DVD

Three children are born at the moment of a total solar eclipse. On the even of their tenth birthday party, we discover that these kids, for astrological reasons, are complete sociopaths, and are having a merry time offing anyone in the community who even vaguely annoys them. The only ones who even gradually suspect that something is going on are high school senior Joyce (Lori Lethen) and her little brother Timmy (K. C. Martel). They soon become the target of the psycho kids’ wrath.

Ann Gentry (Anjanette Comer) is a social worker with a new case, one that she specifically sought. She has been assigned to the Wadsworth family. It consists of a terrifying matriarch (Ruth Roman), sexpot daughters Germaine (Marianna Hill) and Alba (Suzanne Zenor), and Baby (David Mooney, credited as David Manzy), a grown man with, apparently, the mental development of an infant. But Ann suspects Baby is capable of more, and that there is something fundamentally wrong going on at the Wadsworth residence. The Wadsworths, meanwhile, do not take kindly to Ann’s prying, and will stop at nothing to preserve their way of life.

In 2007, writer-directors Jaume Balaguero and Paco Plaza created [REC], a truly frightening horror film. Considering their subject matter is so familiar to audiences it proved a major challenge not to fall into clichés. Somehow, against all odds, [REC] remained fresh by blending the elements so well… nasty contagion and fast zombies ala 28 Days Later captured in documentary-syle videography made famous by The Blair Witch Project. Add likable lead characters, natural dialog, horrific gore and scream-at-the-screen suspense; sprinkle in clues of a disturbing spiritual origin to the mysterious virus and you end up with one of the scariest and most effective additions to both the zombie and “found footage” horror sub-genres.

The third BloodRayne film (and second with Nastassia Malthe in the title role) sees the titular dhampir slicing up Nazis, and so the chronology of the third film rejoins that of the first game. During a raid on a death camp train, Rayne accidentally infects a Commandant Michael Paré. Becoming a dhampir himself (a human/vampire hybrid), he and Mengele-figure Clint Howard (because who else are you going to cast as a Nazi scientist other than Clint Howard?) plan to use Rayne’s blood to grant Hitler immortality.

I’ve seen some dysfunctional families on television over the years. Haven’t we all? It’s fun to laugh at someone else’s flaws. Along comes Showtime, and it’s rather hard to classify the series The United States Of Tara. This one takes dysfunction to a whole new level. Tara (Collette) suffers from multiple-personality disorder. Laughing yet? She has managed to control the problem by using medications and attending frequent therapy sessions. But the medication is sapping her creative ability.

Renée Zellweger is Jane, a former country singer who has lost the will to live since an accident left her in a wheelchair. Forest Whitaker is Joey, who can talk to angels and ghosts since he witnessed the death by fire of his family. These two wounded souls bond and bicker, and when Joey finds a letter from Jane’s son, whom she gave up for adoption years ago, he decides that she must see him.

I have never been a huge fan of Tyler Perry's creations. Particularly, House of Payne is something I really don't care for. Mostly this is due to the fact that the original story that made the household dynamic of mixed family members what it is throughout the series came from a story about a woman who was a crack addict and arsoned her own house. After seeing this story, and the completely insensitive way it handled drug addiction struck me as so foul that I have yet to find forgiveness.

The fourth season of The Virginian was a milestone year for the groundbreaking western. Four of the show's regular characters would be appearing in their final episodes. Lee J. Cobb was never completely happy doing the show, and while he always acted professionally, his castmates all knew he wanted to leave. Cobb finally left halfway through this season even though he would remain on the opening credits for the entire year. This would also be the first and last year for Diane Roter as Jennifer Sommers, the Judge's niece.

Mr. Skin and Panik House Entertainment have teamed up to provide us with what can only be described as a schlock-o-rama of 1980's exploitation cinema. After the run of blacksploitation and grindhouse films of the 1970's, we found ourselves in a cycle where the subject shifted to women behind bars. You could still find the same level of low-budget movie making here but with the added "bonus" of watching hot chicks, for the most part, used and abused while being usually unfairly incarcerated.

This is a biopic about two very obscure people whose relationship has escaped the attention of all but a select few. All kidding aside, what we have here is a dramatization of how the heir to the British throne (Nico Evers-Swindell) meets Kate Middleton (Camilla Luddington), and how their romance gradually blossoms. He arrives at university, and every blue-blooded young woman has him in her sights, but it is, naturally, the down-to-earth girl who draws him, the turning point being when she shows that she’s sexy as well as smart during a student fashion show.