Posted in: Disc Reviews by Archive Authors on June 14th, 2010
Reading the synopsis on the back of the dvd case for Hard Ride to Hell, I was immediately struck by its similarity to the 1975 film Race With The Devil. A group of vacationers in an RV accidentally witness a satanic ritual out in the boonies and, after inevitably being spotted doing so, are set upon by the Satanists and must fight for their lives in a cross-country chase. As it turns out, the similarities are pretty much all cosmetic.
Hard Ride to Hell, after a brief prologue featuring some sinister cowboys and a pregnant, flesh-chomping madwoman, moves to the present where we are introduced to our heroes. Here is where the similarities to Race With The Devil begin to crumble. The group is indeed traveling in an RV but, for starters, instead of Peter Fonda and Warren Oates, we are stuck with guys in frat-boy haircuts who call each other “dude”. There are also two women and a black guy. The male cast members are, through most of the film, stiff and unconvincing, but the women are fairly strong. One of them, Katherine Isabelle from Ginger Snaps, actually brings some life into the picture when she’s onscreen. The only other standout in the cast is the guy who gets his name above the title, Miguel Ferrer. Even though he’s phoning it in on this one, he is still a treat to watch as the leader of the bad guys.
Posted in: Disc Reviews by William O'Donnell on June 12th, 2010
This film takes you back to the realm of Leave it to Beaver and from there tells the story of a young boy who has a crush on a girl who works at the local pizza parlour, and befriends an elderly neighbour who inspires him and all his friends (and enemies) to become devout Christianity. This film does not hide the fact that it is geared towards those who are faithful and are seeking a family friendly story to witness.
Posted in: Disc Reviews by David Annandale on June 12th, 2010
Staff Sergeant Will Montgomery (Ben Foster), a decorated solider just back from Iraq and having difficulty re-adjusting to life on the home front, is understandably less than thrilled with his new assignment: working with Captain Tony Stone (Woody Harrelson) in the Casualty Notification Service. These two have what must surely be one of the worst jobs in the history of history: knocking on doors and informing people that their loved ones have been killed. It is important that they deliver the news and leave, and have no further involvement with the bereaved. If only life were that simple...
Posted in: Disc Reviews by David Annandale on June 12th, 2010
In 1999, a troupe of US marines must transport some equipment across Romania. Leading them is Captain Doug Jones (Armand Assante), a man so committed to his duty that he does a pretty convincing job of appearing passionate and proud about what is, on the face of it, a rather dull, two-bit assignment. As matters develop, the mission is far from dull, though it is not interesting in the way Jones might have hoped. The train is waylaid in the small town of Capalnita by the corrupt stationmaster, and a comical clash of cultures ensues.
Director (and co-writer) Cristian Nemescu was killed in a car accident before he had finished editing the film, and it is likely that his final version would have run less than the current 154 minutes, which is long for a comedy. Nonetheless, there has been no second-guessing of his artistic intent, and the film is presented as he left it, and if it isn't as tight as it probably would have been, had Nemescu been able to complete it, it's still a remarkable piece of work, with wonderful, finely observed (and performed) characters, and a sharp, wry sense of humour.
Posted in: Disc Reviews by William O'Donnell on June 10th, 2010
It's a story we have seen many times before. A man is down on his luck with love, largely due to his irresponsible ways, until he finds redemption by coaching a little league team. Sound familiar? Got a good idea of how this movie will progress? Good, that will save me some time.
Posted in: Disc Reviews by David Annandale on June 9th, 2010
A man dies during what appears to be a botched robbery, and his heart winds up in the needful chest of Josh Lucas, single father to a young daughter with a rare bone disorder. This is obviously a man with more than his share of troubles, but things appear to be turning around. He has a new heart, and his daughter's beautiful doctor (Lena Headey) really likes him. But then, when he crosses the path of a certain paramedic, his heart begins to beat furiously, deafening him. Before long, Lucas realizes that his donor was murdered, and the vengeful heart is leading him to the killers.
Produced by the Scott brothers, Ridley and Tony, this is, as one would expect, a handsome-looking piece, but has none of the editing frenzy that characterizes Tony's work, and for that matter is more of a moody tone poem than is typical of the work of either brother. So director Micheal Cuesta is forging his own identity here, and is aided by genuinely moving performances, especially from Lucas, an actor who seems to be able to move effortlessly between hero and villain roles. Also on hand is Brian Cox, as the detective who realizes what is going on, and for reasons of his own encourages the heart's vendetta. He's always fun to watch, though his hard-boiled character here isn't much of a stretch.
Posted in: Disc Reviews by Gino Sassani on June 8th, 2010
"You may think this silly, but ever since I can remember I had this urge to be a knight. Not in armor or anything like that. Just in spirit. You know, to help the helpless. To find a wrong and right it. Then somewhere around 13 or 14 it sort of all became an urge to save beautiful damsels in distress. I just wish that somewhere in all of those books I read about knights and dragons they'd have warned me about damsels wearing little straw hats."
Posted in: Disc Reviews by William O'Donnell on June 8th, 2010
In the previous film, the Rapture (from the Bible) has occurred and two FBI agents were investigating. By the end, each was left in less than desirable situations and we start off with both of them getting into further trouble as the world has become a dystopia run by some sort of “Global Alliance.” One is busted from jail and finds a group of Christians in hiding, and the other is blackmailed into seeking out that same group and revealing their camping location to Alliance bad-guys.
Posted in: Disc Reviews by David Annandale on June 8th, 2010
A spin-off from Diff'rent Strokes, The Facts of Life centered around four residents of the Eastland Academy for Girls and their headmistress, Mrs. Garrett (Charlotte Rae). The four girls were characterized in strokes as broad as they way their physical types were presented: Blair (Lisa Welchel), rich, spoiled and blonde; Jo (Nancy McKeon), tomboy and brunette; Tootie, nosy and African-American; Natalie (Mindy Cohn), fun-loving and overweight.
The actual humour in the series is pretty pitiful – in other words, standard sitcom quips that might pass for wit if you're about five. However, like its parent show, it would consistently tackle difficult subjects. In this season, that means the likes of abortion, drunk driving, and hearing loss. Nothing subtle, and much that is painfully earnest here, but at least there is also a little bit of ambition in the stories, so credit where credit is due. The lead-in to the season was the TV movie, The Facts of Life Goes to Paris. While the dire nature of the humour is even more apparent here, now that the laugh track has been stripped away, the shooting was actually done on location, which is, frankly, more than I was expecting.
Posted in: Disc Reviews by Michael Durr on June 7th, 2010
In countries all over the world, there is still the prevalent issue of not being able to read. Even in advanced countries such as the United States, there are reports that suggest that many adults don’t ever pick up another book after leaving college. This reviewer was fortunate enough to have two adults in his life that read to him all the time when he was an infant and thus developed a desire and ability to read very early on. But for those who don’t have that luxury, perhaps they can find entertaining television programs such as Ghostwriter.
Jamal Jenkins (played by Sheldon Turnipseed) and his father (played by Samuel L. Jackson) are working in the basement of his family’s brownstone. Jamal’s father finds an old trunk that he was looking for and starts to pull it out. The father nor Jamal notices that the trunk knocks over an old book and the pages release a spirit. As they leave, the spirit follows Jamal.
