Posted in: Disc Reviews by Gino Sassani on July 20th, 2011
"A picture's worth a thousand words."
James Wan first came to national attention when a short film that he made set the stage for one of the most successful horror franchises in recent years. That short, of course, was Saw, and after no less than 6 sequels that franchise appears to be over, at least for now. Wan has teamed with the writer that also helped to bring about the original Saw film, Leigh Whannell, to try and turn the horror world on its head once again. But, lightning just doesn't strike the same place twice, or does it?
Posted in: Disc Reviews by Gino Sassani on July 20th, 2011
They say that when an alligator grabs hold of something tasty to eat, the reptile won't let go for anything. I guess the same thing could be said for Roger Corman. He's earned the title as King of the B Movie and has held reign for nearly 60 years. So we shouldn't be surprised that his relationship with SyFy and their monster mash-up series of original films would feature a few entries from Corman. Dinocroc came in 2004, followed by Supergator in 2007. Both found fitting places in the series from SyFy. Now Corman and the network have pitted the two against each other in the latest joint venture: Dinocroc vs. Supergator.
Two genetically-altered crocodilians have been developed in secret by the laboratories owned by Jason Drake (Carradine). The lab was funded by the government to create super-versions of food plants to solve the world's hunger problems. But these guys got greedy and decided to use the technology to develop a weapon out of an alligator and a crocodile. The result is two giant predators that soon break out of containment and threaten a Hawaiian island. There's plenty of the expected mayhem and chaos as the two creatures make their way through the population.
Posted in: Disc Reviews by Michael Durr on July 17th, 2011
One of my favorite books growing up was Dear Mr. Henshaw by Beverly Clearly. It was a charming book that told the story of a child who would write letters to his favorite author. But somewhere in the middle of the book, it turns from letters to a journal of his life in the second grade. The book series, Diary of a Wimpy Kid focus on the experiences of Greg Heffley and told through the pages of a journal. Today, I get to review the second movie adaptation subtitled: Rodrick Rules.
Like the pages of a drawing book, we join the Rocket Rollers Roller Rink (say that five times fast) where they are welcoming back Westmore 7th graders. A car pulls up and some drawings get out? Oh I get it. By the way, the sign has now changed to, More Lame 7th Graders courtesy of two 8th or 9th graders I assume. As the drawings come out, they dissolve to a family of four.
Posted in: Disc Reviews by M. W. Phillips on July 16th, 2011
“The first rule of Fight Club is: you do not talk about Fight Club. The second rule of Fight Club is: you DO NOT talk about Fight Club!”
Now, let me be the millionth critic to break those rules… Back in 1997, David Fincher received a call from his agent, Josh Donen, who’d just finished Chuck Palahniuk's novel Fight Club and tried to talk Fincher into reading it. Even at a brisk 208 pages, Fincher passed on it, protesting being too busy to read books. So Donen read the Raymond K. Hessel scene over the phone, the one where Tyler puts the gun to the convenience store clerk’s head and tells him, "I know who you are. I know where you live. I'm keeping your license, and I'm going to check on you, Mister Raymond K. Hessel. In three months, and then in six months, and then in a year, and if you aren't in school on your way to being a veterinarian, you will be dead."
Posted in: Disc Reviews by Gino Sassani on July 15th, 2011
"Delivering justice one shell at a time."
Sometimes you look at a movie title and you really can't decide what kind of movie it might be. It could cause you to avoid a movie you might have really liked. Scent Of A Woman was like that for me. I avoided it for years because I thought it must be some hyper-romantic film. Of course, it was anything but. Hollywood has a habit of trying to get too clever sometimes, and it leaves us just wondering what the heck are we in store for here. Then there are films that tell you everything you need to know in the title. When you see a title like Hobo With A Shotgun, you know exactly what it is you're getting.
Posted in: Disc Reviews by Michael Durr on July 14th, 2011
Even though I have found my soulmate, I often consider myself to be a loner at heart. If I was born in another time, perhaps I would be roaming the earth searching for a purpose. In some ways, I could consider myself to be like the lead actor in Warrior’s Way. A warrior who is the best swordsman in the land but empty in his heart. That however would change when one day I found my purpose. Will it change in his?
