DVD

Sometimes, I look through my collection of dvd and blu-rays. I tend to notice patterns fairly well. First, I like plenty of science fiction or thriller types. On the animation front, for the most part I tend to like anything oddball or superhero. Plain jane ordinary kid cartoons never seem to be my thing. The weirder the better. Today, I review Hey Arnold!, the first season. Perhaps I can give this Nick classic some bland cookie cutter love.

Hey Arnold! was a show that ran from 1996 to 2004 on the Nickelodeon network. It was a staple for that station for many years. It even churned out a movie at one point. It had a ton of characters but I will go over a few. There is the main character, Arnold who is in the fourth grade. His head is shaped like a football (something that many of the earlier cartoons beat to death) and he stays with his grandparents, Phil and Gertie. He also has a pet pig named Abner and they live in an old apartment building.

After reviewing the entire first season of Batman: The Brave & the Bold, it looks like I am back for another season of that Silver Aged Guardian of Gotham. Outrageous adventure and more kooky villains await this reviewer every episode. We get twelve episodes to sink our teeth into and it looks like there will be some interesting plots for us to tackle this time around. Let’s go Boy Wonder, to the Batcave!

These twelve episodes of the Batman, Brave & the Bold are all over the map. As explained before, there is some minor continuity but pretty much we can jump into any episode we darn wish and not feel like we have missed anything. Remember, the setup is one two minute teaser, followed by a roughly twenty minute full length cartoon. Without further adieu, let’s look at this half of season two with four episodes of my choosing.

This is normally where I would summarize the plot of the film. I could tell you that this is the story of three friends in a woodland cabin who must fight monsters spawned by the wife of one of them. But that would be misleading. What the story is really about is two, sometimes three, guys sitting around and drinking beer. Later they switch to whiskey. And then there’s this one dude who puts a cockroach in the other dude’s sandwich...

As I’m hoping you will have realized from the above, this is no ordinary movie. In his excellent They Came From Within: A History of Canadian Horror Cinema, Caelum Vatnsdal argues that Things holds the title of Worst Canadian Horror Film Ever Made, and it’s really, really hard to believe that there could possibly be another contender. Badfilm connoisseurs, this release is manna from Heaven. This is a film that would embarrass Ed Wood. Tommy Wiseau would weep with despair over the future of cinema. Doris Wishman would beg to take over the camera and sound duties, just so such a thing could never happen again. I could go on.

"Welcome, Little Piggies, to The Task."

"You are now under quarantine."

"We are looking at an unexplained phenomenon. It appears to be a partially preserved severed head, maybe of a deformed person or a wild animal. Perhaps the metal base contained some sort of preservative presently unknown to us."

Having accidentally caused the death of her mother, Helen (Jenny Neumann) develops an unhealthy fixation with broken glass. Now an adult and an aspiring actress, she auditions for a role in an absurdist play. She gets the part, and also the attention of her handsome co-star. But then someone starts killing off the cast and crew of the play. Is it Helen?

It isn’t really venturing into spoiler territory to reveal that the answer to that question is “yes.” It is just one of the many odd aspects of this Australian slasher flick that the murders are staged in such a way (often, though not always, in first person) as to conceal the identity of the murderer, while the story makes it clear that there is only one person who could be responsible for the deaths. It then has the nerve to reveal Helen as the killer, right at the end of the film, as if this is some kind of surprise. Imagine if Halloween had concluded with the statement that “The murderer is... Michael Meyers!” and you have the idea. Meanwhile, the editing is frequently disorienting, with the 180-degree rule being violated on a number of occasions, and any sense of geography going right out the window (unless we really are supposed to believe that the critic’s home is an annex of the theatre itself). The storytelling is extremely choppy, with the film being broken up into short, barely developed scenes that have very little connective tissue between them. And as far as the plot itself goes, it’s a typical 1980 slasher in every way, just with Australian accents.
Now having said all that, the theatrical setting does add a measure of interest, and there are moments that call to mind Michele Soavi’s later Stagefright (1986). While the latter is by far the better movie, Nightmares (which was also, by coincidence, known as Stagefright) really comes alive in the rehearsal and performance scenes, with some genuinely witty barbs thrown out at the theatrical world, and some striking camera compositions tossed into the mix. So while this film will remain of interest primarily to fans of the 80s slasher movie, said fans will find just enough different here to make the film worth checking out.

By Natasha Samreny

Scent of a Woman is a rich example of classic storytelling maintaining its power through the years. In this American remake of an Italian tale, Al Pacino, Philip Seymour Hoffman and Chris O'Donnell continue to captivate. If you love the film already and want to make it part of your collection, consider its HD-DVD or Blu-ray versions, released later. It seems neither color nor sound were improved for this film until then. To fans' dismay, Universal has yet to update any discs with special features beyond the outdated text-centered cast/crew list and bios.

"As people flocked together for safety, the plague marched through their locked gates and they became death traps. When Washington fell it was over for America as we knew her. As government blew away, our great leaders ran for it, and hope was abandoned."

"One morning in 1940, the entire population of Friah, NH walked north up an unmarked trail into the wilderness. Some were later found frozen to death. Others were mysteriously slaughtered. Most, however, were never found."

It's legends like these that usually mean we're about to embark on another Blair Witch journey into the woods in search of some deep dark secret. It means it's time to brace yourself for some "found" footage. It's going to be shaky and rough and leave your eyes or head (or both) hurting by the time the experience is over. Thankfully, co-directors Jesse Holland and Andy Mitton decided that they could tell the same kind of story without taxing the endurance of disorientation of their audience, at least not in a visual sense.