Posted in: Disc Reviews by Archive Authors on January 5th, 2011
Written by Dave Younger
Twelve (2010, Rated R, 93 min.) stars Chace Crawford (Gossip Girl) as White Mike, drug dealer to the stars of the Upper East Side’s prep schools. They’re young, rich, white, beautiful, and vapid: texting and whining are their main activities. That and scoring drugs. And then there’s Molly (Emma Roberts, Julia’s daughter (niece. Thanks Robert) who’s quite effective as the one good person here. Although they’ve been friends forever, she doesn’t know White Mike is a drug dealer. He can’t tell her for fear of losing her friendship and, because she reminds him of his mother (who passed away recently), it would be like telling your mom you’re a dealer.
Posted in: Disc Reviews by Gino Sassani on January 4th, 2011
Dateline: September 13, 1999
Mankind has been storing all of our nuclear waste on the far side of the moon. On the other side of the lunar surface was Alpha Base. Here mankind had a research station which also served as a launching point for deep-space missions. An unfortunate chain of events led to the unthinkable. The nuclear waste pile was ignited, and the whole dump exploded with a force so powerful that it tore the moon out of Earth's orbit and sent it hurtling through space. The 311 inhabitants of Alpha were swept along for this uncontrolled flight into uncharted space.
Posted in: Disc Reviews by Gino Sassani on January 3rd, 2011
"I love it when a plan comes together."
I love it when a movie comes together that offers you some value for your entertainment dollar and manages to touch a bit on the old nostalgia strings along the way. I'm not going to try to convince you that the new A-Team film is a great movie. It's not even close. But neither was the series a great series. What I am going to try to convince you to do is go out and at least rent a copy of the A-Team movie and allow it to do exactly what it was intended to do ... take you for a little ride while jogging those old memories just enough to bring the occasional smile to your face. Think about it. Could you really ask a movie to do anything more?
Posted in: Disc Reviews by Gino Sassani on January 3rd, 2011
"Luke Skywalker has returned to his home planet of Tatooine in order... But, you know this story..."
Know this story, you do. It's the opening of the third, or actually the 6th in sequence, but it is the 3rd one made, unless you count... Never mind. This is the prologue to Return Of The Jedi. Not so long ago in this Galaxy, Family Guy took a shot across the bow of those Imperial Cruisers with its extremely funny and on the spot spoof of the first Star Wars film, or actually the 4th chapter.... Star Wars: A New Hope. It was only a matter of time before Seth MacFarlane would steer his own ship back into George Lucas's universe a third time. With equal parts faithful adaptation and off-the-wall detours, he's done it again, delivering another very funny tour into the dark side.
Posted in: Disc Reviews by Gino Sassani on December 23rd, 2010
"I have come to tell you a story..."
Director Phillip Noyce is no stranger to the spy-and-espionage genre. His father was an intelligence officer with the Australian government, and he spent many years of his childhood listening to tales of derring-do. He often recounts in interviews how he would play spy as a young man. He would pick out some stranger he'd see while out and about. For the next several hours he would follow that person, noting their actions, all the while practicing not getting caught. He'll tell you that his nerve got the best of him or he might have very well found himself following in the footsteps of his father. Perhaps someone else would have been making films about his exploits. Instead he gravitated to the next best thing. He decided to make movies about such things. Some of those films like Clear And Present Danger and Patriot Games are solid examples of the genre. Others might not be quite so successful at the box office but are often better than their numbers might indicate. Count Salt in that category. Salt was obviously intended to start a new franchise. The ending doesn't even hide the setup for another film. But the reality is that the movie made only about $118 million on a $110 million budget. $7 million might sound like a lot of money to you or me, but in Hollywood those aren't the kinds of numbers on which solid franchises are built. Too bad, really, because Salt is a pretty entertaining film.
Posted in: Disc Reviews by Gino Sassani on December 23rd, 2010
"And now I wish to present an entertainment which has given pleasure to many of the crowned heads of Europe. Ladies and gentlemen, tonight for your eyes alone..."
In the 1950's and 1960's Hammer picked up where Universal had left off. They became the studio for the very best in horror films. With names like Lugosi, Karloff and Chaney finally reaching the end of their reign, Hammer offered up the likes of Christopher Lee and Peter Cushing. They resurrected all of the famous Universal monsters in their own image. Now we had a new cycle of Dracula, Frankenstein, The Wolf Man and The Mummy. While the films were somewhat low-budget and released mostly through the drive-in circuit, these films made a bloody splash with horror fans all over the world. But by the time the 1970's had begun, the studio was falling behind in the horror genre. Anthony Hinds had left the studio, and with him went some of the passion for the horror films that made Hammer famous. The studio heads became more interested in other kinds of films, and the horror department languished for a time.
