Posted in: Disc Reviews by Archive Authors on May 3rd, 2006
I have been rambling on and on about the merits of this outstanding series to friends, family and innocent bystanders for years. I will continue to do so until the final disc of the final season has hit Amazon.com; and probably for quite some time after that. It is a show that is important, culturally relevant, and surprisingly political without becoming annoyingly partisan.
Season Six is something of a bounceback season for the show. In Season Five, the show floundered a bit. While it was still easily one of...the best things on television, the ship lots its way. Issues were explored, but no one issue really solidified itself as a strong story point. By the time Season Six came around, the show had a natural theme to run with; re-elections. As Bartlet begins to struggle with complicated issues in the Middle East, Presidential hopefuls emerge in the form of Alan Alda and Jimmy Smits. Instead of winding down and fading away, this show picked up steam as it headed toward the end of its seven season run. I, for one, am enjoying every minute of it.
Posted in: Disc Reviews by David Annandale on May 2nd, 2006
Synopsis
Over 400 years in the future, the remnants of humanity live in one last city. This is under the total control of the Goodchild regime. Innocents are constantly disappearing. The government is fought by the Monican resistance, and super-assassin Aeon Flux (Charlize Theron) is sent to assassinate supreme leader Trevor Goodchild. At the moment of her victory, however, she hesitates, and it soon becomes apparent that nothing is as she though it was.
Posted in: Disc Reviews by Archive Authors on April 30th, 2006
Honestly, does the world really need another Steven Segal movie? I think what's even more depressing than the thought of another Segal flick is the fact that he has attached himself to the project as an executive producer. Clearly, this is the failed actor's latest attempt in an ongoing quest to regain the successful film career he enjoyed in the 90's. Of course, his string of hits ended for a very good reason. Sure, there will always be a place for the big, dumb, mindless action movie. The thing is, even mindless ac...ion flicks have been done better than this one. The plot here is pretty much the same kind of thing you would expect. The son of a wealthy arms dealer has been kidnapped, and Segal is called in as a mercenary to rescue the boy and collect a handsome reward. Only, when the mission gets underway, Segal realizes that he has been double-crossed, and he must choose between his reward and doing the right thing.
Do these things still make money? While I certainly understand Segal's desire to want to keep making films, I can't understand the studio's desire to keep funding them. When I was a 15-year-old boy, I was all about going to see Steven Segal karate chop some foreigner. Once I reached an age where I would be legally permitted to go to see such films, however, I had matured beyond this stage in my life. Apparently, I am in the minority, because here he is yet again, killing for a good cause, in this steaming pile of a direct-to-video film.
Posted in: Disc Reviews by Archive Authors on April 30th, 2006
There was a day in the not so distant past when there were about six big name comedians in the country, and everybody pretty much knew who they were. In the past several years, however, stand-up has really taken off in the United States, and it has become increasingly more difficult to keep track of who is who. Jeff Cesario is one of those that has garnered some popularity over the past several years, and is starting to make a big name for himself, but has certainly not arrived on the big stage just yet.
Sinc... comedy is so subjective, it doesn't really seem fair for me to say “this guy's funny” or “his show is lame”, because who am I to decide what you are going to think is funny? All I can do is speak for myself, and I personally didn't care for him. I found him pleasant enough, and some of his jokes were very funny, but generally speaking, his brand of humor just wasn't for me. Others may really enjoy him, and that's fantastic, he just happens to not appeal to me. As a result, my advice to you is that if you have not seen Cesario perform before, you might want to rent this title before you buy it.
Posted in: Disc Reviews by Archive Authors on April 29th, 2006
When The Passion of the Christ was released on DVD several years ago, I didn't buy it, opting instead to wait for the strongly-rumored special edition release to come. Here we are almost three years later, and no such release is being discussed. The funny thing is, The Big Question is essentially an extra for that non-existent DVD package. This documentary, which discusses questions of faith, was shot on the set of The Passion of the Christ, amongst the actors and artisans that were gathered from all parts of the planet for the production. This is a wonderful idea, and it makes for a great documentary featurette to support the film, but I just don't feel that there is enough here for a stand-alone release.
Various people from various cultural and religious backgrounds were asked the same set of questions about who God is and how He (or She, as the film asks) relates to us, and us to Him. The resulting comments serve as something of a glorified "man on the street" view of religion. While there were some religious scholars included, the end result is a muddled collection of opinions that really don't go very far toward answering many of the questions raised by the film's directors.
