Posted in: Disc Reviews by Gino Sassani on June 23rd, 2010
The Griffins, residents of Quahog, Rhode Island, aren’t the standard sitcom familial unit. The patriarch, Peter, a thick-necked, thicker-accented simpleton, has a wonderful grip on eighties television shows and bad musical groups, but lacks in social graces (soiling oneself at a neighbor’s funeral?). His wife, the animated-hot and ever-loving Lois, seems hell-bent on keeping some semblance of normalcy in the household, even if it means burying her feelings and ignoring reality a bit. Their oldest child, Meg, is the very definition of unpopular, but trying. Chris, her thirteen-year-old brother, is a dense lug who fears the evil monkey only he can see. Baby Stewie is a two year old with Rex Harrison’s voice, Howard Cosell’s vocabulary, and Napoleon’s lust for world domination, but his family treats him just like any other two year old. Finally, their dog, Brian, is a well-read, well-spoken hound who’s trusted enough to babysit, even if he’s known to take a martini or two. Family Guy is the almost always hilarious story of their lives and their struggles.
Fox never really knew what to do with Family Guy, even though it premiered right after the Super Bowl. It moved around the schedule like a cartoon Bedouin, never getting a chance to claim a timeslot for its own. Its fans followed it, but newcomers never knew where to find the show after its initial viewing. Its humor also didn’t make it a very easy sell to advertisers; it’s a more gruff version of The Simpsons, with far “bluer” material (sort of like if Homer and Marge were involved in an S&M episode). As a result of these obstacles, and in spite of serious protestations from a very large fan base, Family Guy only lasted three seasons. But never count a good series out for the count. Three years after it left the airwaves, Family Guy was back. Now the show is going into its 9th season. Quite a success story.
Posted in: Disc Reviews by BABY on June 22nd, 2010
Hey everybody. Baby, back again to bring you yet another dog movie from a dog's point of view, which is the floor, in case anybody out there really wants to know. You see, Gino won't let me on the furniture in the theater. He says that just because the seats look like chew toys, and smell like chew toys, doesn't mean they actually are chew toys. I mean, really, people. You wanna talk about your special effects, which reminds me of something else I'm not supposed to do in the theater, but let's not talk about that right now.
I wanna play a game we like to call Baby Says. OK, I like to call Baby Says. Baby says take two steps backward. Baby says get back in that delivery truck. Deliver some more DVD's or Blu-rays. Oh-Oh, I didn't say Baby Says, and that spells B A R K. Baby Says send me some treats, and that spells W A G. The truth is no matter how loud I yell, and no matter how loud Gino yells at me, these movies keep showing up on our doorstep. And the latest of these movies is called Air Bud: World Pup. So I guess I better stop talkin' about me and tell you something about the movie.
Posted in: Disc Reviews by Gino Sassani on June 22nd, 2010
MacGyver (v) To act in an extremely resourceful manner. To utilize everyday items in unconventional ways to achieve a difficult task. I predict it will not be long before you can open your trusty copy of Webster’s and find this character has officially entered our lexicon. There is little doubt but that it is an unofficial part of it now. Crossing over from the realm of pop culture and into our language is a phenomenal achievement for a television show.
I came to the MacGyver party rather late. Like everyone else on the planet, I was certainly aware of the show and the clever abilities of the lead character. Still, with so many other shows to watch, I never saw a complete episode. Then came Stargate SG-1. This was another series I at first avoided. I thought the original film was OK but nothing I’d care to see week in and week out. One day while my wife was taking our neighbor’s dog to the vet I was bored and sat down to an episode on Showtime. I was hooked, not only on the series, but the characters, along with their alter-ego actors. Richard Dean Anderson I found most compelling. I must admit to confusing him at first with the Richard Anderson of The Six Million Dollar Man fame (Oscar). Finally I sat down to some MacGyver on DVD.
Posted in: Disc Reviews by Gino Sassani on June 22nd, 2010
"The Douglas family is back and ready for seconds in volume two of the second season of My Three Sons. Join America's favorite pipe-smoking single dad Steve Douglas as he raises sons Mike, Robbie, and Chip with a winning combination of laughter, love and world-class fatherly advice."
Just to look at it you would think that My 3 Sons was a Disney production. Its star Fred MacMurray had appeared in many Disney films of the 50’s and 60’s and is most likely recognizable from those appearances. Two of the three boys were also known for work with Disney. The eldest boy, Mike, was played by Tim Considine, who starred with MacMurray in Disney’s The Shaggy Dog. Middle son Robbie was played by a former Mickey Mouse Club Mouseketeer, Don Grady. The youngest son, Chip, was played by Stanley Livingston, the only non Disney alum in that group. Another reason for the confusion is the decidedly Disney-like material the series covered. Steve Douglas (MacMurray) was a widowed single parent who was trying to balance his job with that of raising his three sons. Most of the stories involved the warm and fuzzy heartwarming stuff that Disney had pretty much cornered the market on in the films. Whatever troubles arose, no problem was so bad that a heart-to-heart talk couldn’t fix it. The style would prosper and continue in the form of 70’s shows like The Brady Bunch. The four guys were also joined by Steve’s father-in-law, Bud, played by I Love Lucy favorite William Frawley. That was no surprise, since the show was actually produced, not by Disney, but the Desilu studios.