Posted in: Disc Reviews by Gino Sassani on December 23rd, 2010
Michael McDonald has been around for a very long time. In fact, with his white hair and beard McDonald makes a perfect little musical Santa. The man began his career as a backup singer for Steely Dan but made his real fame when he became part of The Doobie Brothers in the 1970's. But by 1982 it was already all over for the super-group. After about 5 years of wall-to-wall hits the group disbanded, and McDonald went out on his own. His first solo album was an almost instant hit. Unfortunately for McDonald and his many fans, he wasn't the most prolific artist and took 9 years to follow up that album. By then times had changed, and he never has quite captured the fame that started with The Doobie Brothers and continued through his early solo career.
While McDonald's solo career hasn't exactly been soaring in the last 20 years, he has found ways to stay in touch with the loyal fan base. Christmas has been kind to the rocker. He has released a couple of Christmas albums with some level of success. He also continues to do Christmas concerts, a tradition that began in his Doobie Brothers days.
Posted in: Disc Reviews by Gino Sassani on December 16th, 2010
John Wayne Gacy was one of Chicago's most infamous killers. He most remembered for the images of him as a clown. He used to entertain at parties in the costume. While it was never really part of his killing life, he was forever known as the Clown Killer. Gacy would entice young men, often gay hookers, into his home where he would drug them and have sex with them. He would also trick them into putting on handcuffs, and he would strangle them to death. He buried the bodies of his victims in a crawlspace beneath his house, where the mass grave's discovery would lead to his arrest and conviction. A bit of a surprising development was that Gacy himself ended up drawing an accurate map of where each of the bodies could be found, because he didn't want them to rip up his floors. Of course, it should have been clear to him by then that he wasn't going to be living there ever again.
We all know the story. There have already been countless films and documentaries as well as books dealing with every aspect of the killer's life and crimes. Apparently, there was another little known story that hadn't gotten quite the same amount of attention. In the 14 years that Gacy was incarcerated awaiting his eventual execution for the murders, he was quite the communicative butterfly, writing to many of the folks who wrote to him in prison. He would attempt to manipulate these people from behind his own prison cell. One of these pen pals was criminology student Jason Moss. Moss would later write a book about his experiences with Gacy called The Last Victim. In the book he described the correspondence that led to him actually visiting with Gacy in the last days leading up to his execution. Obviously, there are going to be some liberties with the film, but it is nonetheless a fascinating character study of a relationship that got terribly out of hand.
Posted in: Disc Reviews by David Annandale on December 10th, 2010
A suave Tom Cruise and a flustered Cameron Diaz (wow, what a stretch for both actors) bump into each other at Wichita airport, and a few minutes later do so again. Diaz thinks she might be on to something with the charming hunk, but she is more accurately into something, and in far out of her depth, as the plain flight turns into a gun battle and forced landing. Before she knows it, she doesn't know where to turn and whom to trust: the various menacing government officials (headed up by a sinister Peter Sarsgaard), or the cheery but possibly psychotic rogue Cruise. There will be many a narrow escape and an international location visited before she knows the answer.
Tom Cruise's return to action-adventure films was almost more notable for the off-screen backstory than the on-screen action. This, of course, was the film he chose to do when he backed out of the darker-edged Salt, where he was replaced by the rather more convincing Angelina Jolie, and which proceeded to beat Knight and Day at the domestic box office. (In fairness, neither film was a giant hit, and the overall worldwide business of both was pretty close.)
Posted in: Disc Reviews by Gino Sassani on December 9th, 2010
"The war between sorcerers was fought in the shadows of history, and the fate of mankind rested with the just and powerful Merlin. He taught his secrets to three trusted apprentices, Balthazar, Veronica and Horvath. He should have trusted only two."
It was one of the most memorable Walt Disney moments in the long history of animation. The Sorcerer's Apprentice segment in Fantasia would become the most recognizable piece of the film. It would be released many times over the years since 1940, so that even people who had never even heard of Fantasia recognized Mickey Mouse as the sorcerer's apprentice who abused the power he had learned to bring a broom to life and do his chores while he slept. The magic got out of his control and mayhem ensued. The images linger still. Now the combination of Jerry Bruckheimer, Jon Turteltaub, and The Walt Disney Studios has teamed up for a new adventure film very loosely based on that original material. This is the same team that brought us the National Treasure films and part of the team that continues to bring us the Pirates Of The Caribbean films. If you liked those franchise films, you can expect more of the same in The Sorcerer's Apprentice.