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Most film-goers could identify a Michael Bay film just by the techniques he uses — quick edits, sun drenched color palette, and lots of action. This usually means that Bay is suited more for low-brow action movies as opposed to high-concept films. In Pearl Harbor, Bay proved that he couldn’t handle anything that didn’t explode — resulting in a lopsided film. The first hour was a tedious love story; the last 90 minutes were better — including an excellent recreation of the surprise attack.

The second version of Cornell Woolrich’s novel “Waltz Into Darkness” (previously filmed as François Truffaut’s Mississippi Mermaid), this is a decidedly steamier version, especially here, in its unrated form.

Cuban plantation owner Antonio Banderas advertises for a wife, and the woman who answers his ad is, he believes, plain but pure. Who shows up, however, is the beautiful but duplicitous Angelina Jolie, who has larceny rather than matrimony on her mind. Her scam runs smoothly at first … but she hasn’t counted on the depth of Banderas’ obsession with her.

"There was a time in baseball when there were only eight teams in each major league. They played an orderly balanced schedule visiting each city four times. A trip out West meant St. Louis or Chicago. There was a comfortable rhythm to the season... That time is gone now."

I might be from the last generation who understands exactly what that means. Some of the best memories of my life were of the lazy afternoons I spent with my grandfather at Veterans Memorial Stadium in Philadelphia.

"In America we give our lives to our jobs. It's time to take them back."

It was only a matter of time before the current economic situation made its way into our theaters and finally our homes with a movie like The Company Men. Certainly the economy has influenced many films in the last five years. There have even been other movies to explore many of the current issues. But it's this film that makes those issues, particularly corporate raiding and downsizing, its sole reason for being.

On first glance it might seem like a rather odd choice to have the likes of Billy Crystal direct a movie about the 1961 drive to beat Babe Ruth's sacred homerun record by teammates and friends Roger Maris and Mickey Mantle. When the film first aired on HBO,,I recall doing a bit of a double take myself. But, once you've seen the man talk about his memories of the game and the absolute reverence and respect he has for its history you begin to understand why he was the perfect choice to direct 61*

Jean-Hugues Anglade plays Zorg (yup, that's his name), a handyman living in a beach-front house, scribbling away quietly in his spare time. Not so quiet is his tempestuous affair with Betty (Béatrice Dalle in her debut), whose passions overwhelm both of them. First, she moves in on him with no warning. Then, when she discovers his writing, she decides they must move to Paris so he can have a career as a writer. To make sure Zorg complies, she burns his house to the ground. Once in Paris, her plans for him fall apart, and so, bit by bit, does she.

"My father said the army makes all men one, but you never know which one."

There have been a lot of movies about Vietnam over the years. Some are quite political, while others try to capture the sheer horror of war...any war. It's been long enough now that there are even lighter works about the conflict. But this might just be the smartest film about the war ever made, because it never actually goes to Vietnam.

"People scare better when they're dyin'"

Mention the name Sergio Leone and you immediately think of Clint Eastwood and their Man With No Name trilogy. The truth is that Leone was the master of the spaghetti western and largely responsible for making Clint what he is today. When the Italian director decided to try his hand at Hollywood, he was welcomed with open arms, except they weren't interested in anything but an American copy of a spaghetti western.

"Since the birth of time, humanity has endeavored to restrict evil men in prisons. But since Cain fled the murder of his brother, evil men have fled the walls of punishment. So it doesn't matter if you're a badass mother on the run because you think you're better than everyone else and somehow entitled to do what you gotta do. No, because you see, badass mothers are never fast enough. In the end, they will be accounted for."

People have been breaking out of Hell since the days of Dante.

One of the best signs that a film is a disaster is when the movie's own star can't seem to stop telling the world just how terrible it really is. Mickey Rourke at first had nice things to say about the film and particularly Megan Fox, calling her the best young actress he knew. Later he backtracked and qualified the statement about Fox. But his rantings about the film Passion Play have not been softened at all. He calls the film "Terrible" and a "Train wreck" while trying to assure us that he still loves director Mitch Glazer. We'd ask Mickey himself to write the review for the film here at Upcomingdiscs, but we tend to try and remain family friendly,