DVD

To say that director Danny Boyle has quite an eclectic resume for his directing filmography may be a bit of an understatement. After an impressive first feature in Shallow Grave, he moved on to the cult classic film about heroin addiction called Trainspotting. From there he took an interesting part for a film called A Life Less Ordinary, followed by directing a hot commodity named Leonardo DiCaprio in The Beach. He took on an interesting zombie film called 28 Days Later, and that brings him up to the children's film(?) called Millions.

What's a boy to do when he is called into work and has to work a graveyard shift and is virtually disallowed to access the internet? Why, watch the first and second seasons of Wings of course, and thoroughly enjoy the wild antics of the folks in an airport on Nantucket Island. You have Joe (Tim Daly, Return to Sender), the uptight anal retentive serious one, along with his younger brother (and general goofball) Brian (Steven Weber, At First Sight). Together they own and operate Sandpiper Air, a sleepy small airline with one plane.

Perhaps the folks at MTV thought that Wildboyz was doing so well, that they figured that maybe they should fly the boys out to even more remote locations, but that they should include some old Jackass members also. And sure enough, in the second season of Wildboyz, both Wee Man and Johnny Knoxville show up for guest starring roles and accompany the boys as they travel to Indonesia, Africa, Brazil and Costa Rica, to name a few places.

Synopsis

Her hands covered in blood, a distraught-beyond-coherence Julianne Moore wanders into a hospital with a story of being carjacked in a predominantly black housing project area. Detective Samuel L. Jackson, assigned to the case, learns from her that her young son is apparently still in the car. Given that her brother is a cop in the adjoining white area, all hell breaks loose and racial tensions threaten to send an explosive situation into terminal meltdown. But the question is whether there i...

Jim Henson was a creative genius. Who among us hasn’t grown up with his immortal Sesame Street characters? In the years leading up to his untimely death from pneumonia, The Henson Creature Shoppe had begun to expand out of its Muppet roots. The Dark Crystal was an amazing breakthrough in puppetry technology. One of Henson’s last ideas was about a family of dinosaurs. Sadly, Henson passed before his vision could be fully realized. Fortunately for us his son Brian has continued the Henson tradition, beginning with Dinosaurs.

Here's the dilemma with these kinds of movies; it's hard to successfully fit a hard R story into a PG-13 package. Usher is a big draw in the under-18 market, so the challenge is to take a strong dramatic story and mold it to hit that balance between Hard Eight and Raise Your Voice. However, I have said it before, and here we go yet again... movies that try to appeal to everybody will successfully appeal to nobody. This is a movie that is a bit too racy and violent for your average 12-year-old girl, but way too soft for adults.

Like it or not, you can't talk about this show without talking about the C.S.I. phenomenon. The extreme popularity of that single show has launched an entire genre of hour-long police investigation shows that are showing up on every network, every night. There are now three different C.S.I. programs on the air, as well as military crime programs, FBI profiler programs... even a mathematical approach to crime solving with Numbers.

The latest show in this trend is The Closer, a TNT ...

When Ridley Scott’s latest epic Kingdom of Heaven was released for common viewing in May 2005 at 145 minutes, critics either really liked the film, or where really dissatisfied with the film. Audiences, it seemed, tended to agree with the latter critics as the film only grossed $47 Million Dollars, which was a dissapointment considering the film had a budget well over $100 Million. Rumors started to fly, as with any big epic, that Scott was forced to slash the film’s running time to not only make audiences ha...

Diane Keaton and Tom Everett Scott star in Surrender, Dorothy, a predictable, over-the-top melodrama plagued with unsympathetic characters, clichés, and unbelievable plot developments. The plot centers on Keaton as she copes with a car accident, which claims the life of her daughter. There is a lot of venom and hostility inside her, as the rest of the world takes a back seat to her own grief. As someone, who has lost a loved one prematurely, I take offense to the behavior of this central character. She’s a sel...

From reading the back of the box, one would think that this film was one of the true Disney animated classics. Phrases like “digitally remastered for the first time on DVD” and “the original Disney classic” would certainly lead one to believe such a thing. The fact of the matter is, however, that this “classic Disney film” was just originally released in 1997. Sure, it's remastered, but we're talking about remastering a print that is less than a decade old. Improvements were undoubtedly made, but this re...