously catastrophic results.

It was in the second year that the format of Mission:Impossible became what we all remember today. By this third year the show was running on all cylinders and full speed ahead. By now the formula was tight, so the audience knew exactly what to expect. They weren’t disappointed. The third year was also a very successful year in the ratings as the show began to come into its own. Mission:Impossible was a companion show to Star Trek. Both were produced at the Desilu Studios and often shared guest stars. If anything changed, it could be said there was a little more action in the third season.