Posted in: Disc Reviews by Archive Authors on April 29th, 2006
Best guess, this is David Lynch's way of showing how crude and tasteless many modern animated shows are. Maybe by creating one of these shows at the truly lowest possible denominator, Lynch is trying to make an artistic comment on what the American public freely accepts as quality entertainment. Shows such as Beavis and Butt-Head have been mocked for their poor animation quality. South Park has frequently been mentioned when strong language is the topic of discussion. This series hits an all-new low in...both categories, not to mention those of extreme violence and gross-out humor. This show truly is the lowest possible artistic medium... and it is that way on purpose. By showing us just how utterly wretched these shows could be, Lynch is sending a powerful message to the ever-growing segment of the American population that thinks it is “cool” to be ignorant; as well as to those networks that put such shows on the air.
While I do not completely agree with his beliefs, he still makes a very valid point. This is a very shrewd way of making an editorial comment, but that doesn't make this disc any more pleasant to watch. Watch this disc if you must, but I beg of you, please, please do not buy it. You will never watch it a second time. In fact, though the entirety of the disc only lasts 35-minutes, you may not even make it that far the first time through.
Posted in: Disc Reviews by Gino Sassani on April 28th, 2006
This is another one of those films that is best suited for the international film festival crowd. I’m not sure, however, if even that group will get this one. Jennifer Van Dyck gives one of the silliest and most wooden performances I’ve ever seen as a woman suddenly constrained by normal life. Under the influence of a messed up play director, she is encouraged to experience life through other eyes. Her use of profanity, sleep deprivation, and depravity are just not interesting to observe. I’ve had bouts of sleep de...rivation, and trust me, it’s not the sense-stimulating experience she writes about. It plays out like a poor art film student’s work. Not to be taken seriously at all. It won’t likely even show up at the local video chains . “You ain’t missing nothing.”
Video
Posted in: Disc Reviews by Gino Sassani on April 28th, 2006
The Adventure of Sherlock Holmes’ Smarter Brother has everything that Young Frankenstein had except Mel Brooks (although he does make a very brief vocal cameo). With the combined comedic genius of Gene Wilder, Madeline Kahn, and Marty Feldman, how could this film go wrong? Like Young Frankenstein, Sir Arthur Conan Doyle’s Sherlock Holmes offers a rich classical mythology to mine for material. A wonderful supporting cast featuring the likes of Dom Deluise can’t miss, right? No so elementary, my dear Watson. Focus. ...hat’s the rub. I’m not referring to the work of the cameramen here. Gene Wilder appeared so sure of his own brilliance that he forgot to bring the story.
The game’s afoot, and it smells like it, too. Never before has so much talent been squandered on so little substance. I understand this is a farce, and I’m fully prepared for the absurd. I’m just not prepared to go nowhere. I was extremely disappointed at every turn. Toilet humor replaces wit. There are also no straight men. What’s Costello without Abbott? Everyone is so into trying to be funny no one offers to be the foil. Simply uninspired. The entire film makes one feel they are witness to one large in joke and we’re on the outside of the punch line. The musical numbers make the film all that much more intolerable.
Posted in: Disc Reviews by David Annandale on April 28th, 2006
Synopsis
Red (as in Riding Hood) visits Granny, only to find the Wolf in disguise. Granny bursts out of the closet, and then the Woodsman crashes through the window, axe upraised. We then cut to the police investigation of this scene, as a frog investigator interviews each of the players in turn. The forest has been terrorized by the Goodie Bandit, who has been stealing recipes, and one of these characters might be the guilty party. What follows is a series of tales in the vein of Rashomon, wh...re we gradually come to understand what is really going on.
Posted in: Disc Reviews by Archive Authors on April 28th, 2006
Teddy Pendergrass, one of the lesser known soul rebels of the seventies, comes to DVD in this lackluster edition, which purports to be 80 minutes – but that’s only true if you factor into the running time the one bonus feature. This fact could be a detriment to fans of Teddy’s music. For me, however, it was a relief to discover the actual concert only ran about an hour. There was nothing here to justify the man’s status as some kind of legend, as his audience interactions and movements on stage were limited in scope ...nd creativity. Also, his raspy voice doesn’t translate well to the performance setting. Not that I’ve heard his studio work, but it seems that would be the most effective venue for him.
Still, he seems to enjoy performing – he just doesn’t bring anything remarkable to the table. Some of the tracks on this disc will be familiar, but it’s pretty much just Teddy conducting someone else’s orchestra – and a couple of songs, which do ring familiar, have been performed better by other artists. This disc includes the following tracks: “Life Is A Song Worth Singing,” “Only You,” “All By Myself,” “Medley: If You Don’t Know Me By Now / The Love I Lost / Bad Luck/ Wake Up Everybody,” “Easy, Easy, Got To Take It Easy,” “Close The Door,” “When Somebody Loves You Back,” and “Get Up, Get Down, Get Funky, Get Loose.”