Yang’s (played by Jang Dong-gun) only purpose in his life is to become the greatest swordsman in the entire world. As a member of the Sad Flutes clan, he eventually accomplishes this goal by killing the former greatest swordsman in the land and every one in the opposing clan. However, there is a wrinkle in his future ambitions when he decides to take pity on a small baby who was daughter to one of the members. In deciding to watch over her, he incurs the wrath of his fellow members and he has take refuge.
Posted in: Disc Reviews by Gino Sassani on July 14th, 2011
"The Dead should never be woken."
Of course, we've learned that lesson countless times before. Stephen King might have been our best teacher with his chilling book Pet Sematary along with its not-as-successful films. Who can ever forget Fred Gwynne, beloved Herman Munster himself, uttering the line: "Sometimes dead is better"? We soon learn that while you might be able to return the dead from their graves, what comes back is usually not quite right somehow. In the end, instead of bringing life to the dead, these journeys usually bring a lot of dead to the living.
Posted in: Disc Reviews by Gino Sassani on July 14th, 2011
"In the winter of 1348 a knight of the Crusades returned to his homeland. He was tired in body and soul and hoped to live in peace the remainder of his days. But this was not to be."
The city of Villach has a problem. The plague has spread to its borders, and the affliction is spreading fast. The disease's arrival is timed to the arrival of a young girl (Foy) who was found to be wondering about the village. After some interrogation she confesses to being a witch and bringing the illness to the village. She must now be brought to the abbey where a holy book contains the words necessary to deal with the witch. Now they just have to get her to the abbey which is several days away from the village.
Posted in: Disc Reviews by Gino Sassani on July 14th, 2011
The story of Jesse James has been told many times over the years. There isn't a medium in the world that hasn't seen its share of tales concerning the infamous outlaw. You could find radio dramas, plays, television shows, films and even songs that recount his exploits. Some of these have been honest and brutal depictions of a lawless man and his gang of thugs who terrorized the West by robbing trains and banks, leaving corpses in their wake. Then there's the romantic telling that picks up on the folk heroes that Jesse and his boys have become over the years. Even in his day he became somewhat of a hero to a generation of those who read about his daring deeds in the papers and pulps. Of course, they likely didn't include those unlucky enough to have stared down the barrel of Jesse's six-shooter. The Long Riders fits into that later category of romantic folk stories.
The film depicts the final days of the gang. It begins with a bank holdup gone wrong and the excommunication of Ed Miller from the gang for starting a shootout and killing a cooperative teller. The Pinkertons get hot on the James/Younger Gang trail, and a lot of innocent folks get killed in the crossfire. The film finally concludes with the shooting of Jesse by Robert Ford.
Posted in: Disc Reviews by David Annandale on July 11th, 2011
The setting is a comfortably large house in the English countryside. Kin and friends have gathered for the funeral of the family patriarch bringing with them their foibles, eccentricities, and disasters waiting to happen. At the centre are the two brothers, Daniel and Troy (Matthew MacFayden and Rupert Graves). The former struggles under the shadow of his famous brother’s success as a writer, his plight encapsulated by the fact that everyone in attendance is disappointed that Troy will not be giving the eulogy. But his problems are about to become much, much greater, as the funeral descends into a chaos of unwelcome revelations, blackmail, drug freak-outs.
Director Frank Oz here rebounds from the disaster of his Stepford Wives remake with a pure slamming-door farce, and, for the most part, he succeeds. While Dean Craig’s script isn’t exactly bursting with surprises, it does have plenty of fun antics, and there are many “oh boy here comes trouble” anticipatory moments to revel. The cast is strong, with Alan Tudyk (currently essaying yet another accent to fine comic effect in Transformers: Dark of the Moon) and Peter Dinklage turning in particularly funny performances. If the shenanigans are ultimately a little familiar, think of this as the comedy equivalent of comfort food. Shepherd’s Pie may not be enticingly new, but it goes down fine all the same, and so does this.
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