Posted in: Disc Reviews by Michael Durr on June 21st, 2010
Most people who read this site frequently are aware with my love for cartoons. More often than not, my favorite cartoons are those from the 90’s or 80’s cartoons and included such shows as Batman Animated, Teenage Mutant Ninja Turtles, and Darkwing Duck. But there are some cartoons that have been made in the last decade that twenty years from now will be considered classics. As it turns out, I got to review one of those modern classics with the help of a very special and biased friend.
Hi there, my name is Michael Durr and you might remember me from such great reviews as Superman: The Complete Animated Series and Duckman, Seasons 3 and 4. Today, we are talking about Johnny Bravo: Season One. Johnny Bravo was a fantastic cartoon on the Cartoon Network that premiered on July 7th, 1997 and would then last sixty seven episodes until it ended in the hot summer of 2004.
Posted in: Disc Reviews by Michael Durr on June 19th, 2010
If one were to ask my theory on creation or what role God plays in this wonder we call life, I probably couldn't give you a definitive answer. Since I possess both a creative and analytical mind, I often find myself going back and forth on thoughts that for the most part have stuck me in the middle of the belief ideology. It was only fitting that I was able to review Creation, a movie where Darwin was having many of those same conflicts before he wrote his legendary book.
Charles Darwin (played by Paul Bettany) is a renowned English naturalist. He lives south of the small village of Downe in the parish of Kent in London. He is a devoted family man and is married to Emma (played by Jennifer Connelly) and has a loving daughter named Annie (played by Martha West) among many other fine children. In addition to developing his theory, he spends many of his days telling stories to his children of his travels.
Posted in: Disc Reviews by Gino Sassani on June 18th, 2010
You may not know the name Patricia Highsmith, but you do know her work. She penned the novel that brought us Alfred Hitchcock's excellent thriller Strangers On A Train. You might also know her character Thomas Ripley, who was the subject of several of Highsmith's novels including the famous The Talented Mr. Ripley. Most of these works appeared in the 1950's and 1960's. Still, her work has been tapped for motion pictures right up through the most recent film The Cry Of The Owl.
Now see if you can follow any of this. The film is a cooperation between an American company and Britain's BBC as well as a French company. The lead is Paddy Considine, a Brit. Of course, he's playing an American in the film. The film is set in some undisclosed, but presumably New York, American big city and a surrounding small town. But, the film was lensed in Ontario, Canada. Got that? It's very much an independent-feeling film and is a direct-to-video release.
Posted in: Disc Reviews by Gino Sassani on June 16th, 2010
Elvis Presley is often referred to as The King Of Rock And Roll, at least to his fans. There's no denying the impact that he had on the music scene. He was the first rock and roll star, to be sure. Colonel Tom Parker, his long-time manager and partner, created many of the marketing traditions that are commonplace in the industry today. He knew the value of his star, not only as a performer, but as a brand. For the first time, a musician's image and name started to appear on everything from bath towels to women's underwear. Fans are often split on their feelings for the self-styled Colonel, but Elvis would not have become the name brand he still is today, without him.
One of those brand expansions tapped into Elvis's own boyhood fantasy. Elvis had worked as an usher at a local movie theater as a teen. He's often related that he would linger in the auditoriums, watching those movies and fantasizing that he was James Dean or Marlon Brando, two of his idols. With the help if Colonel Parker, Elvis would get to see that dream become a reality. The King was to expand his realm to include the movie business and Hollywood. No experience? No problem. After all, if Elvis could go from failing music in high school to becoming the highest paid musician on the planet, he could certainly tackle the world of acting. And he did just that.
Posted in: Disc Reviews by Gino Sassani on June 16th, 2010
"What you are about to see has a mechanical gopher in it."
Recently I was having a bit of a playful, and at times aggressive, back-and-forth with a friend over our top 50 films of all time. While we disagreed at almost every turn (of course his list had Speed and Pretty Women and not Jaws, Unforgiven, King Kong, or Gladiator). What we did seem to agree upon was that neither of us was willing to allow very many comedy films into our lists. There's something about a very good comedy that doesn't fit with the likes of The Godfather or Gone With The Wind. Caddyshack wasn't on either of our lists. But Caddyshack did make AFI's funniest films back in 2000. I suspect it made a lot of lists over the years. It should. It's a very funny film.
Posted in: Disc Reviews by Gino Sassani on June 15th, 2010
“My name is Michael Weston. I used to be a spy until, ‘you’ve got a burn notice’. When you’re burned, you’ve got nothing. No cash, no credit, no job history. You’re stuck in whatever city they decide to dump you in. You do whatever work comes your way. You rely on anyone who’s still talking to you: a trigger happy ex-girlfriend, an old friend who used to inform on you to the FBI, family too, if you’re desperate. Bottom line: Until you figure out who burned you, you’re not going anywhere.”
Burn Notice has all the earmarks of a really great television series. It has Bruce Campbell, and that alone should make it worth watching. The concept is a clever one and not the usual kind of spy show we’ve already seen too much of. The problem is that it’s not a great show. It’s not even a very good show. Campbell is way too underutilized and would have improved this series if he’d been in the lead role. I can see him as Weston big time. The series is also way too over-stylized. Ever since 24 and those distracting frames, there has been this race to see who can be the most distracting and annoying. Burn Notice wins hands down. There is this incessant need to freeze-frame the image at the most ludicrous moments. Somehow this is intended to up the drama ante. If that’s the ante, I fold. There’s too much annoying narration from Weston. Back in writing school you’re taught over and over again that you need to show, not tell. Here the Weston narration treats us like we’re kindergarten kids who need every little action he takes explained in incredibly boring detail. He then throws in some not very funny moments of wit that just fall flat.
